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13.7.12

Jimmy Hall



Jimmy Hall - Touch You - 1980 - Epic

Jimmy Hall (born April 26, 1949 in Birmingham, Alabama) was the lead singer and harmonica player for the successful Southern rock group, Wet Willie which he co-founded 1970. In 1980 he had a solo hit of his with the single "I'm Happy that Love Has Found You" (US No.27). In May 1982, Jimmy peaked at No.77 with the song "Fool For Your Love." In 1985, he sang lead vocals on Jeff Beck's "Flash" album and was nominated for a Grammy award for Best Male Rock Vocalist. After leaving Willie, Jimmy Hall has been best known as a sideman for others (Jeff Beck, Jimmy Buffett, Hank Williams Jr., Gregg Allman) due to his abilities as a harp/sax player and vocalist. Jimmy has one of the most distinctive voices ever heard, and this is a very good album of pop, country, funk, and blue eyed soul. Listen to his "Build Your Own Fire" album and Wet Willie's tremendous "Left Coast Live" album [All tracks @ 256 Kbps: File size = 74.8 Mb]

TRACKS / COMPOSERS

A1 634-5789 - E. Floyd, S. Cropper 3:41
A2 Private Number - B. T. Jones, W. Bell 3:18
A3 Midnight To Daylight - J. V. Hall Jr., J. Hall, L. Berwald 5:20
A4 Eazy Street - J. V. Hall Jr. 4:39
A5 Rock & Roll Soldier - E. Setser, T. Seals 4:16

B1 Never Again - J. Monday, M. Tanner, N. Jeffrey 3:21
B2 Bad News - J. D. Loudermilk 3:16
B3 I'm Happy That Love Has Found You - A. Jacobson, E. Chase, W. Haberman 3:57
B4 The Same Old Moon - J. Hall, J. Goin 5:08
B5 Touch You - J. Hall, L. Berwald 3:43

MUSICIANS

Jimmy Hall - Saxophone, Harmonica, Percussion, Vocals
Larry Berwald, Jon Goin - Guitar
"Brother" Jack Hall - Bass, Vocals
Shane Keister, Bobby Ogdin - Keyboards
Mike Duke - Piano on "634-5789"
Mike Eubank - Piano on "Midnight To Daylight"
Gunnar Gelotte - Drums, Percussion, Backing Vocals
Farrell Morris - Percussion on "Eazy Street"
George Tidwell - Trumpet on "634-5789"
Greg "Fingers" Taylor - Harmonica on "The Same Old Moon"
Sheldon Kurland - Strings
Norbert Putnam - String Arrangements on "Private Number"
Bonnie Bramlett - Vocals [Duet] on "Private Number"
Dave Loggins, Donna Hall, Anita Hall, Steve Brantley - Vocals

SHORT BIO

Jimmy Hall, former lead vocalist and harmonica player for Wet Willie, has a long and varied background as a performer, working with Capricorn Records from its early days in the 1970s. Born and raised in Mobile, Alabama, Hall cofounded Wet Willie in 1970; over the next ten years, Hall and the group toured with Aerosmith, the Allman Brothers Band, Grand Funk Railroad and the Grateful Dead. Hall was later nominated for a Grammy Award for Best Male Rock Vocalist for Jeff Beck's 1985 Flash album. After Wet Willie's breakup, Hall moved to Nashville to work on a solo project for Epic Records, and he's been based there ever since, finding a healthy blues scene in a city known for country music. On his 1996 effort Rendezvous With The Blues, Hall is backed by people like Clayton Ivey on piano, former Capricorn session drummer Bill Stewart, and Dr. Dan Matrazzo on Hammond B-3 organ; the record also features Johnny Sandlin, the same producer who sat behind the console on Wet Willie's 1973 live album Drippin' Wet. In recent years, Hall joined Hank Williams Jr's touring band playing sax and harmonica. © Richard Skelly, All Music Guide

12.7.12

Shawn Colvin



Shawn Colvin - Live - 2009 - Nonesuch

Shawn Colvin chose a three-night solo acoustic stand at San Francisco's legendary Yoshi's (a jazz club) to record her second live offering. Simply titled Live, the set was compiled from songs played on those three nights, and serves as a delightful, intimate overview of her career. Every album, from her Columbia debut Steady On through to her 2006 Nonesuch debut, These Four Walls, is represented here. The 15-song set list is canny and tight; 12 of these selections she either wrote or co-wrote with co-producer John Leventhal. Favorites such as "Diamond in the Rough," "Ricochet in Time," "Polaroids," "Sunny Came Home," and "Trouble" are showcased in versions that, while almost utterly faithful to their original recorded versions, become definitive here in this stripped down, on-a-wire presentation. Other notables include the beautiful "Nothing Like You," the haunted "A Matter of Minutes," the revelatory "Shotgun Down the Avalanche," and "Fill Me Up." There are three covers here, too: reprises of her readings of Robbie Robertson's "Twilite," Talking Heads' "This Must Be the Place" from her Cover Girl outing, and a solo blues version of Gnarls Barkley's "Crazy" that was issued as an in-studio single version in 2007 (this one is longer and far more beautiful). And while it's true that Colvin has excellent interpretive skills, this set is a almost a forum on her as a songwriter. These songs hold up to repeated listening in either their original studio forms or in this bare showcase because they are simply great songs. They have universal themes no matter how personal, and can be lyrically interpreted in numerous ways. More than this, they can be heard as either slices of a moment in time or as in-the-moment statements of emotion. Colvin fans will be delighted by this collection, and anyone remotely curious would do well to make Live her introduction to the artist's work. © Thom Jurek © 2012 Rovi Corp | All Rights Reserved http://www.allmusic.com/album/live-mw0000819211

The album was nominated for a Grammy for Best Contemporary Folk Album of 2009. It didn't win, but winning Grammy's is certainly not always an indication of great talent. This is a great urban folk album full of outstanding songs mostly composed by either Shawn or in collaboration with John Leventhal. There are a few covers here also including Robbie Robertson's "Twilight" and Talking Heads' "This Must Be the Place (Naïve Melody)", done extremely well. Thankfully, there are still great singer/songwriters out there who possess a natural talent and have a substantial fan base who appreciate great music. Shawn Colvin has been recording truly great music for many years now and has done an immeasurable amount of work in promoting real music. "Live" is VHR by A.O.O.F.C. Buy Shawn's outstanding "A Few Small Repairs" album and support great modern folk rock [All tracks @ 160 Kbps: File size = 69.4 Mb]

TRACKS / COMPOSERS

1 Polaroids - Shawn Colvin 5:05
2 A Matter of Minutes - Shawn Colvin / John Leventhal 4:31
3 Shotgun Down the Avalanche - Shawn Colvin / John Leventhal 4:01
4 Twilight - Jaime "Robbie" Robertson / Robbie Robertson 3:07
5 Trouble - Shawn Colvin / John Leventhal / Tom Littlefield 3:55
6 Tennessee - Shawn Colvin / John Leventhal 4:01
7 Nothing Like You - Shawn Colvin / John Leventhal 3:38
8 Sunny Came Home - Shawn Colvin / John Leventhal 4:10
9 Fill Me Up - Shawn Colvin / John Leventhal 3:28
10 Wichita Skyline - Shawn Colvin / John Leventhal 3:42
11 I'm Gone - Shawn Colvin 3:25
12 Ricochet in Time - Shawn Colvin 4:10
13 Diamond in the Rough - Shawn Colvin / John Leventhal 4:04
14 Crazy - Brian Joseph Burton / Thomas Decarlo / Gian Franco Reverberi / Gian Piero Reverberi / Gianfranco Reverberi 4:18
15 This Must Be the Place (Naïve Melody) - David Byrne / Chris Frantz / Jerry Harrison / Tina Weymouth 4:44

BIO

Shawn Colvin is one of the leading lights of the so-called "new folk movement" that began in the late '80s. Although she grew out of the somewhat limited "woman with a guitar" school, she kept the form fresh with a diverse approach, avoiding the genre's clichéd sentiments and all-too-often formulaic arrangements in favor of a more personal, pop-influenced style. Colvin's debut record won the Grammy Award for Best Contemporary Folk Album in 1991, but it was her 1997 single, "Sunny Came Home," that firmly catapulted her into the mainstream. Although she never revisited that commercial peak again, Colvin still commanded a broad, loyal following into the subsequent decades. Colvin was born in Vermillion, South Dakota, on January 10, 1956. By the age of ten, she had discovered a passion for music and taught herself guitar. After moving twice -- first to London, Ontario, and then to Carbondale, Illinois -- Colvin formed the Shawn Colvin Band, a hard rock outfit whose high-energy demands soon strained her voice. She relocated to Austin, Texas, where she joined the Western swing band the Dixie Diesels and sang with the band until nodes forced a temporary retirement at age 24. In 1983, she moved to New York, where she found a home in the city's singer/songwriter scene and built a following in the surrounding area. Throughout the '80s, Colvin worked her way up the folk circuit, also appearing in off-Broadway shows such as Pump Boys and Dinettes, Diamond Studs, and Lie of the Mind. Her work also appeared in Fast Folk magazine, and she got her first break in 1987 singing backup on Suzanne Vega's hit song "Luka." By the following year, she had found a songwriting partner in John Leventhal, who began providing melodies for Colvin's lyrics. A live tape sold at Colvin's shows (Live '88) attracted the attention of Columbia Records, who signed her the same year in the wake of success from such like-minded performers as Tracy Chapman, Suzanne Vega, and the Indigo Girls. Steady On, released in 1989, won the Grammy Award for Best Contemporary Folk Recording. Colvin's 1992 sophomore effort, the more pop-oriented Fat City, earned her two more nominations -- Best Contemporary Folk Recording and Best Female Pop Vocal for the single "I Don't Know Why" -- as well as considerable critical praise and a growing crossover audience. In addition, "I Don't Know Why" became a big adult contemporary hit. Cover Girl, an album of cover songs, met with mixed reviews and modest sales in 1994, but Colvin again earned a nomination for Best Contemporary Folk Recording. In late 1996, Colvin released A Few Small Repairs, having written the album during the midst of a painful divorce. A Few Small Repairs slowly became a hit over the course of 1997, due in part to the success of "Sunny Came Home" on the pop charts. In 1998, "Sunny Came Home" won two Grammy Awards for Record of the Year and Song of the Year, and A Few Small Repairs became her first album to reach platinum status. Holiday Songs and Lullabies followed that autumn. During the new millennium, Colvin contributed vocals to songs by Béla Fleck, Edwin McCain, James Taylor, and Shawn Mullins. She also collaborated with Sting on "One Day She'll Love Me," the theme song for Disney's The Emperor's New Groove. She returned to the solo format with 2001's Whole New You and, in 2004, summarized the first 15 years of her recording career with the compilation Polaroids: A Greatest Hits Collection. A companion home video was also issued. Two years later, Colvin came out with another album, her debut for the Nonesuch label, entitled These Four Walls. It featured guest performances from Patty Griffin and Teddy Thompson, among others. While touring through San Francisco in support of the album, Colvin recorded material from her three-night residency at Yoshi's, which she released in 2009 as the concert album Live. Colvin's eighth studio album, 2012's All Fall Down, was produced by Buddy Miller and recorded in Nashville at Miller's home studio, and featured guest spots from Emmylou Harris, Alison Krauss, Jakob Dylan, and others. © Chris Woodstra ©2012 Rovi Corp | All Rights Reserved http://www.allmusic.com/artist/shawn-colvin-mn0000013387

