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Showing posts with label Nineties Progressive Rock. Show all posts
Showing posts with label Nineties Progressive Rock. Show all posts

9.10.14

Gong


Gong - Best Of Gong - 1996 - Mantra Records (France)

One of countless compilation albums from Gong, the monumental progressive rock band. The mothership Gong and her offshoots have released hundreds of albums. It would be ridiculous to say that the thirteen tracks here represent Gong's best work. Nevertheless, what is here is good, and if you're unfamiliar with this legendary band, this is a good album to whet your appetite [All tracks @ 320 Kbps: File size = 174.4 Mb]

TRACKS / COMPOSERS / ALBUM

1 Radio Gnome - Daevid Allen "Camembert Electrique" 1971 (Gong) 0:27
2 You Can't Kill Me - Daevid Allen "Camembert Electrique" 1971 (Gong) 6:16
3 Fohat Digs Holes In Space - Daevid Allen, Gilli Smyth "Camembert Electrique" 1971 (Gong) 6:20
4 Tried So Hard - Daevid Allen, Christian Tritsch "Camembert Electrique" 1971 (Gong) 4:39
5 Radio Gnome Invisible - Daevid Allen "Flying Teapot" 1973 (Gong) 5:32
6 Flying Teapot - Daevid Allen, Francis Moze "Flying Teapot" 1973 (Gong) 11:47
7 I Never Glid Before - Steve Hillage "Angel's Egg" 1973 (Gong) 5:36
8 Masterbuilder - Gong "You" 1974 (Gong) 6:05
9 A Sprinkling Of Clouds - Gong "You" 1974 (Gong) 8:54
10 Tic Toc aka "Zero The Hero & The Witch's Spell" - Daevid Allen, Tim Blake, Christian Tritsch "Live Au Bataclan 1973" (Gong) 5:59
11 Deep In The Sky - Tim Blake "Live At Sheffield 1974" (Gong) 5:13
12 White Neckblues - Daevid Allen "Banana Moon" 1971 (Daevid Allen) 4:37
13 Chrysler Rose - Dashiell Hedayat "Obsolete" 1974 (Dashiell Hedayat) 6:38

MUSICIANS

Daevid Allen - Guitar, Bass Guitar, Vocals
Christian Tritsch - Electric & Acoustic Guitar, Bass
Steve Hillage - Guitar
Robert Wyatt - Guitar, Drums, Vocals
Francis Moze - Bass Guitar, Keyboards
Mike Howlett, Archie Legget - Bass Guitar
Tim Blake - Keyboards, Synths, Vocals
Dashiell Hedayat - Keyboards, Vocals
Gary Wright - Piano
Pip Pyle, Charles Hayward, Laurie Allan- Drums
Pierre Moerlen - Drums, Percussion, Vibes, Marimba
Rachid Houari, Benoit Moerlen- Percussion
Mireille Bauer - Glockenspiel, Percussion
Francis Linon - Noises
Didier Malherbe - Saxes, Flute, Vocals
Nick Evans - Trombone
Gerry Fields - Violin
Gilli Smyth - Vocals
Maggie Bell, Barry St. John, Sam Wyatt, Miquette Giraudy - Backing Vocals

12.8.14

Michael Romeo


Michael Romeo - The Dark Chapter - 1994 - Hellion Records

Originally recorded in 1992 as a demo tape which Romeo had sent out to various guitar publications, the album that would eventually become The Dark Chapter garnered the attention of a Japanese record label named Zero Corporation, who expressed an interest in further material. Romeo subsequently joined up with keyboardist Michael Pinnella to re-record the album for a CD release through Zero in 1994, after which both musicians went on to form Symphony X. An entirely instrumental album, it bears many similarities to the progressive metal stylings showcased by Symphony X, and could be considered a direct precursor to their self-titled debut album which was released later in 1994. Several of the track titles are references to works by Edgar Allan Poe, such as "The Cask of Amontillado", "The Masque of the Red Death" and "The Premature Burial". Furthermore, the cover art portrays a raven, in reference to Poe's poem "The Raven", and a guitar, with its body resembling the shape of a pendulum, as per Poe's short story "The Pit and the Pendulum". Most of the other track titles bear cryptic meanings: "Sevil Alucard" reads "Dracula Lives" spelled backwards (a possible reference to Dracula Lives!, a short-lived magazine by Marvel Comics); "MJR #13" is an abbreviation of the initials of Romeo's full name, Michael James Romeo; "Noit Al Ever" reads "revelation" spelled backwards. – WIKI

'Michael Romeo', the mastermind behind Symphony X and a spectacular guitar player, was 26 years old when he released this first type of musical exhibition of him. I don't know what the fuck he did until that point, but it's better to start at age 26 then not start at all, especially if you possess such an outstanding guitar technique and brilliant composing skills. 'The Dark Chapter' is basically the foundation stone of what will be one of the most epic progressive metal bands out there. This full length is loaded with highly progressive instrumental tracks with great baroque influence over them. 'Michael Pinnella', who will later form up Symphony X together with Romeo, exhibit some of his own skills with some occasional synth leads here and there that sign of a topnotch virtuosity. This album has a seriously sinister and dark timbre. The track titles are often referring to the horror writings of Edgar Allan Poe ('Masque of the Red Death', 'The Premature Burial' etc..) and the cover art itself reflects a gloomy atmosphere as well. Michael Romeo managed to combine technique and melodies quite well, you won't feel that there is much of a flat instrument masturbation here as opposed to many shredding albums out there. 'Masque of the Red Death' is probably the most varied track here. There are tons of sweep pickings and alternate picked riffs at the speed of light, but they always keeps on a high level of curiosity due to the enchanting themes and progressive structure of the track. The guitar tone of Romeo sounds so clean and powerful, you can't miss him not missing any note in any fretboard attack. The Paganini tribute is a marvelous, pounding and melodic orgasm that beats any Paganini guitar tributes out there. This could be a great ending to this album, but instead we get 'Noit Al Ever', a beautifully stunning tune with a powerful orchestra of fast classical guitars, majestic choirs, piano and a victorious lead guitar that closes this album with a great and promising climax. 'The Dark Chapter' is a wonderful journey to the realm of neoclassical metal. There are some many things going in this 42 minutes of highly progressive record that you just can't miss. This is the album that led to one of the most creative bands in the history of metal, this is a must have for any Symphony X fan. With that said, I would really like to see 'Michael Romeo' releasing another solo effort one day, to see if he can overcome such a high level of creative shredding. – By & © Human666, October 1st, 2011 [Worthy Shredding Exhibition - 88%] © 2002-2014 Encyclopaedia Metallum http://www.metalarchives.com/reviews/Michael_Romeo/The_Dark_Chapter/15087/Human666/68424

Back in the dark ages before there was such a thing as Symphony X, there was an ambitious fellow from New Jersey who didn’t get the memo that technical guitar oriented music was on the wane, and thank God for that. The music that he, being Michael Romeo, would create would fly in the face of a legion of mind numbed trusties of conventional wisdom who were spoon fed the dual lie that Malmsteen was a sham and that Kurt Cobain was some sort of hero. For those who still deride this music as being passé, you would do well to take note of the fact that we who love true guitar heroics are still here and we have no intention of going away. For the rest of you who are curious about the history before there was Symphony X, the music found on “The Dark Chapter” is something of a surprise actually. This album listens like the long lost son of the line of Malmsteen’s “Rising Force” and Dream Theater’s “Images and Words”, albeit the child is mute and expresses itself only by instruments, conceived and born in the darkness by the unholy spirit of metal. From start to finish you run through a maze of endless streams of rapid scale runs, arpeggios, mixed meter turnarounds, and the occasional reference to a baroque/classical/romantic maestro that had an influence upon Romeo’s sound. The album kicks off with “Carpathia”, a 2 minute electronically orchestrated prelude with the axe man throwing in his sinister leads, switching back and forth between sounding like Brian May and Malmsteen. “Cask of Amontillado” listens like one of Symphony X’s speed metal tracks off of “Twilight in Olympus”, keeping the meter of the music mostly in common time and relying upon rapid drum and guitar work to impress the ears, and only occasionally letting up to provide a slower melodic section. “Psychotic Episode” and “Masque of the Red Death” are both excellent early examples of Romeo’s keen sense of metric manipulation and off-the-cuff tempo changes, both sounding as dark and looming as the events and stories they depict. “Sevil Alucard” is another consistently fast track that contains some early examples of the more groove driven ideas that were heard on “The Odyssey”. “The Premature Burial” is the simplest of the lot riff wise, although painted pretty heavily with harmonic lead fills and occasional church organ interludes. “MJR #13” is an early example of the somber ballad sound that would come into play in such well known Symphony X tracks as “The Accolade” and “Lady of the Snow”, the intro melodic line is beautifully realized, and the occasional addition of an acoustic guitar line mellows the sound quite a bit. The remake of the Paganini concerto in a speed metal style is among the best I’ve heard, even rivaling Olaf Lenk’s rather astounding remakes of Vivaldi’s Four Seasons. The album then closes on a lighter note with “Noit Al Ever”, which is heavily keyboard drenched though still being another technical extravaganza where Romeo leaves no note unexplored. The only real weakness in this album is that the production, which suffers a little from a lack of real instruments when compared with Symphony X’s material. The drum machine makes the entire arrangement sound a bit mechanical, as does the heavy reliance on synthesized orchestra sounds rather than a mix of keyboards and real instruments. That being said, the music on here is quite impressive, especially considering that it is entirely self-produced and almost completely recorded by one person. (Mike Pinella did do some of the fancier keyboard tracks on here) I was particularly impressed with Romeo’s incredible guitar sound, which he has not really altered very much since this time. You can definitely tell just by heaving excerpts from this album that it is the same man who set his fret board ablaze on “The Odyssey” and “V: The New Mythology”. Fans of shred metal and Symphony X are strongly encouraged to track this down, especially considering that it was recently re-released and is easily found. It is a bit green compared to the more recent offerings put forth by this man of ambition who would otherwise be your typical big haired rocker from New Jersey, but it is a testament to the fact that metal was not dead in the 90s, regardless to what the propagandists in the larger recording industry would say to the contrary. – By & © hells_unicorn, July 15th, 2007 [The Dark Ambition. - 90%] http://www.metal
archives.com/reviews/Michael_Romeo/The_Dark_Chapter/15087/#reviewAnchor125652 © 2002-2014 Encyclopaedia Metallum

