Get this crazy baby off my head!


Marc Ford & The Neptune Blues Club

Marc Ford & The Neptune Blues Club - Marc Ford & The Neptune Blues Club - 2008 - Blues Bureau International

"Marc Ford and the Neptune Blues Club" is the first album recorded by Marc Ford with his new band The Neptune Blues Club. The band includes many experienced musicians who have played with artists that include The Blasters, Hazmat Modine, Tom Waits, Big Joe Turner, Mick Taylor, Joe Houston, Hubert Sumlin, The Fabulous Thunderbirds, Gatemouth Brown, David Lynch, Bruce Willis, Top Jimmy, Lester Butler, Lee Allen, Nels Cline, and Greg Ginn.

When Marc Ford was fired from the Black Crowes in 1997 and pursued a solo career, he became increasingly visible on the blues circuit. That was certainly a logical place for him; although the Black Crowes were a rock & roll/roots rock band, they were certainly well aware of rock's debt to the blues. In fact, the Black Crowes happily celebrated that debt, which is what Ford continues to do on his third solo album, The Neptune Blues Club. It isn't that everything on The Neptune Blues Club faithfully adheres to a traditional 12-bar blues format; Ford never claimed to be a blues purist, and you certainly won't find an abundance of 12-bar numbers on this 2008 release. But the feeling of the blues is always present; the 69-minute CD's overall mood is decidedly bluesy whether Ford is getting into an Eric Clapton-ish groove on "Pay for My Mistakes" and "Mother's Day" or being influenced by the Rolling Stones (one of the Black Crowes' main influences) on "Last Time Around Again" and "Shame on Me." The psychedelic leanings of "Spaceman" recall Jimi Hendrix, and Memphis soul (as in Otis Redding, Sam & Dave, and Eddie Floyd) is a major inspiration on the funky "Smilin'" -- which isn't to say that the tune doesn't have a strong rock influence as well. Ford will always be known for his years with the Black Crowes, and that is a good thing because his contributions to that band are an impressive part of his history (regardless of the fact that Crowes leaders Chris and Rich Robinson have said they fired him for drug problems). But this memorable outing serves as additional proof that there is indeed life after the Black Crowes for Ford. © Alex Henderson © 2012 Rovi Corp | All Rights Reserved http://www.allmusic.com/album/neptune-blues-club-mw0001236266

The great pianist Johnny Neel speaking about Marc's slidework on "Don't Get Me Killed" said "Ford is an actual genius. He's got the best guitar sound I've ever heard." However, all the tracks on this album are really good. There's everything from blues based R&B, Southern rock and barrelhouse blues to old-school rockabilly, Memphis soul, and even progressive rock on tracks like "Spaceman". Marc is a very underrated guitarist but "The Neptune Blues Club" is a tremendous album showcasing Marc's guitar brilliance and is HR by A.O.O.F.C. Listen to Marc's "Weary and Wired" album and promote real music [All tracks @ 320 Kbps: File size = 162 Mb]


1 Main Drain - Marc Ford
2 Locked Down Tight - Marc Ford
3 Freedom Fighter - Marc Ford
4 Go Too Soon - Marc Ford
5 Don't Get Me Killed - Marc Ford, Mike Malone
6 Last Time Around Again - Marc Ford
7 Spaceman - Marc Ford
8 Pay For My Mistakes - Mike Malone
9 Shame On Me - Marc Ford
10 Mother's Day - Mike Malone
11 Smilin' - Marc Ford, Anthony Arvizu, John Bazz, Mike Malone
12 Keep Holdin' On - Marc Ford


Marc Ford - Guitar, Vocals
John Bazz - Upright Bass
Mike Malone - Keyboards, Harmonica (5,8), Vocals (5,8,10), Background Vocals
Anthony Arvizu - Drums
Stephen Hodges - Junkyard Percussion
Bill Barett - Harmonica (1-4,6,7,9-12)