Curtis Salgado



Curtis Salgado - More Than You Can Chew - 1995 - Rhythm Safari

“Triumphant, joyful blues-soaked R&B...one of the most soulful, honest singers ever” - Blues Revue

As well as having a successful solo career, Curtis Salgado, the great vocalist and harp player from Portland, Oregon was a vocalist/harp player with Santana, Robert Cray, and Roomful Of Blues. He also worked with SRV, and BB King. The late John Belushi credited Curtis as inspiring The Blues Brothers. If you are not familiar with Curtis Salgado, hopefully "More Than You Can Chew", Curtis' first solo album will impress you. It's a really good album and a powerhouse fusion of blues, rock & roll, funk, soul and gospel. Although Curtis Salgado may have impressive credentials, he still needs more exposure. You gotta hear this guy. Buy his brilliant "Clean Getaway" album, and try and hear his wonderful "Curtis Salgado & the Stilettos" album. Check out Curtis' "Strong Suspicion" album on this blog [All tracks @ 256 Kbps except Track 13 @ 192 Kbps: File size = 105 Mb]

TRACKS / COMPOSERS

1 To Hell With It (Pt. 1) (Instrumental) - Salgado/Minnieweather
2 Little Charmer - Salgado/Boe/McClain/Phillips
3 I Don't Care - McClain
4 Salt In My Wounds - D.Walker/A.Miriakitani
5 Heartless - Salgado/McClain/Cousins/Burns
6 She Told Me That Too - Salgado/Miller/McClain1/Cousins
7 More Than You Can Chew - Salgado/Minnieweather/Robb/Mazzocco
8 Can't This Be Mine - F.Hall
9 I'm Not Through Lovin' You - D.Walker
10 Got A Bad Feelin’ (Gonna Be A Good Night) - Salgado/McClain/Robb/Tappendorf
11 Jump Into Love - Salgado/McClain/Hamilton
12 Always - Salgado/McClain
13 On My Way Back Home - Salgado/McClain/Holiday/Wilson
14 To Hell With It (Pt. 2 ) (Instrumental) - Salgado/Minnieweather

MUSICIANS

Curtis Salgado - Harmonica, Vocals, Background Vocals
Steve Cropper, Terry Robb - Guitar
Steve Miller - Guitar, Background Vocals
Marlon McClain - Guitar, Drum Programming, Background Vocals
Richard Cousins - Bass
Nathaniel Phillips - Keyboards, Drum Programming
Joe Heinemann - Keyboards
Jeff Minnieweather - Drums, Background Vocals
Steve Reid - Percussion
Gary Herbig - Tenor & Baritone Sax
Greg Adams - Trumpet, Flugelhorn
Chuck Findley - Trumpet
Nick Lane - Trombone
Jeff Pescetto, Penny Ford, Sir Harry Bowens - Background Vocals

BIO

A well-respected veteran of the American blues scene, Curtis Salgado has been rocking audiences with his full-force vocals and powerful harmonica work since the late 1960s, and has performed with some of the biggest and most enduring acts in the genre. Salgado was born on February 4, 1954 in Everett, Washington. He grew up in a family of music lovers -- his folks were fans of classic jazz and blues, from Kid Ory to Fats Waller, and his siblings were hip to soul shouters such as Wilson Pickett and blues masters like Muddy Waters. Seeing Count Basie when he was 13 first inspired Salgado to consider a career in music, and after hearing Little Walter for the first time, he began learning to play the harmonica, picking up some tips from an instruction book his mother gave him. By the time he was 16, Salgado was playing paying gigs, and only a few years later he and his band the Nighthawks (not to be confused with the long-running Washington D.C. act of the same name) were a major draw on the Northwest club scene. In 1975, Salgado and a handful of other blues fans in Eugene, Oregon (which had become Salgado's home) began booking a blues festival that gave Salgado and his bandmates the chance to share stages with (and often back up) a number of legendary musicians, including Willie Dixon, Sonny Terry & Brownie McGhee, Albert Collins, Big Walter Horton, and Otis Rush. In 1977, Salgado & the Nighthawks were playing a typically raucous gig in Eugene when he struck up a conversation between sets with an especially enthusiastic patron. The fan turned out to be actor and comedian John Belushi, who was in town shooting the film Animal House. Belushi, whose tastes at the time ran to metal and hard rock, struck up a friendship with Salgado, who turned Belushi into a blues fan, and much of Salgado's suggested listening would form the set list for the Blues Brothers' top-selling debut album Briefcase Full of Blues. Salgado also became friends with up-and-coming guitarist and songwriter Robert Cray, who frequently played the Northwest at the time, and when Salgado's Nighthawks began to splinter, he joined Cray's band on harp and vocals. Salgado appeared on Cray's debut album, 1980's Who's Been Talkin', but left Cray's band in 1982; between 1984 and 1986, he was a member of Roomful of Blues, and sat in on the sessions for RoB's 1988 collaboration with Earl King, Glazed. Salgado then formed a new band, Curtis Salgado & the Stilettos, and after making the rounds of the Northwest club circuit, the group released their self-titled debut album in 1991. Steve Miller, a longtime fan and friend of Salgado's, invited him to open Miller's 1992 summer concert tour, and in 1994, Salgado took a sabbatical from his own band to sing with Santana for a U.S. tour. Salgado released a solo album in 1995, More Than You Can Chew, and a year later he and his band hit the road again with Steve Miller; Salgado also found time to release another album that year, Hit It ‘N Quit It. In 1999, Salgado signed a deal with the roots music label Shanachie Records, who released his album Wiggle Outta This the same year; Soul Activated would follow in 2001 and Strong Suspicion in 2004, as Salgado continued his busy touring schedule. In 2006, Salgado was diagnosed with liver cancer and underwent treatment that included a liver transplant; two years later, he was found to have lung cancer, but was declared cancer-free in time to release the album Clean Getaway in 2008. In the fall of 2011, Salgado signed with powerhouse blues label Alligator Records, and his first album for Alligator, Soul Shot, appeared in February 2012. In July 2012, Salgado announced that another cancerous growth had been discovered on his lung, but after undergoing surgery, he and his doctors expected him to make a complete recovery. © Mark Deming © 2012 Rovi Corp | All Rights Reserved http://www.allmusic.com/artist/curtis-salgado-mn0000117960

11.7.12

Dweezil Zappa



Dweezil Zappa - Zappa Plays Zappa [Audio CD 3/ Disc 5 / Fan Pack Boxset ] - 2008 - Razor & Tie

Considered by many to be a musical genius, the late composer, guitarist and producer, Frank Zappa's body of work is vast, eclectic and diverse. In 1993 his untimely death deprived thousands of his loyal fans Frank's satirical flair and brilliant musicianship. A few years ago, Frank Zappa's eldest son Dweezil decided that his father's music was not been given the exposure it deserves and he created Zappa Plays Zappa , an extensive concert tour that brought selected compositions from his father's huge body of work back to the stage. Dweezil said, "Frank's music is unique. It deserves to be discovered by today's audience. They don't have any idea what they are missing. His music is not going to suddenly appear on popular radio or TV programs and it's not going to get massive exposure in the media, so the only way to introduce it to new people is to play his music live. Frank always called his music the 'World's Finest Optional Entertainment' and it really is." The Zappa Plays Zappa tour gives audiences a chance to spend an evening with Frank Zappa's wonderful, weird, and often complex music, meticulously performed by a mix of brilliant musicians who previously played with Frank Zappa including Mothers of Invention member Napoleon Murphy Brock. In 2006, two critically-acclaimed 2006 Zappa Plays Zappa concerts were filmed and recorded in Portland, Oregon and Seattle, Washington, respectively. The music was released on DVDs featuring over three hours of fantastic performances from Dweezil's fabulous group of players, including special guests Steve Vai, and Terry Bozzio. A limited edition fanpack is available featuring the two-DVD set and also three CDs containing the entire audio content, totalling 270 minutes. The disc here is the audio CD 3/Disc 5 of the Zappa Plays Zappa Fan Pack edition which brilliantly commemorates Frank Zappa's more rock-oriented compositions from the 1960s through the 1980s.This album is also available as a one disc CD, a 2 disc CD, and a 2 disc DVD. Check out Dweezil's "Automatic" album on this blog, and listen to Frank Zappa's "Apostrophe" album [All tracks @ 320 Kbps: File size = 145 Mb]

[Audio CD 3/ Disc 5]

TRACKS

1 Zomby Woof
2 Black Napkins
3 The Torture Never Stops
4 Oh No
5 Son Of Orange County
6 Trouble Every Day
7 Sofa
8 Cheepnis

All tracks composed by Frank Zappa

MUSICIANS

Dweezil Zappa - Lead Guitar, Vocals
Jamie W.Kime - Guitar, Vocals
Steve Vai - Guitar
Pete Griffin - Bass, Vocals
Scheila Gonzales - Keyboards, Saxophone, Flute, Vocals
Aaron Arntz - Keyboards, Trumpet, Vocals
Terry Bozzio, Joe Travers - Drums, Vocals
Billy Hulting - Percussion, Mallets, Manic Ranting
Napoleon Murphy Brock - Sax, Flute, Vocals

BIO

Son of Frank Zappa and a heavy metal disciple of Eddie Van Halen and Steve Vai, Dweezil released his first album, Havin' a Bad Day, in 1986. He worked a stint as a VJ on MTV, appeared in the films Pretty in Pink and The Running Man, and had a brief sojourn in TV situation comedy with his sister Moon Unit, on 1988-1989's Normal Life. Dweezil also issued his second album, My Guitar Wants to Kill Your Mama, in 1988, following it in 1991 with Confessions, and subsequently took a break from solo recording. He worked in television for a time, composing the theme song to the sadly short-lived Ben Stiller Show and voicing the character of Ajax on the brilliant USA Network animated series Duckman. He next formed the band Z with brother Ahmet on vocals; the group released two albums together: 1994's Shampoohorn and 1996's Music for Pets. In addition to his work as a session guitarist, Zappa busied himself with Happy Hour ( a TV show for the USA Network which debuted in 1999 and was co-hosted with Ahmet ), and his first solo album in nine years, 2000s mostly instrumental Automatic. Following this, Dweezil fell back out of the public eye and re-dedicated himself to learning guitar, changing his style a bit and adopting many of his father's picking techniques. In 2005, he assembled a crack band of younger players and recruited FZ alumni Steve Vai, Terry Bozzio, and Napoleon Murphy Brock for the critically acclaimed Zappa Plays Zappa tour which hit the road in the summer of 2006. The band (with Brock ostensibly as the frontman) performed an entire program of Frank Zappa compositions with Vai and Bozzio appearing as guests and Dweezil himself as lead guitarist/bandleader. Between legs of that tour, he released Go with What You Know, easily his most ambitious album to date. A studio version and DVD of Zappa Plays Zappa appeared in 2008 with a live album from the project -- Return of the Son Of... -- following in 2010. © Cub Koda © 2011 Rovi Corporation. All Rights Reserved http://www.allmusic.com/artist/dweezil-zappa-p5902/biography