Michael Romeo was born in March of 1968 in New Jersey,USA. When he was 12 years old, he began playing piano, switching to guitar a couple years later. He is a noted virtuoso known for his Neo-Classical shredding guitar style and technical expertise. He is also widely recognized as an influential force in both modern metal and guitar-playing. In 1994, Michael released "The Dark Chapter" while also helping to establish the great progressive metal and critically acclaimed band Symphony X. “The Dark Chapter” is quite a good melodic shredding album with a traditional classical vibe based around the writings of Edgar Allen Poe. This album was recorded fairly quickly and the production could have been more polished, but the album is a great listen and a good forerunner to Symphony X’s music. Read an interview with Michael @ http://www.alloutguitar.com/interviews/michael-romeo-interview-%E2%80%93-perfect-symphony-part-one-1970s-2000 and listen to Symphony X’s fabulous “Paradise Lost” album [All tracks @ 320 Kbps: File size = 119 Mb]

TRACKS

1.Carpathia 2:08
2.Cask of Amontillado 5:07
3.Psychotic Episode 4:02
4.Masque of the Red Death 7:01
5.Sevil Alucard 5:10
6.The Premature Burial 6:20
7.MJR #13 7:15
8.Concerto in B Minor 2:38
9.Noit Al Ever 3:08

All tracks composed by Michael Romeo except Track 8 by Niccolò Paganini

MUSICIANS

Michael Romeo – Electric & Acoustic Guitar, Guitar Synthesizer, Bass, Keyboards (except Track 8), Drum Programming
Michael Pinnella - Keyboards on Track 8

12.6.14

Mick Abrahams' Blodwyn Pig


Mick Abrahams' Blodwyn Pig - Pig In The Middle - 1996 - A New Day

Formed by ace ex - Jethro Tull guitarist Mick Abrahams in 1969, Blodwyn Pig reformed in 1988 and have recorded some great overlooked albums in recent years. Blodwyn Pig was a largely unsung band that made a valuable contribution to the development of progressive rock music. Their unique blend of guitar and horn twin leads set against a backdrop of heavy, prog, blues and jazz packs an almighty punch that may appeal to fans of bands like early Jethro Tull and Colosseum .This obscure studio album features all new original material from Mick Abrahams who plays great guitar as always. Read more about this great jazz/blues/prog.rock band @ http://www.squirrelmusic.com/ and http://www.allmusic.com/artist/blodwyn-pig-mn0000055174/biography and check this blog for more info on BP [All tracks @ 320 Kbps: File size = 151 Mb]

TRACKS

1. Raining again 4:53
2. You got it wrong 4:25
3. Going down 4:37
4. Whisky dreams 4:50
5. Goodbye 5:44
6. I'm bored 2:36
7. Modern day TV blues 2:45
8. Mo' bad news 4:42
9. Hard wind 4:41
10. Fire in the hole 3:19
11. Nervous blues 7:07
Tracks 12-15 New day sampler Vol 2

All tracks composed by Mick Abrahams

MUSICIANS

Mick Abrahams - Electric, Slide, & Acoustic Guitar, Vocals
Mike Summerland - Bass Guitar
Mick Parker - Keyboards, Accordion
Graham Walker - Drums, Percussion
Clive Bunker - Percussion
Nick Payne - Tenor, Alto, Soprano, & Baritone Saxophone, Harmonica
Jackie Challoner, Lorenza Johnson - Backing Vocals

29.4.14

Darren Housholder


Darren Housholder - Symphonic Aggression - 1995 - Shrapnel Records

The last of three recordings guitar-instrumentalist Darren Housholder released on Shrapnel Records, Symphonic Aggression is the musician's most accomplished record. Improved production and a more developed rhythmic concept elevate this 1995 release above Housholder's earlier efforts. The clean guitar funk and jazz explorations falter, but the Berklee Music graduate's fluid rock soloing -- the heart of all three Housholder releases -- are his best ever. Guitar enthusiasts will enjoy the much improved Strat guitar tones and bassist Ricky Wolking's killer performances. As the title suggests, Symphonic Aggression is Housholder and his band's (Wolking and drummer Ray Lozier) most classically influenced disc. Sounding occasionally like classical metal's most heroic guitarist, Yngwie Malmsteen, Housholderperforms blistering solos over Bach- and Chopin-inspired key modulations. The classical dramatics hold up through the first half of the record before the disc shifts into the more conventional rock feel used in Housholder's first two releases. Even when Symphonic Aggression loses its neo-classical momentum, Lozier and Wolking give the arrangements energy and depth. The rhythm section's full tones and interesting polyrhythms provide a welcome dynamic to the standard shredder material. Housholder's solo work typifies a genre of music made by (and for) the most technically inclined rock musicians. Fans of this complicated, sometimes difficult music will enjoy Symphonic Aggression; clearly the guitarist's most impressive record to date.
© Vincent Jeffries © 2014 AllMusic, a division of All Media Network, LLC. | All Rights Reserved http://www.allmusic.com/album/symphonic-aggression-mw0001883809

Darren Housholder is an excellent guitarist, a very high class performer and a graduate of Berklee School of Music. He also was a faculty member of Berklee teaching Modern Rock Guitar. Darren can play almost any technique and style. Guitar magazine called him a "thoroughly modern player with sass, sparks and control." He has an awesome talent for soloing . On “Symphonic Aggression”, Darren uses a lot of neoclassical stylings, vibrato and legato phrases and even though “Symphonic Aggression” is not his best album, it reveals the Los Angeles musician as a hugely talented and accomplished guitarist. Listen to his “Generator Man” album [All tracks @ 320 Kbps: File size = 132 Mb]

TRACKS

1 When in Rome
2 Dinner With Wolfgang II
3 Expresso
4 Mayday
5 Middle of the Night
6 The Juice Is Loose
7 Hello
8 Running Scared
9 Crying for You
10 Dance of Sir Rockstr le Earthquake Doggie

All tracks composed by Darren Housholder except Track 10 composed by Darren Housholder, Ray Luzier, & Ricky Wolking