Although he has been performing as a solo artist since the late 1990s, guitarist/singer Marc Ford is best known for his contributions to the famous roots rock/hard rock/rock & roll band the Black Crowes. The Los Angeles native, however, was not an original member of the Black Crowes, who were together eight years before he joined. Formed by brothers Chris and Rich Robinson in Atlanta in 1984, the Black Crowes had sold millions of albums by the time they officially hired Ford to replace guitarist Jeff Cease in 1992 -- and even though Ford wasn't a major name in the music world during his pre-Crowes years, he did have some noteworthy things on his résumé. Born in Los Angeles on April 13, 1966, Ford was in his early twenties when he formed the L.A.-based power trio Burning Tree with bassist Mark "Muddy" Dutton and drummer Doni Gray in the late 1980s; greatly influenced by the Jimi Hendrix Experience, Blue Cheer, and Cream (among others), Burning Tree favored a psychedelic hard rock sound that was reminiscent of the late '60s. Burning Tree, for which Ford sang lead and played guitar, were not well known, but they did record a self-titled album for Epic/Sony in 1990 before breaking up. Burning Tree, in fact, opened for the Black Crowes on some shows in 1990, which was also the year in which producer Rick Rubin released the Black Crowes' triple platinum debut album, Shake Your Money Maker, on his label American Recordings (Def American at the time). Joining the Black Crowes in 1992 greatly increased Ford's visibility, and he remained with the band until the Robinson brothers fired him in 1997. The reason they gave for firing Ford was his extensive drug use; Ford has acknowledged that he had a severe drug problem at the time, and he went into rehab the year he was fired. Ford pursued a solo career after his departure from the Black Crowes, offering his first solo album, It's About Time, in 2002 -- and while his role in the Black Crowes was primarily that of a guitarist, he both sang lead and played guitar as a solo act. In 2005, Black Crowes fans were delighted when the band (which had gone on hiatus in 2002) reunited and the Robinson brothers employed Ford in an extensive reunion tour that included some summer shows with Tom Petty & the Heartbreakers. But in 2006, Ford announced that he was leaving the Black Crowes -- only this time, it seemed that he quit rather than being fired. The specific reasons for Ford's departure remain unclear, although a bio on his website states that "Ford realized that his newly found sobriety, an issue for the guitarist his entire career, was slowly being jeopardized by the incessant touring." Not long after leaving the Black Crowes, Ford was reunited with Dutton and Gray for some Burning Tree reunion gigs in Hollywood. Ford's solo career continued with Weary and Wired in 2007 and The Neptune Blues Club in 2008 © Alex Henderson © 2012 Rovi Corp | All Rights Reserved http://www.allmusic.com/artist/marc-ford-mn0000673963