9.7.12

The Domenic Troiano Band




The Domenic Troiano Band - The Joke's on Me - 1978 - Capitol

In the music world, the inability to clearly categorize an album usually decreases its mass appeal. In other words, musical creativity doesn't sell records. As a result, loads of great "not quite this, not quite that" albums have been quietly forgotten. This is one of them. Domenic is pictured on the back cover of the sleeve with his bandmates surrounding him. With a bright light shining behind him casting a stellar shadow, he resembles a God-like figure. Some of the music on this album is indeed heavenly. This is my Troiano desert island album and definitely one of my all-time favorites. The songs here are strong and the band is excellent. Terry Brown's production is relatively sparse, but two keyboardists are used (only in the '70s!). Some of the keyboard tones are pleasant, but others sound dated by today's standards. Nonetheless, the material and Domenic's guitar playing completely make up for that flaw. The album opens on an ominous note with the title track, a nightmarish tune with a droning synth to enhance the mood. Dom plays some great licks in the song's breaks. "Maybe the Next Time," a light, jazz-rock tune, has 1978 written all over it. If it were sung by Donald Fagen, it would have been a Steely Dan hit. The third track, "Spud," is a laid-back instrumental with some neat, jazzy guitar runs. "Here Before My Time" is one of Domenic's best songs, a quiet ballad with intelligent lyrics. I'm not sure if Dom meant for the song to be autobiographical, but I believe it is ("I'm tryin' to get by in a world that seems so blind, I'm here before my time, or am I last in line?"). Here's where the album goes from really good to incredible. The last song on side one, a seven-minute instrumental called "Eleanora Fagan," just might be my favorite Troiano song. Simply put, it's better than most songs you've heard. It quietly begins with an slow, elegant guitar line. Gradually, drums and layers of keyboards enter and give the melody more depth and emotion. Domenic's guitar playing in the third verse is stunning; he is a musician who can stir up the listener's emotions through his playing alone. Just as you're about to burst into tears as the band reaches a crescendo, the instruments quickly fade, only to slowly build once again for the grand finale. Find this very out-of-print album just to hear this song. You won't be disappointed. (Who is Eleanora Fagan? Billie Holiday.) Side two consists of three songs which are essentially one long piece. The result is arguably Troiano's masterpiece. The idea to link the songs together and create a side-long epic was brilliant. "Road to Hell" is a tough rock song with touches of jazz and funk played in a very strange time. A diabolical choir invades the song's finale, and it starts to sound like you've actually entered hell. That's when you're dropped off into the "War Zone." It truly is the sonic equivalent of a battlefield. The length, nearly 10 minutes, adds to the effect. After an instrumental introduction, the song sounds pretty normal, with a couple verses and a chorus which includes a synthesizer that sounds like a car alarm. The lengthy middle section includes instrumental solos, creepy keyboard sounds, and weird vocal effects. Near the end of the song, you begin to wonder if you'll ever see the light of day again. Just when you think there's no escape, the song segues into "Look Up," an absolutely ethereal piece of music. This is aural utopia. The song is a thoughtful and heartfelt ballad about turning to a higher power when things are bad. Yes, artists other than Christian performers can sing about faith and do it well. I think Domenic deserves a lot of respect for that alone. Why critics and the public didn't pay more attention to this album is a mystery to me. The Joke's on Me is Troiano's most unified album, in terms of musical style, delivery and concept. Dom wrote all of the songs on the album and he sings all of the lead vocals. You can find some of his best guitar work here, too. Troiano's heart and soul really come through in the album's words and music, especially on "Eleanora Fagan" and "Look Up". And can you name a balding rocker besides Domenic who would bare his head proudly on an album cover? It all adds up to music and an artist that is real, someone who isn't caught in the machinery of the music business. All of these reasons are why I think this is his best album; you really can't go wrong here. If you can find a used copy of it, consider yourself lucky. [Unless otherwise stated, all text © 1999-2010 JDF] © http://www.troianomusic.com/joke.html

The late Canadian guitar icon, Domenic Troiano was a gifted, world-class guitarist and band leader. He formed the bands Mandala and Bush in 1970. He helped create the "Toronto Sound" in the 60′s and 70′s. In his career he replaced the Band's Robbie Robertson while Robbie was playing with Ronnie Hawkins. He also replaced the James Gang band's guitarist Joe Walsh and replaced Randy Bachman in the The Guess Who. Domenic played with many great artists including Joe Cocker, Donald Fagen, Diana Ross, David Clayton-Thomas, Etta James, and also produced albums for for other artists. He was inducted into the Canadian Music Hall of Fame in 1996. "The Joke's on Me" is full of relaxed, down-to-earth R&B, funk, and soul with a jazz touch and is HR by A.O.O.F.C. Please forgive the slight "snap, crackle, and pop" on this vinyl issue. This would be a wonderful album for somebody to remaster for CD. After his death, Randy Bachman said "I'm sure the heavenly jam sessions with Lenny Breau and Jimi Hendrix are taken to a new level, now that Dom has arrived." Donald Fagen said that "I was sad to hear that Domenic Troiano lost out to cancer the other day. Dom was a touring mate of ours in the mid '70s when he was with the James Gang. Walter and I used to stand in the wings after our set and watch as he played the long, psychedelic solos required of him. It was the sort of gig where he'd end up under a followspot on his knees sending these sustained, creamy lines heavenward, or at least out into the crowd of worshipful, wine and quaalude-addled young men. Nevertheless, Dom always added a very personal elegance to everything he played. We'd met him before, in the late sixties in New York when we were doing session work for Gary Katz. He had just done a couple years with a popular "blue-eyed" soul unit, Mandala. We were both knocked out by his beautiful technique and the energy he brought to the session. He could do it all - startling licks, clear octave lines, driving rhythm parts - whatever the party called for. Everyone wanted to play with Dom. When we were starting up Steely Dan, he was one of the first guys we called. Dom said, thanks, but he was just too busy." Try and listen to his "Burnin' at the Stake" album. Check out Domenic Troiano's s/t album on this blog and read a detailed bio of Domenic @ http://www.troianomusic.com/bio.html [All tracks @ 320 Kbps: File size = 106 Mb: Vinyl issue]

STEELY DAN TRIVIA: Domenic played with Donald Fagen on Diana Ross' "Ross" album and also on Eye To Eye's "Shakespeare Stole My Baby" album, both albums produced by the great Gary Katz

TRACKS

1 The Joke's on Me 3:50
2 Maybe the Next Time 4:24
3 Spud 3:48
4 Here Before My Time 4:25
5 Eleanora Fagan 7:04
6 Road to Hell 6:25
7 War Zone 9:13
8 Look Up 7:0

All tracks composed by Domenic Troiano. N.B: Tracks 6-8 are essentially one long piece which comprised the B-Side of the original LP. On this post the three tracks are unified into one long track, making a 6 track album

BAND

Domenic Troiano - Guitar, Lead Vocals
Keith Jones - Bass, Vocals
Dave Tyson - Keyboards, Vocals
Jacek Sobatta - Keyboards
Paul DeLong - Drums

BIO

Singer, songwriter, and famed guitarist Domenic Troiano is probably best known for the time he served as a member of the famed rock group, the Guess Who. Over more than three long decades in the music world, Troiano did a lot of other work with different bands, blues style and rock, including the James Gang, the original Bush, and Mandala. He later composed tunes for both film and television. He even completed several solo albums in the '70s, earning himself a spot in the Canadian Music Hall of Fame. Some of the solo numbers Troiano recorded so long ago, became available on CD just before the new millennium rolled around, proving that many fans still hold interest in his music. Domenic Troiano was born in 1946 in Modugno, Italy. When he was little more than a baby, his family picked up and moved to Toronto, Canada. He was raised with a love for music, both rhythm & blues and good ol' rock & roll. When he was in his mid-teens, his desire to learn to play the guitar resulted in him teaching himself. Maybe that's why his style became so much his own and was later imitated by many other artists. One of the early influences on Troiano was a guitarist by the name of Robbie Robertson. In a twist of fate, Troiano started his professional career by replacing Robertson in a band that performed with Ronnie Hawkins, a fellow Canadian singer. Troiano worked with the band for less than a year, then moved on to other groups. One of those early bands was Five Rogues, which changed its name to Mandala. It was with Mandala in 1967 that Troiano made his first recordings and began to climb the ladder to fame. Some of that fame started from negative press, complaints from parents about the group's corrupt music style, the way the guys dressed, and even the length of their hair. Of course, the more parents complained, the more their teens loved Mandala and its music. When Mandala came to an end around 1969, Troiano and some of the other members pulled together to start a new group, Bush. ABC/Dunhill singed the band and sent it on tour with major groups at the time like Three Dog Night. After a short life, Bush met a quick end, but never one to give up, Troiano went solo. In 1972, before he could finish an album of his own, he was called in to join the James Gang, replacing Joe Walsh. For the next year, Troiano recorded with the group, but continued to work solo also, completing not one, but two solo albums, a self-titled one in 1972, and then Tricky in 1973. Both albums were released under the Mercury Records label. During that same time, he recorded two other albums with the James Gang, writing a number of the songs himself. 974 and 1975 found Troiano serving as a member of the Guess Who. After that group folded too, he took some time working on his own again, trying his skills at a little funk and some jazz. Two years later he was under contract once more, this time with Capitol Records, where he finished a third solo album, Burning at the Stake, and then a forth offering, Jokes on Me. It was followed in 1979 by Fret Fever, Troiano's last solo album.
In the early '80s, Troiano was back with a band, this one called Black Market. The group released one independent recording in 1981. When success didn't come to Black Market, Troiano walked. He soon turned his attention to composing for films and television, and doing session work for other artists in the '90s. Domenic Troiano passed away May 25, 2005 after a long battle with cancer. © Charlotte Dillon © 2012 Rovi Corp | All Rights Reserved http://www.allmusic.com/artist/domenic-troiano-mn0000175101

8.7.12

Mike Porcaro




Mike Porcaro - Brotherly Love (CD2) - 2010 - Ward Records

Originally recorded live in Koblenz, Germany in March 2002, this bonus CD is part of a tribute concert, dedicated to Mike Porcaro's late brother and world renowned drummer Jeff Porcaro (April 1, 1954 – August 5, 1992): The CD includes some additional overdubs and extensive re-mixing and mastering, and includes a version of Walter Becker & Donald Fagen's great "Babylon Sisters". A terrific album from some of the world's greatest musicians. At present Mike Porcaro has Lou Gehrig's Disease. Hang on in there, Mike! Listen to some fastastic bass from Mike on "Primavera" from Santana's "Supernatural" album and read more about the late, great Jeff Porcaro @ http://www.answers.com/topic/jeff-porcaro Check out Disc One of this album [All tracks @ 320 Kbps: File size = 85.1 Mb]