MUSICIANS

Darren Housholder - Guitar
Ricky Wolking - Bass
Ray Lozier - Drums

15.4.14

Warren Cuccurullo


Warren Cuccurullo- Road Rage - 1998 - Bandai Records

I have to admit, I've been looking forward to this one. While I really dig Machine Language, this is more my style. This CD fills in the gaps for those of us who loved his 1994-96 solo shows so much and wanted to be able to hear them clearly (as opposed to all the bootlegs that floated around). With Thanks 2 Frank and Roadrage, you now have a fairly complete portrait of Warren's solo shows that are so breathtaking, even if you haven't had the chance to see one. Overall, I must say that this album ranks right up there with Thanks 2 Frank as a must-have for any fan of Warren's. The only thing that could have made it even more fantastic would have been if he could have recorded "Watermelon in Easter Hay," but since Gail Zappa has stated her wish that the song never be recorded again by anyone, he could hardly do that (you can find it on several bootlegs from the Dec 1993-Feb 1994 part of the 1993/94 Duran tour and it is well worth the effort to do so). While Thanks 2 Frank had, in my opinion, two types of songs, generally speaking, this CD is much more diverse. The older album had some songs that were bluesy, rocking, crisp and clear, hot stuff, and then it also had some more melodic, brooding and textured songs that ended up being the ones I preferred (such as Galactic Ballerina, Orgasmatron, Tardinha, Indian Time Zones, etc). On Roadrage, we are treated to both sounds and more. Two of the songs on this album showcases Warren's talent in the first way that the world was introduced to it: with Zappa music. Transylvania Boogie and Willie The Pimp are both Zappa classics that Warren was more than able to execute. The former was recorded live in March 1996 at Tower Records with Joe and Wes, who proved themselves more than capable of handling the job. The latter song was recorded live at the Stone Pony show (July 1994), with Warren's Canarsie buddy Jon Kiebon on vocals, Jay Cuccurullo on drums and Nick Beggs on bass. Having been privileged to witness this performance, I must say that even though I had never heard the song, it was something special to behold, and all the spontaneity of that night was captured in this track. There are two totally-solo cuts on the album: Suddenly Spring and A Little Exit Music. Suddenly Spring shows us a new side of Warren (unless we've been following Duran Duran over the last few years) and is a beautifully arranged, acoustic guitar bouquet of sound. A Little Exit Music ends the album with one guitar figure repeated over and over in a weirdly frenetic and delicate way, backed by a lower part that returns you right to the root of the song at every turn, and then toward the end, the whole thing gets skewed into something even more strange. Something that I was quite pleased to see is that the three new songs that Warren added to his live shows in 1996 have been captured for posterity on this album. Hearing these songs shows you how Warren's musical mind has grown and changed just since 1994. Whatever You Say, Mac and Roadrage are sheer masterpieces, especially Roadrage, which is moody and dark enough to please anyone. I must single out Wes for praise for his bass work on this song, too. The Beating is something that I wasn't sure at the time was an actual song, seeming to be a way for Warren to work out his sound and test his equipment, but I remember being totally fascinated by it. Duran fans will recognize this jagged, echoey sound from the song "Silva Halo" (Medazzaland), though he toned it down a lot before its use in the Duran song. Perhaps most exciting to me and other Missing Persons fans is the inclusion of In-Flight Entertainment, which we were introduced to at the 1994 Stone Pony show (it was then titled "Discoveries"). At that time, Warren told the audience that Missing Persons used this song to warm up. This song blasts into orbit with Chapman Stick bass by Nick Beggs, and Steve Alexander handily fills the Terry Bozzio slot, even getting a long and frenetic drum solo. This all works together and folds into a blasting, euphoric sequence of chords on Warren's guitar. The showcase of the album, in my opinion, is Ordinary World (recorded live with Joe and Wes in March 1996). As all of you know, Warren wrote the majority of this song and contributed it to Duran Duran, giving them their first top 5 hit in years. The way Warren performs it with his own band, in his own way, will send chills down your spine as you hear all the passion and honesty that has always infused this song and you begin to realize that the lyrics and vocals only carry half the load. In Warren's instrumental version, shared with you here, Warren's guitar fully orchestrates every shred of emotion in the song as you journey from the delicate beginning to the soaring middle part to the roaring climax and right back to a satisfying, gentle end that leaves you feeling as if you have experienced the ultimate performance of the song. At any rate, Warren's talent is phenomenal, and we're all so lucky to have the honor of experiencing it. My hope is that he continues to record music like this and share it with the world. – from “Roadrage: The Privacy Review” By & © Cyndi Glass © http://www.cuccurullo.tv/archives/fanzine/iss26.html

"Road Rage" is legendary Brooklyn born guitarist Warren Cuccurullo’s (Zappa/Missing Persons/Duran Duran) 1998 live project featuring tracks recorded live in Los Angeles (CA, USA), New York (NY, USA), London (UK), and Asbury Park (NJ, USA) between 1994 and 1996. Essentially, the album is a sequel to the great "Thanks 2 Frank" album, providing the rest of the songs Warren played in his solo shows from 1994-96 except for Zappa's "Chunga's Revenge". "Road Rage," "The Beating" and "Whatever You Say, Mac" were all brand new in the March 1996 shows. A few Zappa covers are included, "Transylvania Boogie" and "Willie The Pimp", and a positively scalding, amped up instrumental take on Duran Duran's "Ordinary World". Also included on "Road Rage" is "Suddenly Spring", a live solo acoustic piece performed for VH-1 in London. "Warren said that "This is the most emotional, spirited, fiery guitar playing that I've ever done. You have never heard it like this. This sounds like it was recorded in a studio." Warren blazes through this 9-song set which also features featured drummer Joe Travers and bassist Wes Wehmiller among others. HR by A.O.O.F.C. Check out Warren Cuccurullo’s “Thanks 2 Frank” album [All tracks @ 320 Kbps: File size = 110 Mb]

TRACKS / COMPOSERS

1 Road Rage - Warren Cuccurullo 8:32
2 Transylvania Boogie - Frank Zappa 4:53
3 Suddenly Spring - Warren Cuccurullo 3:39
4 Whatever You Say, Mac - Warren Cuccurullo 7:34
5 The Beating - Warren Cuccurullo 1:54
6 Willie The Pimp - Frank Zappa 8:57
7 In-Flight Entertainment - Terry Bozzio, Warren Cuccurullo 3:14
8 Ordinary World - J. Taylor, N. Rhodes, S. Le Bon, Warren Cuccurullo 7:23
9 A Little Exit Music - Warren Cuccurullo 2:03

Tracks 1, 2 & 8 recorded in Los Angeles on 3/29/96, format: DAT: Track 3 recorded in London for VH-1 in June, 1996, format: Video: Tracks 4 & 5 recorded in N.Y.C. on 3/27/96, format: DAT: Track 6 recorded in Asbury Park, N.J. on 7/6/94, format: Sony Mini Disc: Track 7 recorded in London on 9/30/94, format: DAT: Track 9 recorded at a soundcheck somewhere, format: Sony Mini Disc.

MUSICIANS

Warren Cuccurullo - Electric & Acoustic Guitar
Wes Wehmiller - Bass on Tracks 1, 2, 4, 8
Nick Beggs - Bass on Track 6, Stick on Track 7
Joe Travers - Drums on Tracks 1, 2, 4, 8
Jerry Cuccurullo - Drums on Track 6
Steve Alexander - Drums on Track 7
Jon Keybon - Vocals on Tracks 6

BIO (WIKI)