Marc Ford (born April 13, 1966 in Los Angeles, California), is an American blues-rock guitarist. He's a former lead guitarist of the rock and roll jam band The Black Crowes and the leader of his own bands (Burning Tree, Marc Ford & The Neptune Blues Club, Jefferson Steelflex, Fuzz Machine, Marc Ford & The Sinners). Ford began his career with the blues-rock outfit Burning Tree in the late 1980s. A power trio featuring Ford on guitars and vocals, Mark Dutton on bass and Doni Gray on drums, Burning Tree released their self-titled debut album on Epic Records in 1990. A commercial failure but a critical success, Burning Tree allowed Ford and Co. to tour extensively throughout most of 1990 and 1991. The band's career was cut short when Ford left to join The Black Crowes, whom Burning Tree had opened for on its first (and only) tour. In mid-1991, Marc Ford sat in a couple of times with The Black Crowes in-concert, performing The Allman Brothers Band's classic hit, "Dreams". When The Black Crowes severed their relationship with their original guitarist Jeff Cease, Ford was asked to fill the vacancy, stepping into the lineup just in time for the band to record their 1992 sophomore album, The Southern Harmony and Musical Companion. The album would go on to reach Number 1 on the Billboard charts and earn a double platinum certificate for sales. Ford would go on to perform on the next two Black Crowes releases, Amorica (1994) and Three Snakes and One Charm (1996) and is also credited for tracks from the band's two unreleased albums (1993's Tall and 1997's Band; later released together as The Lost Crowes). His addition to the Black Crowes sound, which consisted primarily of slide guitar and southern twang, helped define the band at the time. Ford's ability to adapt to core songwriter, Rich Robinson's music and crunchy rhythm guitar sound, solidified him and Robinson, as arguably, the preeminent guitar duo of the 1990s. Ford was dismissed from the Black Crowes in the Fall of 1997, following the band's stint on the summer-long Furthur Festival tour, leaving fans wondering what direction the Crowes might be headed. Black Crowes leaders Chris and Rich Robinson cited Ford's excessive drug use as the reason for his firing, a reason that was confirmed by the guitarist entering a rehab facility soon after his dismissal. After his departure from The Black Crowes, Ford formed a solo band, Marc Ford and the Uninvited, and continued to make live appearances in the United States for the rest of the year. In 1998, Ford sat in numerous times with renowned jam band Gov't Mule before joining the Chris Stills Band for a summer tour. Upon the conclusion of that tour, Ford quit the Chris Stills Band to form Federale, a joint venture between himself and Luther Russell (who were eventually joined by drummer Jimi Bott and bassist Freddy Trujillo). The band gained attention from major label Interscope Records, and a record deal was almost immediately in the works. Federale toured briefly, opening for acts like Gov't Mule, but disbanded after Interscope Records was bought out by Universal Music Group and their commercial viability was called into question. During 2000, Ford joined the Pink Floyd/blues jam/tribute band Blue Floyd, which originally featured Allen Woody (guitar, bass), Matt Abts (drums), Johnny Neel (keyboards) and Berry Oakley Jr. (bass). Providing their own bluesy take on Pink Floyd standards, Blue Floyd was a great success and allowed Ford to remain the public eye while he contemplated his next move. Ford left Blue Floyd at the close of 2001, opting to again to go solo. In January 2002, during one of his many regular appearances at the Malibu Inn in Malibu, CA, Ford welcomed Chris Robinson to the stage for a set of obscure-yet-memorable covers. This performance marked the first time Ford and Robinson had performed with one another since Ford's dismissal from The Black Crowes nearly five years prior. Robinson again joined Ford at the Malibu Inn two weeks later, confirming that they had made amends. Ford even co-wrote "Sunday Sound," a track featured on Robinson's solo debut, New Earth Mud. Following his acoustic-based stint at the Malibu Inn, Ford decided to form a full-fledged electric band. Featuring fellow Blue Floyd member Berry Oakley Jr. (bass) and newcomers Gootch (drums) and Chris Joyner (keys), Marc Ford and The Sinners hit the road in early 2002. During the tour, Ford would often take time out (with and without The Sinners) to record tracks for his highly anticipated debut effort entitled ' It's About Time', which was released on Anko Records in the fall of 2002. In 2003, Marc Ford and The Sinners gained some helpful attention from country-rock singer Lucinda Williams, who became somewhat of an ambassador for the group. She secured the band a deal with Lost Highway Records and Ford began finalizing his material for the sessions. The Lost Highway deal did not come to be, however, as the band's representative at the label was fired and things subsequently fell through. The Sinners still had an opening slot on Lucinda Williams' ongoing tour, a slot that was fairly open-ended. Without a label backing them up, however, it was almost financially impossible for The Sinners to hit the road. Instead, Ford accepted an invitation to join Ben Harper and the Innocent Criminals, relegating The Sinners to an indefinite hiatus. Ford toured with Ben Harper and the Innocent Criminals for the majority of 2003, from which their live EP Live at the Hollywood Bowl was drawn. Ford continued his association with Ben Harper and his band through the close of 2004, featuring on Harper's collaboration with The Blind Boys of Alabama, There Will Be a Light, when he was called to rejoin The Black Crowes for their "All Join Hands" reunion run. After a three-year hiatus, the Robinson brothers reformed the Black Crowes in early 2005 for a series of gigs and (later) a new album. In March 2005, it was announced that Marc Ford would be returning to the lead guitar spot. Ford never severed his ties with Harper, however, appearing on his 2006 album Both Sides of the Gun and performing a handful