BONUS DISC [CD 2]

TRACKS / COMPOSERS

1. Stuffy - David Garfield
2. Jeff's Strut - Joe Porcaro
3. Babylon Sisters - Walter Becker & Donald Fagen
4. Big Bone - Joe Porcaro
5. Corbitt Van Brauer - David Garfield

MUSICIANS

Michael O'Neill - Guitar
Mike Procaro - Bass
Steve Porcaro, David Garfield - Keyboards
Steve Gadd - Drums on 1,2,5
Bernard Purdie - Drums on 3
Gregg Bissonette - Drums on 3,4,5
Lenny Castro - Percussion
Larry Klimas - Saxophone, Flute
Ralph "Mosch" Himmler - Trumpet
Bobby Kimball, Glenn Hughes, Alex Ligertwood - Vocals on 3

BIO

Mike Porcaro (born Michael Joseph Porcaro, May 29, 1955, South Windsor, Connecticut) is an American bass player, best noted for his work with the Grammy Award winning band, Toto.
He is the middle brother of Toto members Jeff Porcaro and Steve Porcaro. Their father is jazz drummer/percussionist, Joe Porcaro. He played bass on a few unofficial sessions with the band since their early days in the late 1970s, but was not made an official member until 1982 (shortly after the release of Toto IV); replacing David Hungate, who departed for a session career in Nashville. According to Toto guitarist Steve Lukather, Porcaro would have been an original member of the band, but the record label wanted to retain the successful chemistry of the line-up from Boz Scaggs' critically acclaimed Silk Degrees album (as Hungate, Lukather and other members of Toto were Scaggs' backing band at the time). He quickly replaced Hungate on bass for the album's music videos and subsequent tour.Porcaro stopped performing with Toto in 2007 after a growing numbness in his fingers that made it increasingly difficult for him to play. He was replaced by Leland Sklar for the remainder of the tour and Toto disbanded in 2008. On February 26, 2010, it was announced via official press release that Mike Porcaro was suffering from Amyotrophic lateral sclerosis and that former band members of Toto, including Steve Porcaro, would do a short tour through Europe in support of him in the summer of 2010. The regrouped Toto continue to tour and perform for Mike's benefit in 2011. Nathan East was the guest bassplayer for both the 2010 and 2011 tour. Porcaro also played cello on the song "Good for You" on Toto IV, as well as "After You've Gone" on the 1999 album Mindfields. He has also influenced In Flames' bassist, Peter Iwers. Along with Toto, Mike has played numerous sessions in Los Angeles, and toured with Michael Franks on his very first tour. He appears in the video for the song "JoJo" by Boz Scaggs. In 2009, Mike was inducted into the Musicians Hall of Fame alongside his brothers and fellow Toto bandmates.

6.7.12

The Muggs




The Muggs - The Muggs - 2005 - Times Beach Records

The power trio is not a term to be used lightly - for every Blue Cheer there's a blink-182 - but when it's applied to the electrifying cacophony emitted by the Muggs, it's almost not enough. The Detroit-based threesome is a power trio the way that Led Zeppelin or Black Sabbath were - Robert Plant and Ozzy are cultural icons, but it's what went on behind them that launched a million rock bands. Muggs guitarist Danny Methric's solos transcend the blues that spawned them by sneaking out of their major and minor trajectories without a care in the world, while drummer Matt Rost and bass player Tony DeNardo - the latter switched to the lower register on a Fender Rhodes after suffering a hemorrhagic stroke in 2001 that left his right side paralyzed - sound as if they're joined at the shoulders. This is stadium rock trapped in a club and looking for a way out with every intention of burning the roof down - not in a Great White kind of way - that brings to mind '70s classic rock like AC/DC, Humble Pie, and Mountain. What sets the Muggs apart from questionable blues-rock revivalists like the Kings of Leon is their complete lack of pretense. Perfectly rendered guitar rock is at its essence the simple practice of fusing together a bass and guitar lead that jumps into the pit of your stomach and stays there, something the Muggs have obviously mastered on standout cuts like "Need Ya Baby," "Monster," and the Hammond-driven "Hard Love," but they're not above taking the listener through a space rock mid-section that owes more to Piper at the Gates of Dawn-era Pink Floyd than it does Ten Years After. It's that perfectly balanced allegiance to both discipline - these gentlemen are obviously no strangers to the rehearsal room - and balls-out rock & roll hedonism that makes this self-titled debut, when inserted into the medium of your choice, turn up all by itself. © James Christopher Monger © 2012 Rovi Corp | All Rights Reserved http://www.allmusic.com/album/the-muggs-mw0000346285

This is the kind of music that we've forgotten to listen to. It's uncomplicated, unpretentious good ballsy hard rock'n'roll from a terrific Detroit based trio with a great late 60's/early 70's rock 'n' roll vibe. There are no posers in this outfit. This album is HR by A.O.O.F.C. Buy the band's "Born Ugly" album and support great modern unpretentious rock. [All tracks @ 320 Kbps: File size = 110 Mb]

TRACKS

1 Need Ya Baby 3:16
2 Gonna Need My Help 3:09
3 Rollin' B-Side Blues 3:22
4 Monster 5:50
5 Should've Learned My Lesson 4:39
6 White Boy Blues 2:34
7 Hard Love 4:00
8 Said and Done 5:29
9 Underway 4:04
10 If You Please 4:34
11 Doc Mode 7:06

All songs composed by Danny Methric, Tony DeNardo, & Matt Rost except "Gonna Need My Help" by McKinley Morganfield (Muddy Waters), and "Underway" by Peter Green

MUSICIANS

Danny Methric - Guitar, Vocals
Tony DeNardo - Bass, Fender Rhodes,Vocals
Bobby Emmett - Hammond B3
Matt Rost - Drums

SHORT BIO

Formed in 2000 around the talents of guitarist/vocalist Danny Methric, bassist/backing vocalist Tony DeNardo, and drummer Matt Rost, Detroit-based blues-rock juggernaut the Muggs spent the early part of the new century building a devoted army of local fans. In September 2001, just as the train was getting rolling, tragedy struck when the 28-year-old DeNardo suffered a hemorrhagic stroke, nearly ending his life. After two years of intense physical therapy, DeNardo emerged victorious, but with a paralyzed right hand. Determined to pick right back up where they started, DeNardo began playing his basslines on a Fender Rhodes piano and the Muggs 2.0 were ready hit the stage. After signing with local indie label Times Beach Records in 2005, the Muggs released their eponymous debut and hit the road. That road eventually led to an audition for the FOX reality TV show The Next Great American Band, for which they were chosen out of over 10,000 applicants. They managed to last four episodes before heading home, where Methric was crowned Outstanding Rock/Pop Instrumentalist and the Muggs were voted Outstanding Rock Artist/Group at the 2008 Detroit Music Awards. Their critically acclaimed sophomore release, On with the Show, arrived shortly thereafter in May 2008. © James Christopher Monger © 2012 Rovi Corp | All Rights Reserved