Warren Bruce Cuccurullo (born December 8, 1956 in Brooklyn, New York) is an American rock musician who worked with Frank Zappa, was a founding member of Missing Persons, and has been a long term member of Duran Duran. Warren Cuccurullo is the son of Jerry and Ellen Cuccurullo, the oldest child of four. He has two brothers, Jerry and Robert and a sister, Stephanie. His Italian American heritage has its roots in Nocera Inferiore in Campania, Italy, and he also has some Greek ancestry. He grew up in the Canarsie neighborhood of Brooklyn, and began playing drums and guitar as a young child. He graduated from Canarsie High School in 1974. Cuccurullo has one adopted child, Mayko Cuccurullo (born 1983) who lives in Rio de Janeiro, Brazil, who is actually the son of Claudia Bueno (Warren's former longtime girlfriend). Mayko is featured in the Duran Duran video Breath After Breath, filmed in Argentina in 1993 and contributed some minor vocal work on the N'Liten Up project. Cuccurullo returned to the United States in 2001 and lives in Venice, California. His current focus is on musical projects having to do with film scores. In his teen years, Cuccurullo became a devoted fan of Frank Zappa and began traveling to every show within 500 miles of his Brooklyn home. During the mid-1970s, he befriended several members of Zappa's band, including Terry Bozzio and Patrick O'Hearn. Over the next three years, he appeared with the band on stage at a couple of shows as well as in the 1979 Zappa film Baby Snakes (filmed October, 1977). He impressed Frank Zappa by knowing the guitar parts to every Zappa song in the catalog, including the strangest sounds and most bizarre time signatures. In December 1978, at the age of 22, Cuccurullo was invited to audition as a guitarist for Zappa's new road band, in which many members were replaced (including Bozzio and O'Hearn). Several shows on the early 1979 "Human Jukebox" European/Asian tour were recorded for Zappa's live albums. After the tour, Cuccurullo returned to the studio with Zappa to work on the Joe's Garage albums, for which he provided rhythm guitar and several vocal parts. Terry Bozzio's wife Dale Bozzio, also contributed vocal parts to the album. Cuccurullo and Dale Bozzio began writing songs together, and eventually they convinced Terry Bozzio that the three of them should launch their own band. Zappa asked Cuccurullo to play on his 1988 tour, but the latter's involvement with Duran Duran had begun by then and so he declined. Cuccurullo is name-checked four times on Zappa's Joe's Garage, first by (Dale Bozzio's character) Mary in "Catholic Girls", by Zappa (in character here as Larry) in "Crew Slut", when reassuring Mary, "of course I'll introduce you to Warren!", in the track "Sy Borg" when Ike Willis sings "little leather cap and trousers -- they look so gay... Warren just bought some," and once again by Zappa during "Little Green Rosetta" 'Then everybody moves to New York and goes to a party with Warren. hey!' In 1980, Cuccurullo and the two Bozzios formed Missing Persons, added Patrick O'Hearn and Chuck Wild, recorded a 4-song EP called Missing Persons, toured, promoted the EP, and appeared in the movie Lunch Wagon. Two years of hard work led up to a signing with Capitol Records in 1982, the release of the album Spring Session M, and the subsequent success of Missing Persons on radio and MTV. The singles "Mental Hopscotch", "Destination Unknown," "Walking in L.A.," "Words," and "Windows" all met with success. They appeared at the three-day Southern California concert, the US Festival in May 1983. In 1984, Cuccurullo invented a new type of guitar he called the "Missing Link", and used it on the experimental album Rhyme and Reason (1984). The band followed up with the more conventional Color In Your Life in June 1986, but during the short-lived promotional tour, increasing tensions between then-husband and wife, Terry and Dale Bozzio, led to the end of the tour and the band. On his own again, Cuccurullo began recording some music in his bedroom that was eventually released on his solo album Machine Language. Missing Persons shared their label Capitol Records with British band Duran Duran. As Missing Persons fell apart, Bozzio and O'Hearn were approached by Duran guitarist Andy Taylor in Los Angeles for work on a solo album. In this way, Cuccurullo learned that Taylor did not intend to rejoin Duran in England to work on their next album, even before the rest of Duran Duran knew. Cuccurullo sent a tape and a request for an audition, but was turned down, with some puzzlement. As it became clear that neither enticements nor lawsuits would get Taylor back in the studio, Duran Duran hired Cuccurullo as a session guitarist to complete the album Notorious. He went on to tour with the band, and returned to contribute his increasingly experimental guitar work to the album Big Thing. At the end of the grueling ten-month Big Thing world tour (in June 1989), Cuccurullo was made an official member of the band, and moved to London. Shifting record label politics and the unsuccessful album Liberty almost derailed the band, but after Cuccurullo offered them the use of his home studio (named "Privacy") in Battersea, Duran Duran was able to shift to a more comfortable and controlled music-making style. Cuccurullo's songwriting, guitar skills and driving personality contributed to the band's return to fame with 1993's Wedding Album. He was the primary composer of the hit singles "Ordinary World" and "Come Undone", although the lyrics were written by Simon Le Bon. He created new arrangements for many of the band's old hits for the acoustic-flavored tour that followed, as well as arranging full acoustic pieces for the piano and six-piece string section that performed with them on the MTV Unplugged show. After Frank Zappa's death in December 1993, Cuccurullo performed the instrumental guitar piece "Watermelon in Easter Hay" (from the Joe's Garage album) in his honor at several Duran Duran shows. Tentative plans for a Missing Persons reunion in 1994 were shelved over remaining tensions between former band members. Cuccurullo and keyboardist Nick Rhodes continued to hold Duran Duran together during the band's lean times in the 1990s. The covers album Thank You (1995) was an attempt to keep the peace among band members who had increasing trouble writing music together. Medazzaland (1997) and Pop Trash (2000)—written after the departure of bassist John Taylor and Duran Duran's separation from Capitol Records—featured mostly new Cuccurullo/Rhodes songs and reworked TV Mania material, but failed to dent the charts even though the band sold out multiple nights in most cities on the 2000/2001 tour. In early 2001, Cuccurullo was asked to leave the band so that the original members of Duran Duran could reunite. At first the split was amicable, hinging on a financial settlement which granted him compensation from the band's forthcoming reunion album (to which he was not expected to contribute). Two years later relations soured considerably during the reunited band's American tour when he was asked by management not to attend the Las Vegas show after the band had invited him (no reason was given), and he began confirming some of the rumors that had spread about the 2001 split. Cuccurullo claimed that he was fired from Duran Duran by letter because Rhodes and Le Bon feared his reaction, though he told Duran Duran biographer Steve Malins: "I would never get aggressive in a situation like that. There were things that had to be sorted out in a professional manner, so, that's what I did." Cucurrullo remained on good terms with Rhodes however, and in 2013 they released an album containing material from their side project TV Mania. Beginning in the early 1990s, Cuccurullo collaborated with Duran bandmate Nick Rhodes, calling themselves TV Mania, and began writing an experimental rock opera trilogy called Bored With Prozac and the Internet? (initially unreleased save for a few songs on Cuccurullo's website and in the movie Trollywood). Rhodes and Cuccurullo wrote and recorded a song called “Tomorrow Never Dies” with vocalist Tessa Niles for the James Bond film ‘’Tomorrow Never Dies’’. The song wasn't chosen, so Duran Duran re-recorded it for the Pop Trash album with new lyrics under the title "Last Day On Earth". In December 1996, Rhodes and Cuccurullo wrote and produced two songs for a never-completed Blondie project ("Pop Trash Movie" and "Studio 54"); the re-recording of the former gave the Pop Trash album its name. The Duran Duran albums Medazzaland and Pop Trash were made up of reworked TV Mania songs, with Rhodes writing all lyrics to both albums except the song Someone Else, Not Me. The full, 11-track album Bored With Prozac and the Internet? was given an official release on March 11, 2013. During breaks in Duran Duran's 1989-1990 tour schedule, Cuccurullo worked with Tetsuya Komuro, Shenkar and Patrick O'Hearn. In 1994, the preparations for a solo show near his hometown led to a burst of creativity; he recorded and mixed the Thanks 2 Frank album in less than ten days, with bassists Pino Palladino and Nick Beggs and ex-Zappa drummer Vinnie Colaiuta. The album was released on Imago Records in 1996. In 1997 Cuccurullo completed Machine Language, an ambient instrumental guitar album, also released on Imago. He followed up with a live album, Roadrage in 1998 (on Bandai Records). The Blue (recorded with Shenkar in 1992) was self-released in 2000. Another ambient album, Trance Formed, was released on One Way Records in 2003. In 2005, Cuccurullo and Terry Bozzio collaborated on a CD titled Playing in Tongues, which was released in Europe on Edel Records and in the U.S. on Zappa Records in 2009. Cuccurullo still has as-yet-unreleased projects including a concept album titled N'Liten Up, recorded at The Village studios in West Los Angeles by Kent Huffnagle and produced by Simone Sello. Begun prior to Playing in Tongues, N'Liten Up is currently planned for release in Europe prior to its debut in the U.S. Spring Session M was released on CD in 1995, followed by Rhyme and Reason and Color In Your Life in 2000. Each of the three studio CDs were newly augmented by six rare B-sides or live tracks. Classic Remasters is a compilation of remastered tracks and dance mixes issued by Capitol Records with no band involvement. Beginning in 1997, Cuccurullo began work on his "Missing Persons Archival Trilogy" project. The first CD to be released was Late Nights Early Days in 1998, a live concert recorded in 1981 with the added 1980 studio track "Action/Reaction." This was followed up by a compilation of modern remixes of classic MP tracks, Missing Persons Remixed Hits (1999) which included the TV Mania remix of "Destination Unknown." In 2002 Lost Tracks was released, a collection of extremely rare Missing Persons live tracks from five different eras of the band. Meanwhile, in late 2000, Cuccurullo and Dale Bozzio again began discussing a Missing Persons reunion to feature original members Warren, Dale Bozzio and Terry Bozzio, with new keyboardist Ron Poster (of Dale Bozzio's band) and bassist Wes Wehmiller (formerly in Cuccurullo's solo band and Duran Duran's tour bassist from 1997–2001). The short-lived, official reunion consisted of promotional activities and three live performances in July 2001. Late 2002/early 2003 brought us "Missing Persons Featuring Dale Bozzio and Warren Cuccurullo." Filling in were keyboardist Ron Poster, bassist Wes Wehmiller and drummer Joe Travers (formerly in Cuccurullo's solo band and Duran Duran's tour drummer from 1999–2001). This version of Missing Persons was featured on Access Hollywood (performing "Destination Unknown") and did three live performances in February 2003. Following this, Dale Bozzio returned to touring as "Missing Persons" with hired musicians. In 2011 Cuccurullo rejoined Bozzio as part of another short-lived Missing Persons reunion tour. Cuccurullo was raised with a strong Italian-Catholic background and attended a Catholic elementary school in Brooklyn. During most of his adult life, he had a strong disdain for religion of any sort but believed in reincarnation. After a life-threatening illness in 2003, he experienced a spiritual epiphany that he wanted to share with his fans as well as the rest of the world. These new views, which include a somewhat Universalist belief in God's existence inside everything and everyone, are not connected with any organized denomination or religion, for which he still retains a strong antipathy. In mid-2002, Cuccurullo purchased a Santa Monica, California, Italian restaurant called Via Veneto. It has become a Los Angeles-area hotspot and a favorite with celebrities. More recently, he also funded the opening of a restaurant called Hidden and Vietnamese cuisine restaurants with Michael “Bao” Huynh. Re-focusing on his music, Cuccurullo started a new collaborative project with composer Eric Alexandrakis, drummer Steve Ferrone, and producer Anthony J. Resta. Explaining the purpose of that project in a Modern Drummer news release Alexandrakis said, “The four of us decided to create a scoring collective to pursue scoring projects in TV themes, film, and advertising…” Cuccurullo released the debut album from his collaborative effort with vocalist Neil Carlill, Chicanery, on May 11, 2010. Recorded a few years earlier, the album, also titled Chicanery, was released on CD and digital media through dPulse Recordings. Musicians who joined Cuccurullo and Carlill for selected sessions on the Chicanery album included among others, Terry Bozzio, Joe Travers, sarangi virtuoso Ustad Sultan Khan, and producer Simone Sello. Also in 2010, Cuccurullo formed a local free jazz group called Theoretical 5 in Mar Vista, Los Angeles with Frank Zappa alumni Arthur Barrow (bass) and Tommy Mars (keyboards, vocals), and also Larry Klimas (saxophone), and Andy Kravitz (drums, percussion).