of shows in support while an active member of The Black Crowes. Ford toured with The Black Crowes through the Summer of 2006 and despite some new songs being debuted during live performances, no new studio material was released. Although it was often rumored that the band was in the studio, this was never confirmed or denied by the band and to date no material has emerged from any sessions during that time period. On September 5, 2006, two days before he was due to hit the road for the fall leg of the ongoing Black Crowes reunion tour, Ford's lawyer notified the Black Crowes management via fax that, effective immediately, the guitarist would no longer be a member of the band. The following day, Ford put out a press release announcing that he had left the Crowes in order to protect his hard-fought sobriety and that he had recently produced albums for emerging artists The Pawnshop Kings and Ryan Bingham. Ford confirmed in a November 2006 interview with Hittin' the Note magazine that he is contractually prohibited from discussing his time in the Black Crowes during the period of 2005-2006. In a later interview with the magazine, Ford revealed that this contractual limitation was "in perpetuity." Shortly after his sudden departure from The Black Crowes, Ford reunited with his Burning Tree bandmates for three gigs at The King King in Hollywood, CA. Following the impromptu dates, Ford enlisted Doni Gray to be his bandmate, along with Muddy and his son Elijah Ford, for a new studio album he had begun preproduction on. Touted by the guitarist as a more guitar-based recording, Weary and Wired was released March 13, 2007 on Shrapnel Records subdivision Blues Bureau. Coinciding with the release of Weary and Wired was Ford's feature interview on the cover of jam-band oriented music magazine Hittin' the Note (Issue #52). Throughout 2007 Marc Ford hit the road in support of his new album, with bandmates Mark "Muddy" Dutton, Elijah Ford and new drummer Dennis Morehouse in tow. The tour found the band performing across the United States, as well as select dates in Spain, Germany, Russia and at a handful of European festivals. During later dates on the tour, Ford unveiled as many as six new songs, hinting at another album on the way. The tour continued through the end of 2007, upon which Ford took a short break. Early in 2008, Ford played sporadic shows on the West Coast, some with his Fuzz Machine band and some with a new venture, Jefferson Steelflex. In addition, Ford and son Elijah joined Ryan Bingham for several dates on his tour, performing songs from the Ford-produced album Mescalito. Ford played slide guitar on Bingham's appearances on The Tonight Show and Late Night with Conan O'Brien in the Summer, 2008. Ford is currently producing The Steepwater Band's next studio effort, an LP tentatively titled "Grace & Melody" slated for release in late summer or early fall 2008, at Compound Studios in Signal Hill, CA (recording began the first week of May 2008). Marc first met the Chicago-based power trio when their bands shared a festival bill in Bilbao, Spain (summer 2007). Ford joined the band on stage to jam on a pair of songs including a cover of Neil Young's "Cortez the Killer", following a sit-in by his bandmate/son Elijah. The Steepwater Band's subsequently provided support for Ford's headlining gig at the Double Door in Chicago on July 26, 2007; this time Jeff Massey and Tod Bowers (of The Steepwater Band's) joined Ford's band for their encore. Soon after Ford approached the trio about producing their next effort. In early August 2008, it was announced (via his record label) that Ford's new record would be available online and in stores on September 23, 2008. Entitled Marc Ford and the Neptune Blues Club, the record features entirely new material performed by the newest incarnation of Ford's band The Neptune Blues Club (himself on guitars and vocals, Mike Malone on keyboards and vocals, Anthony Arvizu on drums, Bill Barrett on harmonica and John Bazz on upright bass). This latest version of his band is a slight reconfiguration of the Jefferson Steelflex band, which performed earlier in the year prior to Ford's short stint with Ryan Bingham. During the latter part of 2008, Marc Ford took up playing lead guitar at the Vineyard Community Church in Laguna Niguel, California. Via that gig, He produced and contributed guitar work to Vineyard Music artist Chris Lizotte's album, "Signal Hill Revival." The album saw release in early 2009. Ford's association with both the church and Lizotte continues to the present day. In early 2009, it was rumored that The Neptune Blues Club was working on its second second record at Compound Studios. However, Ford's deal with Shrapnel Records' subsidiary Blues Bureau had expired after 2008's Neptune Blues Club and by mid-2009 it seemed that The Neptune Blues Club had expired with it. One sole track from the sessions, "Shalomar Dreams," was released via online distributor BandCamp.com and it remains the only material released from the second album sessions to date. In May 2009, it was revealed that Ford would be joining the touring band for blues artist Booker T. Jones (of Booker T. & the MG's fame). Ford has been confirmed as the guitarist for June through September 2009. In the Fall of 2009, Ford launched a download site to showcase and facilitate the sale of his archive of soundboard recordings from his solo work. The shows released thus far focus entirely on The Neptune Blues Club. It is unclear if the site will cover other eras of Ford's solo career. In February 2010, Ford released his fourth studio album, Fuzz Machine, featuring material recorded while on a touring break in the Fall of 2007 with the band of the same name. The album's release coincided with Ford's mini-tour of Spain, on which he utilized The Steepwater Band as his backing band. The tour prompted the launch of a new website for Ford, the central theme of which is based around the Fuzz Machine recording. The album was exclusively available at all of Ford's performances on the mini-tour, followed by an online distribution in November.

1 comment:

A.O.O.F.C said...