DETAILED BIO

The Muggs formed in February of 2000. Guitar player Danny Methric and Bass player Tony DeNardo were playing in two bands at that time: The Detroit Underground Blues Band and Fat Belly Brown. Danny was hanging out at The Music Menu in downtown Detroit when he ran into Matt Rost, a local drummer that had actually been in Fat Belly Brown for about two weeks before leaving, as he decided his band workload at the time was too heavy. They got to talking and Danny found out that Matt had just quit his main project, The Immortal Winos of Soul. Danny mentioned that he was looking to do something different than Fat Belly Brown, something more "bluesy", and Matt said he'd be interested. It didn't take long for the band to start gelling as all three players had been musicians for at least seven years. DeNardo and Methric have always played together in every band they were in and Rost was a consummate drummer in his own right. In October 2000, the Muggs recorded their first EP demo so that they had something to play bar owners to get gigs. "They were good enough for the money that we spent, but keep in mind, those songs are only demos," says Tony. In March 2001, the Muggs were invited to play the Hamtramck Blowout, a music festival that involves hundreds of Detroit bands at about twenty different bars in the city of Hamtramck, a city contained entirely within Detroit. This show, played at Paychecks to a packed house, seemed to solidify the group as an established act in Detroit. From March to September 2001, the Muggs continued playing more and more shows, gaining a solid fan base in the process. In August of 2001, they were asked to play the very last show ever in the famed Gold Dollar before it went out of business. Neil Yee, the owner of the Gold Dollar, asked the Muggs to play to "sell me out of my remaining imports." The Muggs accepted and played by themselves to about sixty guests. On September 2nd, 2001 the Muggs played a high energy show to a packed tent outdoors at the Cadieux Café's "Mussel Beach Music Festival." They did not know that this would be their last show for quite some time. On Tuesday, September 4th, 2001 bass player Tony DeNardo suffered a hemorrhagic stroke that nearly ended his life. He was completely paralyzed on his right side and unable to speak. DeNardo survived his stroke but was in bad shape. Not wanting to replace DeNardo on bass guitar, Danny and Matt decided to get involved in different bands and other projects while Tony was recovering. Methric spearheaded a project called Over Under Sideways Down (named after a Yardbirds' song), playing with Muggs' drummer Rost and three other prominent musicians from around the Detroit scene: Brett Lucas, consummate lead guitarist and young bluesman, Ross Westerbur from 500 Ft. Of Pipe fame on piano, and Chuck Bartels, a local bass legend. Danny also played with The Kingsnakes for about six months until The Go asked him to join their band and record an album with them. The Go was a short lived experience for Danny as The Paybacks were looking for a lead guitarist and Methric seemed a perfect fit. Matt Rost also participated in other bands as well, including Colic and several jazz ensembles. On December 8th, 2002, DeNardo had a fund-raiser at the Cadieux Café (in eastside Detroit) to raise money to send him to to California for some medical treatment that he hoped would speed his recovery. That night turned out to be magical; everybody who's anybody showed up for the fund-raiser as DeNardo had his favorite bands in Detroit play. The bands included Mod Orange, Stunning Amazon featuring Audra Kubat, Blue Song, Climax Divine, Over Under Sideways Down, and many others. The place was packed with tons of generous people, and included an auction of dozens of local artists' CDs, donated for the event. DeNardo had two more fundraisers shortly thereafter, at Jacoby's in downtown Detroit and Nancy Whiskey's in the Corktown neighborhood of Detroit. He now had enough money to go to Southern California, where he stayed with his father, Frank, and attended daily physical therapy. From January until June of 2003, Tony worked hard and kept in close contact with Methric. In February 2003, a friend of the Muggs, Matt Smith from the band Outrageous Cherry, mentioned that Tony could, if he wanted to, play his bass lines on a piano. After a discussion between old friends Tony and Danny, Tony decided to give it a shot. Tony bought a Fender Rhodes Mark I to perform the bass lines that he used to play on his bass guitar. After months of practicing two to three hours daily, DeNardo returned to Detroit, still unable to use his right arm but ready to start rehearsals again, using his new instrument. After about a month of rehearsals together, the Muggs returned to the Cadieux Café, almost two years to the day after their last show together, to play their comeback show at the Cadieux Café's Mussel Beach Party 2003. Since then it has been nothing but good times and good music as the Muggs picked up right where they left off. They were signed by indie label Times Beach Records in August 2004, and on July 19th, 2005 the Muggs released their eponymously titled first album in stores nationwide and distributed it overseas. Soon after, three of the Muggs' songs from that first album ("Need Ya Baby", "Gonna Need My Help", and "Rollin' B-Side Blues") became the soundtrack for the 2006 and 2007 Dodge Charger website. Then soon after that, the Muggs were contacted by www.canyouhearme.tv - a website dedicated to finding the best underground bands in America, and the Muggs were 1 of only 3 bands selected in Detroit to perform and film a "rockumentary." Footage of their August 24th, 2005 performance at the Magic Stick in Downtown Detroit was used, as well as numerous interviews of the band and others. In January of 2007, this Muggs' rock doc and live show were aired on PBS (in Michigan and all of Canada) as part of Can You Hear ME TV's "Rock n' Roll Safari"! At about the same time, The Muggs started a tour of Spain, playing 8 shows in 8 different cities. Soon after arriving back in the states, fans voted the Muggs Best Blues Artist/Group for 2007 in the Feb 28th, 2007 issue of Real Detroit Weekly. In June of 2007, after a tip from a longtime fan, the Muggs sent in an application to appear on a new FOX TV series (named "The Next Great American Band") set to air in October 2007. The Muggs were flown out to audition in the Nevada desert in August of '07 and were accepted into the top 12 (out of 10,000+ applicants) by the judges, which meant they would be appearing on the show. The Muggs got to display their talent on national TV for four shows, until they were voted off. They got to play two of their original songs — "Slow Curve" and "Should've Learned My Lesson" — along with two cover songs, and had a great experience staying out on the west coast and appearing on the show. After their national television exposure, The Muggs won Riff2's (local WRIF online radio) "Best Rock Band of the Year 2007" award in February 2008, and have again teamed up with Dodge for a promotional compilation CD entitled, "Out of Detroit & Into Dodge". "Need Ya Baby" from the Muggs first LP is the song Dodge selected to be on the compilation. Dodge is pressing 100,000 CD's to go over to Europe and into Dodge Dealerships. Luckily, European buyers of new Dodge automobiles get the comp CD as a bonus! Then more good news for the Muggs: at the 2008 Detroit Music Awards, the band won the "Outstanding Rock Artist/Group" award and Danny Methric won the "Outstanding Rock/Pop Instrumentalist" award for his electric guitar playing. On May 9th, 2008, the Muggs released their second LP entitled "On With The Show." The album has received great reviews in several publications and on several rock websites, including an 8/10 review in the August 2008 issue of Classic Rock Magazine. In October 2009, Matt Rost stepped down as drummer of The Muggs. Todd Glass, one of the most respected and sought-after drummers in Detroit, replaced Rost. Soon after, in the spring of 2010, the Muggs embarked on another successful tour of Spain and the Canary Islands - this time playing 12 shows in a 15 day period. And in late 2010, the Muggs entered the studio to begin recording their third full-length album "Born Ugly", which is being released April 29th, 2011. The band has enjoyed opening for countless classic rock and various national acts including Mountain, Robin Trower, Cactus, Savoy Brown, Ten Years After, Glenn Hughes of Deep Purple/Black Sabbath, Johnny Lang, Candlebox, North Mississippi Allstars, the Verve Pipe, Electric Six, & the Detroit Cobras. Their popularity continues to grow, as exhibited by their making the "100 HOT Unsigned Bands" list in Music Connection in December 2008, and by their over 86,000 fans on myspace.com and fast-growing facebook following. To see more of what The Muggs are up to lately, please check out their News (http://themuggs.com/news/) page, Wikipedia entry (http://en.wikipedia.org/wiki/The_Muggs) and their facebook (http://www.facebook.com/pages/The-Muggs/117409285106) page. As always, thanks for all your support! © http://themuggs.com/bio/

4.7.12

Booker T. (Booker T. Jones)




Booker T. (Booker T. Jones) - Potato Hole - 2009 - Anti-

Bring up the name Booker T. & The MG's, and the majority of people will connect it with the instrumental Green Onions (only the second track the members recorded - and actually first intended as the B-side!). What most people don't realize is that the group was the house band for legendary Southern soul label Stax Records. What that means is that if you listen to almost any track recorded by the label in the 60's, whether it's Sam & Dave, Wilson Picket, The Staple Singers, or countless other Stax artists, you're also listening to Booker T. & The MG's. Notable members of the band included Isaac Hayes (of Theme From Shaft fame - who sometimes played keyboard), Donald "Duck" Dunn, and Steve Cropper (who both can be seen in the 1980 classic The Blues Brothers as members of "The Band"). And while their names have settled into relative obscurity, their influence on Rock & Roll was monumental. Besides being the session musicians that helped their label-mates sound so good, their style of playing (The MG's stood for Memphis Group, and their Memphis sound was what helped defined Southern soul music) was appreciated by many, including The Beatles (John Lennon was a huge Stax fan). © http://mainstreamisntsobad.blogspot.ie/2009/05/sunday-soul-potato-hole.html

Potato Hole is Booker T. Jones' first solo album in two decades and the early buzz in the media has already termed it his most "audacious," but that's not exactly the case with this new set. It isn't audacious so much as it is moderately predictable, which isn't necessarily a bad thing. Recorded quickly with producer Rob Schnapf in Georgia and California, Jones is backed here by Athens, GA's Drive-By Truckers with Neil Young sitting in on electric guitar for nine of the ten tracks, most of which were written by Jones. This isn't the MGs, and nothing here is close to being as timeless as "Green Onions," but the album is a pleasant listen with a nice, funky, and kind of grungy groove that settles into a deep pocket, even if it never really completely catches fire. There's plenty of Jones' Hammond B-3, of course, but he branches out and plays both acoustic and electric guitar on the title track, and with up to five guitars going on some tracks, this is almost as much an instrumental guitar album as it is an organ one. If there's really anything audacious here, it would be the cover of Outkast's "Hey Ya," which sputters around more than it grooves, and Jones' B-3 lines simply can't approximate the sassy joy of André 3000's original vocal. Jones also covers Tom Waits' "Get Behind the Mule," which comes off more successfully, although, again, one misses Waits' vocal. The final cut, "Space City," is a lovely chill-out instrumental while the opening track, "Pound It Out," does exactly that, pounding things out, full of fuzzed-out guitars. Young, for those wondering, doesn't take over anything here but remains the consummate session player, showing a delicate sensibility on guitar that one wishes he'd apply more often to his own work. Again, there's no "Green Onions" track here, and nothing that'll end up as everyone's ringtone. Potato Hole isn't a slab of greasy Stax soul, either. It is what it is, a new Booker T. Jones album, and hopefully it won't take another 20 years to get to the next one. © Steve Leggett © 2012 Rovi Corp | All Rights Reserved http://www.allmusic.com/album/potato-hole-mw0000813833

On January 31 2010, Potato Hole won the Best Pop Instrumental Album award at the 52nd Grammy Awards. The track "Warped Sister" was nominated for for Best Rock Instrumental. Booker T. is backed by the Southern rockers, the Drive-By Truckers led by Patterson Hood, son of the great Muscle Shoals session bassist, David Hood. Neil Young also plays guitar on the album. This all instrumental album does not compare with Booker’s 60’s work, but neither does Paul McCartney's last few albums!. The album is a great collection of ten really funky Soul and R&B grooves, including eight new Booker T. originals played by a very experienced group of musicians and is HR by A.O.O.F.C. Buy Booker T. Jones' great "The Road from Memphis" album and listen to Booker T. and the MG's "Melting Pot" album [Tracks @ 224-320 Kbps: File size = 81.4 Mb]

TRACKS / COMPOSERS

1 Pound It Out - Booker T. Jones 4:18
2 She Breaks - Booker T. Jones 4:22
3 Hey Ya - Booker T. Jones & Benjamin Andre 3:53
4 Native New Yorker - Booker T. Jones 3:47
5 Nan - Booker T. Jones 2:08
6 Warped Sister - Booker T. Jones 4:47
7 Get Behind The Mule - Kathleen Brennan & Tom Waits 4:10
8 Reunion Time - Booker T. Jones 3:49
9 Potato Hole - Booker T. Jones 6:50
10 Space City - Brad Morgan, Jason Isbell, Michael Cooley, Patterson Hood, Shonna Tucker 5:38

MUSICIANS

Booker T. - Hammond B3 Organ, Electric Guitar on "Pound It Out" & "Nan", Acoustic Guitar on "Nan" & "Reunion Time"
Neil Young, Mike Cooley, [Drive-By Truckers], Patterson Hood [Drive-By Truckers] - Guitars
John Neff - Guitar, Pedal Steel Guitar
Shonna Tucker [Drive-By Truckers] - Bass
Brad Morgan [Drive-By Truckers] - Drums
Lenny Castro - Percussion