23.2.14

Toshi Iseda


Toshi Iseda - Full On! - 1998 - Over The Top! Records

“Years ago I had purchased 2 PRS guitars. Best guitars I've EVER played. At the time though, they weren't manufacturing a production 7-string guitar. I've been playing 7-string guitars exclusively since 1991. I've waited over 20 years for the greatest guitar manufacturer to make the guitar of my dreams. They're here. It was worth the wait." Born in Chicago Illinois, and after being mesmerized by his uncle Jeff Brown playing guitar, Toshi Iseda was inspired to pick up the guitar. A guitarist since the 7th grade, Toshi has become known as THE prominent up-and-coming guitarist in the Midwest. In the “beginning”, he was inspired by listening to a lot of different kinds of music, but especially that of KISS, Aerosmith and Peter Frampton (The song “Do You Feel Like We Do?” had a profound effect on Toshi). He then was motivated to practice up to 2 hours a day when first learning how to play. Toshi’s first “serious” influences were guitarist such as Rock greats Eddie Van Halen, Randy Rhoads, Adrian Vandenberg (when he was in the band Vandenberg), Uli Jon Roth, Jimi Hendrix, and Michael Schenker among others. After reading an interview with then UFO guitarist Michael Schenker in an issue of Guitar Player Magazine where Schenker spoke of how he practiced as many as 4 hours a day when starting, Toshi decided it was time to up the stakes on his practice regime. Toshi then started practicing up to 5 hours a day in order to play like Mike! Toshi eventually worked his practice schedule up to 15 hours a day!!! This practice schedule also included Toshi’s classical guitar studies which he had later taken up after hearing about Randy Rhoads’ classical influence. Toshi’s classical guitar influences include Christopher Parkening, Andreas Segovia, Liona Boyd, John Williams and Julian Bream. Later his Rock influences would include Tony MacAlpine, Vinnie Moore, Paul Gilbert (circa Racer X), Jason Becker - basically the whole Shrapnel records collection -, George Lynch, Eric Johnson, Yngwie Malmsteen and Steve Vai. Unlike many of Toshi’s guitar playing friends, he was also influenced by a great deal of non hard rock guitarist such as Ernie Isley, Al Mckay (from Earth Wind and Fire), George Benson and blues guitarist Stevie Ray Vaughn, B. B. King, Johnny Winter and Robert Johnson. As Toshi improved his influences grew to include such “fusion” guitarist as Steve Morse, Al DiMeola, Allan Holdsworth, John McLaughlin and Bill Conners. In 1985 and 1986, Toshi entered and won the ‘Hot Licks’ contest for two years in a row. The only guitarist to ever do so! He then received a scholarship to the world renown Berklee College Of Music where he majored in Music Synthesis and Performance. At Berklee he was consistently asked by fellow class mates for instruction on the modern techniques of the time and started teaching. Soon Toshi would have enough students to where his was able to financially support himself doing this. Eventually Toshi was teaching over 50+ hourly students a week which is what he averaged up until he stopped teaching, due to career commitments, in 2001. (During his time teaching in Chicago Toshi, according to a readers poll results, was considered the #1 guitar instructor in Chicago - some say the Midwest!) It was during 1988/89, that he hooked up with then Aerosmith keyboardist C. Bruce Ost who had recently gotten off tour with the group and formed the band ‘Shoot Shoot’, which went on to become one of Boston’s most popular bands. Toshi left Shoot Shoot to form his own groups ‘Clyde’ then ‘Autumn Lords’ which also featured recently departed Tony MacAlpine bassist Mike Jacques. He then submitted tapes to Mike Varney and John Stix and featured in both Guitar Player Magazine’s “Spotlight” column (July/1990) and Guitar F.P.M.‘s “Resume” column (November/1990). It was then, in the winter/spring of 1991, that Toshi received a call from Columbia recording artist Heaven’s Edge and was asked to join the group. Iseda had met the guys in the band while hangin’ out one night in Philadelphia in 1990 with Shrapnel recording artist Richie Kotzen. Toshi then relocated to New Jersey where the band is from, and went on to play with them for approximately 6 month’s where he then moved to N.Y.C. after leaving the group to be closer to a major music metropolis. While in New York he also taught privately and at the American Institute of Guitar in Manhattan. Toshi has also served as a visiting instructor at the Musicians Institute in Tokyo, Japan and is a former faculty member of The National Guitar Workshop. It was right about then that Toshi started playing 7-string guitars. A major turning point in his musical life. Toshi now plays 7-string guitars exclusively and is considered to be the foremost rock player and authority on 7-string guitars, currently owning 109 of them. In 1996 Toshi co-organized and performed at the ‘First Midwest Jason Becker Benefit For ALS’ in Chicago, Illinois. The Benefit that Toshi spearheaded featured such stellar musicians as Eddie Van Halen, Marty Friedman, Zakk Wylde, Tony MacAlpine, Vinnie Moore, Greg Howe, Billy Sheehan, Steve Lukather, Richie Kotzen, Michael Lee Firkins and many, many more! Toshi has been featured in guitar/music magazines around the world including; Guitar Player, Guitar World , Guitar/Guitar One, The Guitarist Network. Internationally in magazines such as Young Guitar, Guitar F.P.M. and Guitar Magazine (JAPAN), Musica Pro (South America), Guitar Chef (Italy) and others. He also writes instructional columns for several guitar oriented magazines. He has been featured in full page, full color ads with Carvin guitars, Morley pedals, Audix microphones and Spectraflex cables. Having been featured on over 14 CD’s (including all four of Guitar World magazine’s ‘Indie Bin’ CD’s - the only guitarist asked to be on all four CD’s!), in 1998 Toshi released his first solo CD, the critically acclaimed ‘Full On!’ (Over The Top! Records), and collaborated with former Dixie Dregs bassist Andy West to record and co-produce ‘RAMA 1’ on Magna Carta records. This project also features such renown musicians as drummers Mike Portnoy (Dream Theater/Liquid Tension Experiment), Rod Morgenstein (Dixie Dregs/Winger/Jazz Is Dead), Jonathan Mover (Joe Satriani/Einstein) and keyboardist Jens Johansson (Yngwie Malmsteen/Stratovarious), T. Lavitz (Dixie Dregs/Jazz Is Dead) and Mike Keneally (Frank Zappa/Steve Vai). He is the Editor-In-Chief of ‘Intense Guitar!’ Magazine. Newsletter © PRS GUITARS 2012 http://www.prsguitars.com/artists/profile/toshi_iseda

"Toshi's new stuff sounds great! His use of the 7-string guitar and some real cool effects are refreshing. The tone is real warm and precise and his playing is totally wailing!" - John Petrucci (guitarist for Dream Theater/Liquid Tension Experiment).

"Toshi plays awesome guitar on these tunes. He will surely be the envy of any guitarist who hears his work!" - Marty Friedman (Shrapnel/Favored Nations Recording Artist and former Megadeth guitarist)

"Toshi, all the best to you with your music. Great playing!" - Eric Johnson (Capitol Recording Artist)

"Combining melodic sense and raw energy with enough chops to fill a butcher's shop, Toshi seems destined for greatness." - Guitar World Magazine

"One of the most enjoyable sessions that I have been a part of in quite sometime, has been my contributions on the new Toshi Iseda CD. It has always been a pleasure of mine to jam with great guitarist of our time, and certainly Mr. Iseda is included on that list. Enjoy this CD as much as I enjoyed playing on it." - Tony MacAlpine (Shrapnel/Favored Nations Recording Artist)

"Toshi is not only a great guitarist, but a brilliant songwriter and producer. The new CD ROCKS!" - Michael Angelo Batio (Solo Artist)