BIO

Booker T. Jones was one of the architects of the Memphis soul sound of the 1960s as the leader of Booker T. & the MG's, who scored a number of hits on their own as well as serving as the Stax Records house band. But Jones' accomplishments don't stop there, and as a producer, songwriter, arranger, and instrumentalist, he's worked with a remarkable variety of artists, from Willie Nelson to John Lee Hooker, from Soul Asylum to the Roots. Booker T. Jones was born in Memphis, Tennessee on November 12, 1944. Jones developed an keen interest in music as a boy; while working a paper route, he used to pass by the house of jazz pianist Phineas Newborn, and would often stop and listen to him practice as he folded newspapers. By the time Jones was in high school, he helped to direct the school band and was proficient on saxophone, trombone, oboe, and keyboards; he also played organ during services at his church, and would occasionally sneak out and sit in with R&B combos at local nightclubs. In 1960, Jones, a frequent customer at Memphis' Satellite Record Shop, was recruited to play sax on a Rufus and Carla Thomas recording session when the proprietors of the store, Estelle Axton and Jim Stewart, decided to start their own record label. The label soon evolved into Stax Records, and Jones, along with guitarist Steve Cropper (who was managing the record store when he met Jones), bassist Lewis Steinberg (later replaced by Donald "Duck" Dunn), and drummer Al Jackson Jr., would form the MG's, who would back up Stax artists Otis Redding, Sam & Dave, Eddie Floyd, Albert King, and many others, as well as releasing a steady stream of instrumental recordings on their own, including the smash hit "Green Onions." Jones' productivity in the early to mid-'60s is all the more remarkable as he was also a full-time student at Indiana University, where he studied composition and music theory while doing shows and recording sessions during weekends and vacations. Booker T. & the MG's enjoyed considerable success in their heyday -- cutting hits, backing Stax's leading artists, touring Europe and the U.K. with the Stax/Volt Revue, and accompanying Otis Redding for his legendary set at the 1967 Monterey Pop Festival -- but between internal disputes at Stax (mostly regarding the spoils of their successful distribution deal with Atlantic Records) and the increasingly busy schedules of the various members, the group was on the verge of breaking up, and in 1970, Jones relocated to Los Angeles. He had already been branching out, appearing on Delaney & Bonnie's 1969 album Home and Mitch Ryder's ambitious The Detroit-Memphis Experiment, and after 1971's Melting Pot, the MG's quietly broke up. Jones stayed busy with session work, playing on albums by Bob Dylan, Steven Stills, Kris Kristofferson, and Rita Coolidge, and in 1971 he released Booker T. & Priscilla, the first of two albums he would record with his then-wife, Priscilla Coolidge-Jones (the sister of Rita Coolidge). The same year, Jones produced Just as I Am, the outstanding debut album by Bill Withers, which featured the hits "Ain't No Sunshine" and "Grandma's Hands." In 1975, Jones and the MG's were working on a reunion album when Al Jackson Jr. was murdered; the group continued to record with drummer Willie Hall, but they parted ways again in 1977. In 1978, Jones released his first solo album, Try and Love Again, and enjoyed one of his biggest successes as a producer, producing Willie Nelson's Stardust, a collection of pop standards that established Nelson as one of country's biggest crossover acts. Session work and production assignments with Willie Nelson dominated Jones' schedule in the 1980s, though he released a second solo album, I Want You, in 1981, and another followed late in the decade, 1989's The Runaway. In 1992, Booker T. & the MG's were inducted into the Rock and Roll Hall of Fame, and that same year the group reunited for a special, high-profile gig -- they served as the house band for an all-star tribute to Bob Dylan staged in honor of the songwriter's 30th year as a recording artist. Neil Young, one of the artists who appeared at the concert, was impressed enough with the MG's that he invited them to serve as his backing band for a major concert tour in 1993. The tour sparked new interest in the band, and in 1994 Jones and the MG's cut a new album, That's the Way It Should Be, and they supported it with a number of live dates. Jones soon returned to a steady schedule of session work, and he produced as well as performed on Neil Young's 2002 album Are You Passionate? But in 2008, Jones stepped up for one of his most ambitious solo efforts to date, Potato Hole, in which he was backed up by country-influenced hard rockers the Drive-By Truckers, with Neil Young adding additional guitar on several tunes. The album earned enthusiastic reviews, and Jones supported the release with a number of live dates in America, Europe, and the U.K. In 2011, Jones returned with another inspired collaboration, The Road from Memphis, in which he teamed up in the studio with Philadelphia-based hip-hop/modern soul collective the Roots. © Mark Deming © 2012 Rovi Corp | All Rights Reserved http://www.allmusic.com/artist/booker-t-jones-mn0000772976

3.7.12




Andy Fairweather Low - La Booga Rooga - 1975 - A&M Records

Andy Fairweather Low's most successful record, this continues his eclectic approach, starting off with the steel guitar-drenched cover "My Bucket's Got a Hole in It" and also featuring the cocktail lounge pop of "Champagne Melody" and the funky title track (a U.K. hit for the Surprise Sisters), plus his biggest solo single, the whimsical "Wide Eyed and Legless." © William Ruhlmann © 2012 Rovi Corp | All Rights Reserved http://www.allmusic.com/album/la-booga-rooga-mw0000839142

Some of the artists playing on this album include Benny Gallagher & Graham Lyle, Bernie Leadon, John ‘Rabbit’ Bundrick, Georgie Fame, and Gerry Rafferty. The album is terrific. This unassuming underrated musician and songwriter has done it all. He has recorded several great solo albums and been a session player on some of the worlds greatest rock albums. He has also toured with countless artists and is a true rock star. "La Booga Rooga" is HR by A.O.O.F.C. Search this blog for related releases [All tracks @ 320 Kbps: File size = 69.8 Mb]

TRACKS 

A1 My Bucket's Got A Hole In It 3:11
A2 Jump Up And Turn Around 4:02
A3 Halfway To Everything 4:04
A4 La Booga Rooga 4:11
A5 Champagne Melody 3:30

B1 If That's What It Takes 3:28
B2 8 Ton Crazy 3:29
B3 Grease It Up 3:10
B4 Wide Eyed And Legless 4:00
B5 Inner City Highwayman 4:40

All songs composed by Andy Fairweather Low except "My Bucket's Got A Hole In It" by Clarence Williams

MUSICIANS

Andy Fairweather Low - Lead Guitar, 6 String Guitar, Acoustic Guitar, Phased Guitar, High String Guitar, Wah Wah Guitar, Vocals
Graham Lyle - Electric Rhythm Guitar, 12 String Guitar
Benny Gallagher - High Strung Guitar, Accordion
Bernie Leadon - Acoustic Guitar, Banjo
B. J. Cole - Pedal Steel Guitar, Resonator Guitar [Dobro], Phased Guitar
John David - Bass Guitar, Vocals, Backing Vocals
John ‘Rabbit’ Bundrick - Electric Piano, Phased Electric Piano, Piano, Organ, Clavinet
Georgie Fame - Piano, Acoustic Piano, Organ
Dave Mattacks, Bruce Rowland, Kenney Jones - Drums
Glyn Johns - Cabasa
Steve Gregory - Alto Saxophone
Bud Beade - Baritone Saxophone
Jimmy Jewel - Tenor Saxophone
Eddie Thornton - Trumpet
Brian Rogers - String Arrangements
Gerry Rafferty, Joe Egan, Barry St. John, Doreen And Irene Chanter, Joanne Williams, Liza Strike - Vocals, Backing Vocals

BIO

Andy Fairweather Low is in a class of his own. One of the UK’s best guitar players with a truly unique voice (not to mention one of their best tennis players) he’s worked with some of the greatest artists around and still found time to release some solo material. ‘Sweet Soulful Music’ (2006) was his first solo album in 26 years but it was no simple comeback story - the intervening years were packed with people and projects virtually amounting to a stellar A to Z of Popular Music. Not surprising then that “The Very Best Of Andy Fairweather Low – The Low Rider” out on Proper Records in Spring 2008 should be such a catalogue of delight. It trawls right throughhis back catalogue from the hits of the late sixties right through to the present day resulting in a panoply of glorious sounds. Andy has a magnificent CV. Throughout his momentous career, he has played with such artists as Bob Dylan, Roger Waters, Eric Clapton, George Harrison, Elton John, Jimi Hendrix, David Crosby, The Band, Richard and Linda Thompson, Dave Gilmour, The Who, BB King, Joe Cocker, Steve Winwood, Donald ‘Duck’ Dunn, Jimmy Page, Ronnie Lane, Linda Ronstadt, Roddy Frame, Emmylou Harris, Joe Satriani, the Bee Gees, Jeff Beck, The Impressions, Lonnie Donegan, Ringo Starr, Steve Gadd, David Sanborn, Benmont Tench, Warren Zevon, Charlie Watts, Mary J. Blige, Dave Edmunds, Georgie Fame, Bonnie Raitt, Otis Rush, Phil Collins, Van Morrison, Gerry Rafferty, Chris Rea, Buddy Guy, Chris Barber, Jackson Browne, Bill Wyman, Sheryl Crow, Clarence ‘Gatemouth’ Brown, Pete Townshend and hundreds more.Quite simply, Andy Fairweather Low has been – and continues to be - the guitarist and vocalist of choice for a phenomenal cast list of musical luminaries. Cardiff-born Fairweather Low originally came to fame as vocalist and leader of the pop group Amen Corner. The band had four Top 30 hits – a sequence starting with ‘Gin House Blues’ in 1967 - on Decca’s subsidiary Deram label before leaving at the end of 1968 to join Andrew Loog Oldham’s pioneering indie, Immediate. Amen Corner were instantly rewarded with a UK number one, ‘(If Paradise Is) Half As Nice’ in early 1969 but, despite another Top Five hit with Roy Wood’s ‘Hello Suzie’, it seemed the band could not survive success. By the following year Amen Corner had split, with Andy Fairweather Low escaping the teenybop grind by forming the simply named Fairweather, a band signed to RCA’s shiny new progressive label, Neon. Fairweather reached number six in the UK singles chart with ‘Natural Sinner’ during the summer of 1970. It was to be, however, the band’s only hit. One album later and Fairweather came to an end. Andy Fairweather Low then became somewhat of a refugee from the music business, eventually emerging three years later as a solo artist with an album called ‘Spider Jiving’ on A&M. The album was produced by Elliot Mazer – best known for his work with Neil Young – and featured some heavyweight backup support from the likes of the Memphis Horns and Nashville legend Charlie McCoy on harmonica. ‘Spider Jiving’ included the wah-wah driven ‘Reggae Tune’, a UK Top 10 hit in September 1974. Andy Fairweather Low was on something of a roll. The following year, 1975, he released his second solo album, ‘La Booga Rooga’, which eventually emerged as his most successful record. Produced by the celebrated Glyn Johns – at that time fresh from working with The Eagles – ‘La Booga Rooga’ featured such stellar musicians as ex-Eagle Bernie Leadon (guitar), Dave Mattacks (drums), Eddie ‘Tan Tan’ Thornton (trumpet), Kenney Jones (drums), John ‘Rabbit’ Bundrick (keyboards), BJ Cole (steel guitar) and Georgie Fame (keyboards). Among the tracks was ‘Wide Eyed and Legless’, a Top 10 hit for Fairweather Low at the end of 1975. Johns was also at the helm for ‘Be Bop ‘n’ Holla’, Fairweather Low’s 1976 album. It was followed, in 1980, by ‘Mega-Shebang’, recorded for Warner Brothers and destined to be Fairweather Low’s final solo album until 2006. In between ‘Be Bop ‘n’ Holla’ and ‘Mega-Shebang’, however, Fairweather Low sang backing vocals on The Who’s 1978 ‘Who Are You’ album - the start of a relationship which also saw him playing guitar on the band’s 1982 album, ‘It’s Hard’, and appearing with Pete Townshend on his 1993 ‘Psychoderelict’ tour. That work with The Who set the direction for Fairweather Low’s next moves. He became the ultimate Guitarist to the Stars, building an extraordinary reputation that has endured to this day. Most notably, Fairweather Low has been a stalwart of Eric Clapton’s band since the early-Nineties, touring in Clapton’s bands right up until 2003 and recording the ‘Unplugged’, ‘From the Cradle’, ‘Pilgrim’, ‘Riding with the King’, ‘Reptile’, ‘One More Car One More Rider’, ‘Me & Mr. Johnson’ and ‘Back Home’ albums with him. Fairweather Low was also a regular player with George Harrison, appearing on his ‘Live in Japan’ album and, in 2002, playing several of the lead guitar parts for the Harrison tribute, ‘The Concert for George’. One of Fairweather Low’s longest musical relationships, however, has been with Roger Waters. The two have worked together since Waters’ ‘Pros and Cons of Hitchhiking’ tour of America in 1985. Since that time Fairweather Low has contributed to two of Waters’ albums – ‘Radio K.A.O.S’ in 1987 and ‘Amused to Death’ in 1992 – and played guitar and bass on the 1999-2002 ‘In the Flesh’ world tour. Fairweather Low rejoined Waters for the ‘Dark Side of the Moon’ tour this year. Fairweather Low is also a regular member of Bill Wyman’s Rhythm Kings, the consequence of another relationship that stretches back to the mid-Eighties. Fairweather Low and Wyman first worked together at the Small Faces’ legendary bass player Ronnie Lane’s A.R.M.S. – Action for Research into Multiple Sclerosis – benefit concert at London’s Royal Albert Hall in 1983. It was a charity cause that Wyman revisited in 1985 with Willie & The Poor Boys, a Fifties’ style rock ‘n’ roll concept band featuring Fairweather Low. Since that time Fairweather Low has been frequently involved in Wyman’s projects, most recently touring with the Rhythm Kings in 2005 and the summer of 2006. But perhaps it was inevitable that one day Fairweather Low would be tempted to return to the studio in his own right. ‘Sweet Soulful Music’ reunited Fairweather Low with producer Glyn Johns and October ‘07 saw Andy touring solo again in the UK with his own all star band containing Chris Stainton – keyboards, Dave Bronze – bass and Paul Beavis – drums. One of the shows was filmed and the resulting DVD is released in June 2008 closely following the TV advertised release of his new album “The Very Best Of Andy Fairweather Low – The Low Rider”. “The Very Best Of Andy Fairweather Low – The Low Rider” hits the shops on June 2nd and combines all the hits and more. An absolute gem, the title says it all. To coincide with its release Andy and his band, The Low Riders (featuring Dave Bronze ,Paul Beavis and keyboard player Richard Dunn), head out on a major UK tour which also encompasses Cambridge rock, Colne blues, Trowbridge and Glastonbury Festivals. © http://www.judytotton.com/printable/current_promotions/biography_andy_fairweather_low.htm