While not up to world-class instrumental rock standards, Chicago guitarist/instructor Toshi Iseda's playing has plenty of flash and the artist demonstrates his massive chops to fine effect on this debut. All the ingredients needed to create fine shred material are here: dense harmonic motifs, dynamic musical shifts, intriguing arrangements, and, of course, tons of skilled guitar trickery. Iseda just about has it all but, unlike the best of his genre (Steve Vai, Joe Satriani, Steve Howe, Yngwie Malmsteen), the guitarist doesn't quite display the unique guitar tone/voice or the strong rhythmic sense needed to make his million-note melees coalesce into something more than musical free for alls. Iseda's rhythm guitars and melodies can sometimes drift in front of the beat -- a bad habit many shredders can't shake. Regardless of genre, the best guitarists never fight the beat. With a keen sense of time, the finest players keep the pocket stabilized, maximizing compositional power. While perhaps not perfect, Iseda is no hack, and this metallic collection sports some fiery soloing. The Chicago shredder basically keeps up when trading licks with monsters Michael Angelo on "Affair With a Stranger" and "High Noon" and Tony MacAlpine on the melodic epic "The Sheltering Sky." In addition to laying down a torrent of guitar tracks, Iseda produced, arranged, composed, recorded, and mixed Full On! in its entirety, and while the drums get lost amid the guitar flurries on rare occasion, the guitarist proves himself very capable on both sides of the recording console. By the time Full On! was released in 1998, there were hardly any new musicians breaking into the minuscule instrumental rock market, so Iseda must be given credit for being true to his own musical values and doing the hard work necessary to make this debut the fast and furious entry that it is. © Vincent Jeffries © 2014 AllMusic, a division of All Media Network, LLC. | All Rights Reserved http://www.allmusic.com/album/full-on%21-mw0000043992

Great hard-driving instrumental metal and rock from the Chicago born guitarist, Toshi Iseda. As usual, the music critics compare this guy to Greg Howe, Joe Satriani, etc., etc., usually saying that he is not up to their level of “greatness”. I hate comparing guitarists, as all great guitarists have their own unique skills, and Toshi Iseda is no exception. Listen to this album on it’s own merits, and you may be impressed. Listen to Andy West’s great “Rama 1” album which features Toshi on six tracks [All tracks @ 320 Kbps: File size = 144 Mb]

TRACKS

1Tokushima 2:11
2 Full On! 3:42
3 If I Were King 4:24
4 Custer's Last Groove 5:45
5 Prelude 1:25
6 The Sheltering Sky 9:54
7 92 in the Shade 4:35
8 Angels Masquerading as People 1:57
9 Affair With a Stranger 5:24
10 Predator 5:00
11 High Noon 4:54
12 Crimson Tides 2:14
13 Maryjane Rottencroch 5:47
14 After the Fix 13:41
15 Krackhead 3:02

All tracks composed by Toshi Iseda

MUSICIANS

Michael Angelo, Eddie Head - Guitar
Tony MacAlpine - Guitar, Keyboards
Toshi Iseda - Guitar, Bass, Keyboards, Drums, Sampling
Andy West, Steve Hart - Bass
Derek Bernal, Craig Quinn Kasin, Bobby Domings, Michael Terrana, Kit Bergman, Gregg Potter - Drums

BIO

Seven-string guitar virtuoso Toshi Iseda finally burst out with his own full-length CD, Full On!, after years of honing his "axe" skills; writing articles for guitar-oriented publications such as Guitar World, Guitar, Guitar Player, Showcase Midwest, and Guitarist Network; and giving guitar lessons and clinics all over the world. Iseda had previously recorded with Columbia group Heaven's Edge and was included on four of Guitar World's Indie Bin compilation CDs. Iseda always had aspirations of being a professional rock musician. He initially picked up the guitar in the seventh grade in part because of the popularity of big rock bands such as Kiss, Peter Frampton, and Aerosmith. His uncle, Jeff Brown, was a closer source of inspiration. Iseda played in a bunch of high school rock bands while taking music lessons. While east, Iseda joined New England area band Shoot Shoot formed by Aerosmith's Permanent Vacation tour keyboard player C. Bruce Ost. The band had a Top Five Boston radio hit with "Blind Faith." Guitarist Reggie Wu contacted Iseda about an audition for a second guitarist for New Jersey band Heaven's Edge; Iseda was with the band for a year. In May 1987, he attended Boston's Berklee College of Music. After living in New York City for a year, he moved back to the Midwest. Full On! was released in 1998. © Ed Hogan © 2014 AllMusic, a division of All Media Network, LLC. | All Rights Reserved http://www.allmusic.com/artist/toshi-iseda-mn0000797455

16.2.14

Bon (Bon Lozaga)


Bon - To The Bone - 1996 - Lolo Records

Bon Lozaga, guitarist and founding member of Gongzilla, joined PM's GONG on the Expresso II album when Stomu Yamashta (Island Records) heard one of his demo tapes and referred him to the group’s manager. Bon recorded four records and toured extensively throughout Europe and America with the band. In 1993 Bon regrouped with GONG bassist Hansford Rowe and formed BON, his first solo project, and recorded Full Circle/Coming Home and To the Bone for LoLo Records. Their association continues in the monster group Gongzilla (featuring guests such as Allan Holdsworth, David Torn, David Fiuczynski, and recently Chuck Garvey and Jim Loughlin of moe.). Gongzilla continues touring in the US, Canada, Japan and Europe. Bon has had the good fortune to work and record with some of the most talented and innovative musicians in the world. The list includes Eddie Jobson (UK, Zappa), Percy Jones (Brand X), Mark Craney (Jethro Tull, Jean-Luc Ponty), Gary Husband (John McLaughlin) and Happy Rhodes just to name a few. © http://www.lolorecords.com/bon_lozaga.html

Does the name Bon Lozaga ring a bell, or maybe a Gong? In the early to mid 1990s, fusion and progressive jazz/rock was hitting a dry spell and very few really good albums were being released. Bon Lozaga, guitar demigod and a founding member of the great Gongzilla band, originally joined Pierre Moerlen on Gong's Expresso II album after Stomu Yamashta heard some of Bon's demos and referred him to the group’s manager. In 1993, Bon Lozaga formed the trio (Bon), along with bassist Hansford Rowe (also of Moerlen's Gong) and drummer Vic Stevens. Bon's music has been classified as everything from "heavy-metal-jazz-improv-weirdness" to simply "tasty". Never let these definitions or classifications put you off listening to these albums. Listen to some Frank Zappa for some "heavy-metal-jazz-improv-weirdness". May sound crazy but Zappa was a brilliant and inspiring musician. "To The Bone" is an overlooked incisive prog. jazz/fusion instrumental album with sterling guitar, and HR by A.O.O.F.C. Check out Bon’s “Two Plus Two” album on this blog, and listen to Bon’s ( Bon Lozaga) “Full Circle / Coming Home” album and the monster group Gongzilla's "Five Even" albums with Bon Lozaga on guitar. For music of a similar nature, check out Pierre Moerlen's Gong [All tracks @ 320 Kbps: File size = 116 Mb]

TRACKS

1 Undertow 6:35
2 On The Spot 3:39
3 Kronos 11:04
4 Still A Dreamer 7:49
5 Of Sound Mind 6:12
6 French Movies 4:27
7 Now We Are Speaking 8:07
8 I Dance Alone 4:50

All tracks composed by Bon Lozaga except Track 6 by Bon Lozaga & Jim Loretangeli, and Track 3 (Intro) by Bon Lozaga & David Torn

MUSICIANS

Guitar - Bon Lozaga
David Torn - Guitar on intro to Track 3: Loops on Track 1
Geno White - Guitar on Track 5
Hansford Rowe - Bass
Vic Stevens - Drums
Caryn Lin - Violin on Tracks 1, 3, 4
Bob Kimmel - Tambourine on Track 5