Andy Fairweather Low




Andy Fairweather Low - Spider Jiving - 1974 - A&M

In which the voice of (ta-ra) the Amen Corner rocks more convincingly than he ever did as an English-r&b teen throb and still somehow sounds laid-back. The secret is a rough-hewn spontaneity in which the guitar and bass that meet the Memphis Horns over an insistent but very unfunky 4/4 are both acoustic, in which Charlie McCoy plays hornpipe harp over oompah drums. The lean, direct, catchy, introspective lyrics work the same way; their substance--that is, their obsessive but unassuming speculation about man's fate--is bound up in their free use of verbatim borrowings from a common language. Apotheosis: the slyly hermeneutic "Dancing in the Dark," in which a discreet fatalism is shaped by courtly music-hall tune and elegant soft-shoe timing. A - © http://www.robertchristgau.com/get_artist.php?name=Andy+Fairweather+Low

Andy Fairweather Low spent a fair amount of the late '60s through 1970 in the British Top Ten with the pop-R&B band Amen Corner, as well the short-lived Fair Weather, before taking a nearly three-year hiatus from recording. Shedding his teen idol image of previous years, the Welsh-born Low returned in 1974 with his first solo record, Spider Jiving. Here he delivers 11 self-penned gems that can be as laid-back as they can be funky, employing support from both Nashville and Memphis while retaining the sort of looseness found in an English pub band. With producer Elliot Mazer -- known for his work with Neil Young -- Low punches up tunes such as the acoustic-based title track with help from the Memphis Horns, while his rock & roll and R&B sport wry touches of banjo, fiddle, pedal steel, and Charlie McCoy's harmonica. Lyrically, there's a thread of frustration, steeped in the experiences of someone who's had to sit back and watch others get rich from his hard work and success (Low and Amen Corner made very little money despite their success, and were actually in debt to their label following their breakup). And while lines such as "...and the sad thing is, that no one really cares" and "I've been abused too long..." may hint at singer/songwriter self-pity, closer investigation reveals a playfulness in the music, as well as a sense of humor and a sly wink in his delivery that keeps everything in perspective. Some of the highlights include the irresistible title cut; the dancehall ballad "Dancing in the Dark"; and the wah-wah driven "Reggae Tune," which continued Low's string of U.K. Top Ten hits. © Brett Hartenbach © 2012 Rovi Corporation. All Rights Reserved http://www.allmusic.com/album/spider-jiving-r37078/review

"Spider Jiving" is arguably Andy Fairweather Low's best album. Andy has never been an instantly recognizable name in rock music, but he's a true rock star. He's the kind of guy who has managed to keep a low profile throughout his career. You may have heard some of his great songs, most of which he penned himself, including - Wide Eyed And Legless, Reggae Tune, (If Paradise Is) Half As Nice, and Natural Sinner. From his early days in Amen Corner, and Fair Weather, Andy has been one of Britain's great musicians and songwriters. Much of Andy's solo work has never been taken seriously by music critics. The music is often on the lightweight and humorous side. However Andy's songs often contain sardonic and/or pessimistic lyrics combined with cheerful music, and many critics just dont get him. Andy has had many "downs" in his musical career due to bad management by record companies. In his early career with groups like Amen Corner, Andy had major hits and topped charts and still found himself in debt with a certain record company. Thankfully, those who know great music when they hear it have always appreciated Andy's unique adenoidal and reedy voice, his talent as a songwriter and brilliant guitar technique. He has built up a huge reputation as a session guitarist, and as a sideman. and has played many great musicians including Eric Clapton, Jimi Hendrix, BB King, Bill Wyman, The Who, Roger Waters, George Harrison, Bob Dylan, and others too numerous to mention. "Spider Jiving" is HR by A.O.O.F.C. Read Robert Christgau's article about Pete Fowler and Andy Fairweather Low @ http://www.furious.com/perfect/andyfairweatherlow.html Search this blog for related releases [All tracks @ 320 Kbps: File size = 71.7 Mb]

TRACKS

A1 Spider Jiving
A2 Drowning On Dry Land
A3 Keep On Rockin'
A4 Same Old Story
A5 I Ain't No Mountain
A6 Every Day I Die

B1 Standing On The Water
B2 Mellow Down
B3 The Light Is Within
B4 Reggae Tune
B5 Dancing In The Dark

All songs composed by Andy Fairweather Low

MUSICIANS

Andy Fairweather Low - Guitar, Vocals
Henry McCullough, John Kahn - Guitar
Weldon Myrick - Steel Guitar
Chris Stewart - Bass
Bobby Thompson - Banjo
Buddy Spicher, Vassar Clements - Violin
Mick Weaver, Mark Naftalin - Keyboards
Charlie McCoy - Harmonica
Denny Seiwell, Kenny Buttrey - Drums
The Memphis Horns - Horn
Mary Holladay, Ginger Holladay, Dianne Davidson, Lea Jane Berinati - Vocals

SHORT BIO

The seven million people who bought Eric Clapton's Unplugged album and the countless more who saw the MTV Unplugged TV show experienced the work of Andy Fairweather Low, who served as Clapton's backup guitarist/vocalist. But probably few in that giant audience knew that Fairweather Low had once been a teen idol and had an extensive recorded catalog in groups and as a solo star. Born in Cardiff, Wales, Fairweather Low formed Amen Corner in the mid-'60s, for which he served as lead singer. The group scored six U.K. hits from 1967 to 1969, the biggest of which was the number one "(If Paradise Is) Half as Nice." Its success put Fairweather Low's attractive face on the bedroom walls of teenage girls all over Britain. Amen Corner broke up at the end of the '60s and evolved into the more progressive Fair Weather, which scored a hit with "Natural Sinner" in 1970, but broke up in 1971. Fairweather Low retired for several years, but returned as a solo artist in 1974 and made a series of albums through 1980, reaching the U.K. Top Ten with the singles "Reggae Tune" and "Wide Eyed and Legless." Gradually, however, he began to work as a sideman to more prominent British musicians, notably ex-Pink Floyd leader Roger Waters, and with the ARMS benefit group in 1987. He toured Japan with George Harrison and Eric Clapton in 1991 and has since been part of Clapton's backup band. Fairweather Low began touring with Bill Wyman's Rhythm Kings and, in 2006, hit the road again with Waters for the Dark Side of the Moon Tour. © William Ruhlmann © 2012 Rovi Corporation. All Rights Reserved http://www.allmusic.com/artist/andy-fairweather-low-p17410/biography