SHORT BIO

American guitarist Bon Lozaga was born in Swetzingheim (Germany) in 1955, and spent his early years there. At the age of 7, he moved to America with his parents and has been living there since. As a teenager, he became involved in a succession of local bands and soon developed a talent for composition. In 1976, he recorded a tape of his material which he sent out to various record labels and bands. One of them was Gong, which he'd heard on the radio and liked. Unfortunately, the band had just broken up following the Gazeuse! sessions and Bon was left without hope of ever working with them. Eventually, though, Gong regrouped under the leadership of drummer Pierre Moerlen was very soon went looking for a suitable guitarist. Meanwhile, Lozaga had sent his tape to Stomu Yamash'ta, the famed Japanese percussionist, who in turn passed it on to Graham Lawson, Gong's manager. Lawson liked the tape, and Bon was recruited. He played a several tracks on Expresso 2 and later played live with the band, who at that point went under the name of Gong-Expresso. But with Pierre Moerlen working extensively with Mike Oldfield during that period, Lozaga was left without much to do and went back to play in the US. He was replaced by one Ross Record, but when the latter proved incompatible in a live context (he suffered from severe stagefright), Lozaga was summoned back to the band, now called Pierre Moerlen's Gong. Bon Lozaga stayed with PMG until the band's breakup in 1981, playing on three further albums - Live (1979), Time Is The Key (1979) and Leave It Open (1981) - and numerous tours. During Mike Oldfield's 1980 tour, which involved PMG bassist Hansford Rowe as well as the Moerlen brothers, Bon was involved in a shortlived band project with Eddie Jobson (keyboards and violin), formerly of UK, and Mark Craney (drums) of Jean-Luc Ponty's band. Unfortunately, this never materialised, as EG Records (Jobson's label) didn't like the material, and Jobson and Craney were both invited to join Jethro Tull, which they eventually did. The end of PMG coincided with Lozaga's decision to retire from the musical scene. Although he kept writing - some of the material composed during that period later resurfaced on his debut solo release, the aptly titled Full Circle - Coming Home (1993) - his main occupation was as owner of restaurants. But in 1993, he finally decided to get back into music full time, and formed his own label, LoLo Records, with former PMG accomplice Hansford Rowe. He then formed the band Bon with Rowe and drummer Vic Stevens. The resulting, aforementioned album was met with critical acclaim. In 1994, Lozaga and Rowe attempted to have Pierre Moerlen to reform PMG, but the drummer was too busy with his work in the musical "Evita". Yet the idea remained and resulted in the band Gongzilla, with Pierre's brother Benoît handling the tuned percussion and Allan Holdsworth guesting on lead guitar on several tracks of the band's debut, Suffer (1995). The following year, a second album, Thrive (1996) was recorded with new, full-time drummer Gary Husband, formerly of Holdsworth's band, and David Torn sharing lead guitar duties with Lozaga. Gongzilla's latest release is The East Village Sessions (2003), again with Husband on drums. In the meantime, Lozaga has played numerous gigs, both solo and with Bon, who released the follow-up to Full Circle, entitled To The Bone, in Autumn 1996. He has also recorded an album of atmospheric music under the name of Project Lo, with keyboard player Jim Loretangeli, and various guest musicians, including Pierre Moerlen and Percy Jones of Brand X. © http://calyx.perso.neuf.fr/mus/lozaga_bon.html

5.2.14

Faíska


Faíska - Nevoeiro - 1990 - Aqualung

Brazilian guitarist José Eduardo Fernandes Borges is better known by his nickname, Faiska. He has been a professional guitarist since the 1970s and is noted for his rock, blues and jazz playing. He is also an in-demand session player. “Nevoeiro” is not a groundbreaking album. The material could be stronger, but the musicianship is superb and this album is full of merit and deserves more attention. This is very enjoyable progressive jazz rock fusion. Check out his “Stratosfera” album. Listen to a clip of the guy in action @ http://rollingstone.uol.com.br/galeria/os-30-maiores-icones-da-guitarra-e-do-violao/#imagem23 and read more about Faíska @ http://pt.wikipedia.org/wiki/Faiska and @ http://guitarplayer.uol.com.br/?area=materia&colid=6&matid=1343 [All tracks @ 320 Kbps: File size = 102 Mb]

TRACKS

1. Nevoeiro 5:56
2. Funk Blues 6:09
3. Rita 6:34
4. Dreg's 2:45
5. A.H 6:32
6. Arame Farpado 6:08
7. I.G.T. 5:56

All tracks composed by Faíska, except Track 7 composed by Mozart Mello

MUSICIANS

Faíska (José Eduardo Borges Fernandes) - Guitar
Celso Pixinga, Carmelo Fornelli - Bass
Jota Resende, Lis de Carvalho - Keyboards
Sandro Haick, Albino Infantozzi - Drums
Mane Silveira - Saxophone

3.2.14

Blues Saraceno


Blues Saraceno - Hairpick - 1994 - GUITAR Recordings

Recalling Brian May, Blues Saraceno continued to improve his liquid lead tone and vibrant phrasing on Hairpick, the shredder's finest solo disc. His third and final recording for Guitar Recordings, Saraceno reveals a profound dedication to his instrument on this 1994 release. In a bold songwriting move, the guitarist shifts his musical focus away from the upbeat boogie (mastered more than a decade earlier by Eddie Van Halen and copied all too frequently by second-rate guitar instrumentalists) too prevail ant on Never Look Back and Plaid. While never quite achieving the melodicism of his genre's premiere phrase-maker Joe Satriani, Saraceno continues his progress as a writer on Hairpick. The standout "Chewing on Crayons" features Saraceno really letting go. With some of his fastest, out-of-control soloing, the track ironically represents a mature step away from the musician's somewhat self-conscious, restrained oeuvre of solos. Other expressive highlights include "Stinky Kitty" and "Fat Paddin." Uncharacteristically mature and musical, Hair Pick -- like the man who made it -- is a rare combination of smarts, talent and passion. Soon after unleashing Hairpick, Saraceno abandoned instrumental rock and joined Poison for an ill-fated tenure in the circus world of major-label recording. The musician claims he "never wanted to be a guitar hero" and had accomplished what he set out to do instrumentally. After a record was scrapped by Poison's label, Saraceno left the group, began working session gigs, and assembled his own band, Transmission OK. © Vincent Jeffries © 2014 AllMusic, a division of All Media Network, LLC. | All Rights Reserved http://www.allmusic.com/album/hairpick-mw0000118663

Guitar for the Practicing Musician magazine was instrumental in promoting Blues Saraceno from Hartford, Connecticut as a very talented musician, and aided him in releasing independent instrumental recordings which helped to spread his name as a top guitarist in the music scene. He played and toured with Cream legends Jack Bruce and Ginger Baker and at one time was referred to as the "kid that replaced Eric Clapton". Blues eventually replaced the great Richie Kotzen in Poison. “Hairpick” is arguably Blues’ best album in that he penned eight good originals and also his guitar prowess is displayed to the max. The album is HR by A.O.O.F.C. Blues appears on Dweezil Zappa’s “Go With What You Know” but he has been a top session player on numerous albums. Check out his underrated “Never Look Back” album and visit his website @ http://www.bluessaraceno.com/index2.html [All tracks @ 320 Kbps: File size = 81.3 Mb]

TRACKS

1.Stinky Kitty 4:28
2.Rabbit Soup 2:42
3.My Generation 3:11
4.King for a Day 3:47
5.Pretty People 3:09
6.Feedin' the Box 3:23
7.Fat Padding 3:14
8.Far from Home 3:10
9.Chewing on Crayons 3:09
10.Bouree 3:40

All tracks composed by B.Saraceno except Track 3 by P.Townshend, and Track 10 by J.S.Bach (Arranged by Ian Anderson)

MUSICIANS

Blues Saraceno - Guitar, Bass, Vocals
Dweezil Zappa - Guitar on Track 9
Josh Freese - Drums

BIO (WIKI)

Blues Saraceno (born October 17, 1971 in Hartford, Connecticut) is an American rock guitarist, composer, and music producer who currently resides in Los Angeles California. Saraceno was discovered by Guitar for the Practicing Musician magazine, at the age of 16, which assisted him in releasing instrumental recordings on an independent basis. Saraceno's high profile as a gifted guitar virtuoso and musician opened the doors to an early career as a first call guitar sideman and session musician. Saraceno is most often recognized from his time playing with Jack Bruce and Ginger Baker (Cream) as well as his brief tenure with the band Poison. Saraceno's early success in the music industry would eventually blossom into a career in producing and composing for television and film. Blues Saraceno was born to musician parents, which exposed him from an early age to several musical instruments. He started to play guitar at the age of nine. When he was thirteen, he broke his elbow when he fell from a go-kart and asked the doctor to position the cast in a way that allowed him to remove it from his sling to practice guitar during his recovery. When he was nineteen, Saraceno moved to Los Angeles to seek a career in music. When Saraceno was still a teenager, his then manager sent a demo tape to singer Michael Bolton, who decided to enlist him to play on a song for Cher's album, Heart of Stone. The album also featured musicians like Peter Cetera, Bonnie Tyler, Desmond Child, and others. After this, his demo tape reached the Guitar for the Practicing Musician magazine. The magazine, which were about to launch a new record label, offered Saraceno a record deal. Saraceno released his first album titled Never Look Back in 1989. After this, Saraceno won an audition with Jack Bruce and Ginger Baker, former members of Cream, and started touring with them. After two successful US tours Saraceno was quickly becoming referred to as the "kid that replaced Eric Clapton". After another year of overseas touring, Baker departed and was replaced by Simon Phillips (Who, Toto) and eventually Gary Husband (Level 42). Saraceno continued to release two other solo albums (Plaid and Hairpick) as well as furthering his reputation as a top call session guitarist and landing many high profile equipment endorsements. In 1994, Saraceno joined the band Poison as lead guitarist and songwriter after Richie Kotzen was fired. After a South American tour which included the famous Hollywood rock festival in Brazil, Saraceno recorded the album Crack a Smile with the band. However, Capitol Records decided to shelve the album releasing the 1996 compilation album, Poison's Greatest Hits: 1986-1996, instead. Still, the album featured two of the new songs recorded with Saraceno. After some time, Saraceno left the group amicably and was replaced by the band's original guitarist, C.C. DeVille. In 2000, Capitol finally decided to release the Crack a Smile album under the name Crack a Smile... and More!. The album features fifteen tracks recorded by Saraceno. After his departure from Poison, Saraceno met Vice-President of Advertising of Fox Television, who was a fan of Saraceno's earlier instrumental work. This resulted in Saraceno working on soundtracks and songs for several television shows and films. In 2000, Saraceno also founded the band Transmission OK. Saraceno also worked as record producer for the band, which was signed to Beyond Records, and was distributed by BMG. After a brief US tour, and lackluster support from the label, the group disbanded and Saraceno continued to work on television and film, as well as his session work. Saraceno's session work has ranged from Ziggy Marley (Dragonfly) to Melissa Etheridge (Lucky) and he has earned a reputation for being a "go-to guy" for many of Los Angeles' top record producers and engineers. Saraceno has also produced for artists such as, Scott Caan (Hawaii Five-0, Oceans 11), Eric Balfour (24, Chainsaw Massacre) of Fredalba, Lindsay Price (Beverly Hills 90210, Lipstick Jungle) and Anthony Michael Hall (Dead Zone). Saraceno's greatest success has come in the field of television and film. Blues' television work credits include CBS, NBC, ABC, FOX, Disney, Discovery, UPN, MTV, MTV 2, VH1, USA, TLC, Comedy Central, Telemundo, SCI FI, SPIKE, E! and BRAVO. A more detailed list can be found on his website (www.bluessaraceno.com). He has commented on how it is not uncommon to have multiple commercials running in multiple countries throughout the world, all at the same time and using the same piece of music. Saraceno did three tracks for Megas XLR. These tracks were Blood Shot, Berzerker and Ro-Sham-Bo.