MORE

Andy Fairweather Low is in a class of his own. One of the UK’s best guitar players with a truly unique voice (not to mention one of their best tennis players) he’s worked with some of the greatest artists around and still found time to release some solo material. ‘Sweet Soulful Music’ (2006) was his first solo album in 26 years but it was no simple comeback story - the intervening years were packed with people and projects virtually amounting to a stellar A to Z of Popular Music. Not surprising then that “The Very Best Of Andy Fairweather Low – The Low Rider” out on Proper Records in Spring 2008 should be such a catalogue of delight. It trawls right through his back catalogue from the hits of the late sixties right through to the present day resulting in a panoply of glorious sounds. Andy has a magnificent CV. Throughout his momentous career, he has played with such artists as Bob Dylan, Roger Waters, Eric Clapton, George Harrison, Elton John, Jimi Hendrix, David Crosby, The Band, Richard and Linda Thompson, Dave Gilmour, The Who, BB King, Joe Cocker, Steve Winwood, Donald ‘Duck’ Dunn, Jimmy Page, Ronnie Lane, Linda Ronstadt, Roddy Frame, Emmylou Harris, Joe Satriani, the Bee Gees, Jeff Beck, The Impressions, Lonnie Donegan, Ringo Starr, Steve Gadd, David Sanborn, Benmont Tench, Warren Zevon, Charlie Watts, Mary J. Blige, Dave Edmunds, Georgie Fame, Bonnie Raitt, Otis Rush, Phil Collins, Van Morrison, Gerry Rafferty, Chris Rea, Buddy Guy, Chris Barber, Jackson Browne, Bill Wyman, Sheryl Crow, Clarence ‘Gatemouth’ Brown, Pete Townshend and hundreds more. Quite simply, Andy Fairweather Low has been – and continues to be - the guitarist and vocalist of choice for a phenomenal cast list of musical luminaries. Cardiff-born Fairweather Low originally came to fame as vocalist and leader of the pop group Amen Corner. The band had four Top 30 hits – a sequence starting with ‘Gin House Blues’ in 1967 - on Decca’s subsidiary Deram label before leaving at the end of 1968 to join Andrew Loog Oldham’s pioneering indie, Immediate. Amen Corner were instantly rewarded with a UK number one, ‘(If Paradise Is) Half As Nice’ in early 1969 but, despite another Top Five hit with Roy Wood’s ‘Hello Suzie’, it seemed the band could not survive success. By the following year Amen Corner had split, with Andy Fairweather Low escaping the teenybop grind by forming the simply named Fairweather, a band signed to RCA’s shiny new progressive label, Neon. Fairweather reached number six in the UK singles chart with ‘Natural Sinner’ during the summer of 1970. It was to be, however, the band’s only hit. One album later and Fairweather came to an end. Andy Fairweather Low then became somewhat of a refugee from the music business, eventually emerging three years later as a solo artist with an album called ‘Spider Jiving’ on A&M. The album was produced by Elliot Mazer – best known for his work with Neil Young – and featured some heavyweight backup support from the likes of the Memphis Horns and Nashville legend Charlie McCoy on harmonica. ‘Spider Jiving’ included the wah-wah driven ‘Reggae Tune’, a UK Top 10 hit in September 1974. Andy Fairweather Low was on something of a roll. The following year, 1975, he released his second solo album, ‘La Booga Rooga’, which eventually emerged as his most successful record. Produced by the celebrated Glyn Johns – at that time fresh from working with The Eagles – ‘La Booga Rooga’ featured such stellar musicians as ex-Eagle Bernie Leadon (guitar), Dave Mattacks (drums), Eddie ‘Tan Tan’ Thornton (trumpet), Kenney Jones (drums), John ‘Rabbit’ Bundrick (keyboards), BJ Cole (steel guitar) and Georgie Fame (keyboards). Among the tracks was ‘Wide Eyed and Legless’, a Top 10 hit for Fairweather Low at the end of 1975. Johns was also at the helm for ‘Be Bop ‘n’ Holla’, Fairweather Low’s 1976 album. It was followed, in 1980, by ‘Mega-Shebang’, recorded for Warner Brothers and destined to be Fairweather Low’s final solo album until 2006. In between ‘Be Bop ‘n’ Holla’ and ‘Mega-Shebang’, however, Fairweather Low sang backing vocals on The Who’s 1978 ‘Who Are You’ album - the start of a relationship which also saw him playing guitar on the band’s 1982 album, ‘It’s Hard’, and appearing with Pete Townshend on his 1993 ‘Psychoderelict’ tour. That work with The Who set the direction for Fairweather Low’s next moves. He became the ultimate Guitarist to the Stars, building an extraordinary reputation that has endured to this day. Most notably, Fairweather Low has been a stalwart of Eric Clapton’s band since the early-Nineties, touring in Clapton’s bands right up until 2003 and recording the ‘Unplugged’, ‘From the Cradle’, ‘Pilgrim’, ‘Riding with the King’, ‘Reptile’, ‘One More Car One More Rider’, ‘Me & Mr. Johnson’ and ‘Back Home’ albums with him. Fairweather Low was also a regular player with George Harrison, appearing on his ‘Live in Japan’ album and, in 2002, playing several of the lead guitar parts for the Harrison tribute, ‘The Concert for George’. One of Fairweather Low’s longest musical relationships, however, has been with Roger Waters. The two have worked together since Waters’ ‘Pros and Cons of Hitchhiking’ tour of America in 1985. Since that time Fairweather Low has contributed to two of Waters’ albums – ‘Radio K.A.O.S’ in 1987 and ‘Amused to Death’ in 1992 – and played guitar and bass on the 1999-2002 ‘In the Flesh’ world tour. Fairweather Low rejoined Waters for the ‘Dark Side of the Moon’ tour this year. Fairweather Low is also a regular member of Bill Wyman’s Rhythm Kings, the consequence of another relationship that stretches back to the mid-Eighties. Fairweather Low and Wyman first worked together at the Small Faces’ legendary bass player Ronnie Lane’s A.R.M.S. – Action for Research into Multiple Sclerosis – benefit concert at London’s Royal Albert Hall in 1983. It was a charity cause that Wyman revisited in 1985 with Willie & The Poor Boys, a Fifties’ style rock ‘n’ roll concept band featuring Fairweather Low. Since that time Fairweather Low has been frequently involved in Wyman’s projects, most recently touring with the Rhythm Kings in 2005 and the summer of 2006. But perhaps it was inevitable that one day Fairweather Low would be tempted to return to the studio in his own right. ‘Sweet Soulful Music’ reunited Fairweather Low with producer Glyn Johns and October ‘07 saw Andy touring solo again in the UK with his own all star band containing Chris Stainton – keyboards, Dave Bronze – bass and Paul Beavis – drums. One of the shows was filmed and the resulting DVD is released in June 2008 closely following the TV advertised release of his new album “The Very Best Of Andy Fairweather Low – The Low Rider”. “The Very Best Of Andy Fairweather Low – The Low Rider” hits the shops on June 2nd and combines all the hits and more. An absolute gem, the title says it all. To coincide with its release Andy and his band, The Low Riders (featuring Dave Bronze ,Paul Beavis and keyboard player Richard Dunn), head out on a major UK tour which also encompasses Cambridge rock, Colne blues, Trowbridge and Glastonbury Festivals. © http://www.judytotton.com/printable/current_promotions/biography_andy_fairweather_low.htm

......AND MORE

Andy was born in 1948 in Cardiff, S.Wales and rose to prominence in the 1960’s as the front man and guitarist for chart topping teen idol band Amen Corner. His vocals and his distinctive voice were the perfect lead for the group. Amen Corner scored 6 memorable hits between 1967 and 1969 with ( If Paradise is ) Half As Nice reaching number 1 in January 1969 and their shows were always full of excitement and they were regular fixtures on package tours at the time. When the group split in 1969 Andy formed the band Fairweather which was signed to RCA on their progressive label Neon and for an underground progressive band it was somewhat surprising that they soon had a Top 10 single in 1970 with Natural Sinner. Andy’s first solo success was another Top 10 hit with Reggae Tune in September 1974 when after two albums with Fairweather and a brief spell off for good behaviour Andy had signed a Solo deal with A&M Records and recorded Spider Jiving which was produced by Neil Young producer Elliott Mazer and included major players such as The Memphis Horns & Nashville legend Charlie McCoy. Following up was not a problem and in 1975 he released his second album La Booga Rooga Produced by celebrated UK Producer Glyn Johns at that time fresh from working with The Eagles. Glyn Johns was again the producer of choice in 1976 for Andy’s third solo album ‘Be Bop ‘n’ Holla’. La Booga Rooga featured a great line up of musicians with such great players as Ex Eagle Bernie Leadon – Guitar, Dave Mattacks – Drums, Eddie Tan Tan Thornton – Trumpet, Kenney Jones – Drums, John ‘ Rabbit’ Bundrick – Keyboards, B.J.Cole – Steel Guitar and Georgie Fame – Keyboards and among the tracks was ‘Wide Eyed & Legless’ released late in 1975 and becoming another Solo Top 10 hit in the UK and major International hit record. In 1980 having moved labels to Warner Brothers Andy released his fourth Solo album Mega Shebang but had already started his notable contributions to other people’s records with his appearance in 1978 on The Who’s album ‘Who Are You’ which also continued through with his appearance on guitar on their Its Hard album in 1982 and contributions to Pete Townshend’s Psychderelict tour in 1993. From the work with The Who Andy moved on as the in demand player and ultimate Guitarist to the stars, building an extraordinary reputation that has endured to this day. In 1983, ex Small faces and Faces bass player Ronnie Lane, himself suffering from multiple sclerosis, set about organising some of the most significant musicians in the Rock world to tour on both sides of the Atlantic and record with the aim of raising awareness and funds for sufferers of MS. The project, A.R.M.S. – Action for Research into Multiple Sclerosis, was immensely successful ending up with a visit to the Whitehouse for some of the participants. Andy, Eric Clapton, Jeff Beck, Jimmy Page, Ronnie Wood and Steve Winwood all appeared... In the early nineties Andy joined Eric Clapton’s band with which he stayed until 2003 touring and recording the ‘Unplugged’, ‘From the Cradle’, ‘Pilgrim’, ‘Riding with the King’, ‘Reptile’, ‘One More Car One More Rider’, ‘Me & Mr. Johnson’ and ‘Back Home’ albums with him. Andy was also a regular player with George Harrison, appearing on his ‘Live in Japan’ album and, in 2002, playing several of the lead guitar parts for the Harrison tribute, ‘The Concert for George’. One of Fairweather Low’s longest musical relationships, however, has been as musical director with Roger Waters. The two have worked together since Waters’ ‘Pros and Cons of Hitchhiking’ tour of America in 1985. Since that time Andy has contributed to two of Waters’ albums – ‘Radio K.A.O.S’ in 1987 and ‘Amused to Death’ in 1992 – and played guitar and bass on the 1999-2002 ‘In the Flesh’ world tour. He also rejoined Waters for the ‘Dark Side of the Moon’ tour more recently. On November 29th, 2002, one of the most important concerts ever was staged at the Royal Albert Hall. The Concert for George was a tribute to George Harrison, under the musical direction of Eric Clapton. Featuring Joe Brown, Eric Clapton, Jules Holland and Sam Brown, Dhani Harrison, Jeff Lynne, Paul McCartney, Tom Petty and the Heartbreakers, Billy Preston, Ravi and Anoushka Shankar and Ringo Starr. Andy was a member of the Incredible House Band, which, among other great players, also included Dave Bronze, Gary Brooker, Jim Capaldi, Ray Cooper, Jim Keltner, Albert Lee and Chris Stainton. Andy is also a regular member of Bill Wyman’s Rhythm Kings, the consequence of another relationship that stretches back to the mid-Eighties. Fairweather Low and Wyman first worked together at the Small Faces’ legendary bass player Ronnie Lane’s A.R.M.S. – Action for Research into Multiple Sclerosis – benefit concert at London’s Royal Albert Hall in 1983. It was a charity cause that Bill revisited in 1985 with Willie & The Poor Boys, a Fifties’ style rock ‘n’ roll concept band featuring Andy who, since that time has been frequently involved in Wyman’s projects, most recently touring with the Rhythm Kings in 2005 and the summer of 2006 and 2007. But perhaps it was inevitable that one day Fairweather Low would be tempted to return to the studio in his own right. That time came in 2006. ‘Sweet Soulful Music’ reunited Fairweather Low with producer Glyn Johns - and features bassist David Bronze (Eric Clapton, Robin Trower, Procol Harum), drummer Henry Spinetti (Eric Clapton, George Harrison, Paul McCartney, Roger Daltrey) and John ‘Rabbit’ Bundrick (Bob Marley, The Who, Pete Townshend) together with Roger Waters’ back-up singers Katie Kissoon, Carol Kenyon and PP Arnold. Twenty-six years is a long wait but ‘Sweet Soulful Music’ signaled a welcome return for one of the UK’s most distinctive artists, as heartily endorsed by many of the world’s greatest talents. The current band is also a who’s who of the best players on the rock scene, joining Andy on Drums is Paul Beavis (Thea Gilmore, Robbie Macintosh & Sunday All Over The World) on Keyboards is Chris Stainton (The Grease Band, Joe Cocker, Eric Clapton & The Concert For George) and on Bass is long standing associate Dave Bronze (Clapton, Concert For George, Dear Mr Fantasy tribute to Jim Capaldi). © 2006 Proper Records