22.1.14

Martone


Martone - Zone - 1999 - Lion Records

Zone by Martone, aka David d Marton, is packed with some of the finest and widely diverse guitar playing I have heard in 1999. Marton can shred, do awesome jazzy fusion numbers, then mellow out incredibly well. Great bass, keys, and drumming serve to augment the endlessly satisfying breadth of talent and technique Marton flaunts with ease. This guy deserves to be heard! I play this one very regularly. And now the specifics . . . All the compositions are written with uniqueness in mind, the typical “guitar-hero”, testosterone-driven, wall-to-wall noise avoided. Canada’s Martone is keen on keeping the listener on their toes, plenty of twists and turns, time sigs sprinkled about like a Monet’s myriad dots of color. Up close things might seem whole-tonally confusing, eclectically ambiguous, but in totality -- the effect is beautiful. Herein we have 13 tracks of fine art. Do not misunderstand me, this is not music for pastel-spectacled weenies --Zone breathes fusion fire, belches tremors of bone-crunching edge, and hypnotizes you as the rainbow-hued talons grip your acoustic soul. This is one fun ride of rocking, hard fusion with enuff overdriven power and fluid-fretted grace to make even the most jaded listener stop and say, “Whoa baby, who’s this?” Those of you out there tired of banal riffage and ennui-full scores that you see coming after the first bar -- need to hear Martone. Buy this, so we will hear much more from this fine artist. Paul Marton helps out on keys and sound FX. Justin Faragher is bass and Stick. Dave Devin and Dave Spidel add more bass. Bill Prouten is sax. Daniel Adair is one awesome drummer and percussionist. Tracks “B52” spinning at 6:30 and “7th Dimension” weighing in at 11:20 were simply amazing, allowing Marton to show his superb legato, precision timing, and behemoth, low-end crunch. David et al, trust me, these tracks are killer and show the direction your future releases should emphasize and expand upon. I hear Martone, easily executing 15:00+ songs that will slay the masses in progressive rock/metal gangs, jazz fusion circles, and power shredders world-wide. “Bravo and tres bon, monsieur Marton!” Highest of recommendations! © John W. Patterson © http://eer-music.com/reviews/martone.html

Mix the playing styles of guitarists like Wayne Krantz, Buckethead, Michael Landau, Frank Zappa, and Greg Howe together and you would be coming near to the sound and style of Dave Martone. Yet, this guy’s style is so eclectic and unique that he really can’t be compared to any modern guitarist. Dave blends country, metal, rock, blues, jazz, fusion, and rock together to produce an enthralling sound. Dave has played, hosted clinics or performed with artists that include Steve Morse, Paul Gilbert, Yngwie Malmsteen, Marty Friedman, Greg Howe, Joe Satriani, Chester Thompson, Mike Portnoy, and Gregg Bissonette. Dave was credited on Joe Satriani’s “Super Colossal” album. Joe Satriani, Greg Howe, Jennifer Batten, Billy Sheehan and Rick Fierbracci were guest players on Dave’s “Clean” album. “Zone” may be Dave’s most eclectic album and is not the album that best displays his guitar skills, however it’s a great album with wonderful musicianship and compositional skills. Dave has said, “How fast can people play anymore? I think it’s humanly impossible to go any faster. So I’m getting a little bit more into textures, and I want to integrate lots of different styles inside of the music, you know, like techno to country, flamenco to metal, and mix it all together.” This is more or less what has been achieved with “Zone”. Diverse, but hugely enjoyable and HR by A.O.O.F.C. Check out http://davemartone.com/?page_id=19 for info on Dave Martone’s other work. Buy Dave Martone’s great “Clean” album and check out Martone’s “A Demons Dream” on this blog. Read an interview with Dave Martone @ http://www.guitar9.com/interview27.html Support real music. N:B: Dave Martone usually uses only his surname on his album sleeves, so he may be filed under D or M! [Tracks @ 154-181 Kbps: File size = 75.4 Mb]

TRACKS

1. B52 (6:30)
2. Harmonix (2:25)
3. 7th Dimension (11:20)
4. Missed Birthday (1:55)
5. The Fan (5:57)
6. Fish To LA (6:59)
7. Tap Thang (1:24)
8. Free Bop (5:19)
9. Jazzanada (1:31)
10. Victoria (4:43)
11. Bach-Tone (3:51)
12. Dave Martone - Eight Notes (7:01)
13. Dave Martone - Lets Dream (2:25)

All tracks composed by Paul & Dave Martone

MUSICIANS

Guitar: Dave Martone
Bass: Dave Devin, Justin Faragher, David Spidel
Stick: Justin Faragher
Keyboards: Paul Martone
Drums: Daniel Adair
Percussion: Daniel Adair

BIO (WIKI)

Dave Martone (born January 16, 1970) is a Canadian fusion guitarist and record producer, based out of Vancouver, British Columbia. Over his career, Martone has performed alongside artists including: Michael Angelo Batio, Jennifer Batten, Marty Friedman, Paul Gilbert, Greg Howe, Yngwie Malmsteen, Mike Portnoy, Chester Thompson, Joe Satriani and Billy Sheehan. Martone was born in Grimsby, Ontario. He began learning guitar at the age of 6. His father, who is also a guitarist, taught him Classical guitar and then had a teacher from Spain (Gary Santucci) teach him Classical and Flamenco. After taking lessons with Santucci, and discovering heavy metal music, he learned in his parent's basement with cassette tapes, guitar magazines, and self-instructions books. The first rock song he had learned by ear was "War Pigs" by Black Sabbath from their greatest hits record. He obtained a recording engineering diploma from Fanshawe College in Ontario in 1990, and graduated from the Berklee College of Music, in Boston, Massachusetts, where he studied with Jon Finn, Joe Stump, Jim Kelly and Bruce Bartlett, with a performance major in 1995. Popular guitar players who have inspired and influenced him to play guitar are Angus Young, Gary Moore,Tony MacAlpine,Tony Iommi and Edward Van Halen. Martone conducts clinics at Berklee, which he has been doing since his graduation. His solo project, Martone, which is composed of him, Daniel Adair and Dave Spidel, is signed to Magna Carta Records. Martone has worked for Tom Lee Music and the National Guitar Workshop as an instructor, and continues to instruct through clinics worldwide. He has been directing the Tom Lee Music School of Rock program in Vancouver since 2003, and has hosted the Satch Zone guitar instructional online lessons alongside Joe Satriani through Workshop Live. From 2001 to 2011, he was a bi-monthly columnist for guitar9.com, writing about production, recording, equipment, and playing techniques. Martone is endorsed by Cakewalk, Digitech, Electro-Voice, GHS, Parker Guitars and Vox. He also owns and operates Brainworks Studio, located in Vancouver.

18.1.14

Jeff Kollman


Jeff Kollman - Into The Unknown - 1995 - Legato

Into The Unknown features fourteen awesome cuts of instrumental hard rock, shred and fusion axework that spotlights Jeff Kollman's talent like no other recorded work to date. Fist-pumpers such as "The Test Continues" and "Battle Scars" alternate with extended preludes such as "Homage To Orf" and the title track, as Kollman serves notice that he is a fiery player to be reckoned with. The CD also features touches of classical and jazz in spots. Kollman is a very versatile guitarist with a powerful sound and style and he manages to strike just the right balance between chops and songwriting. Into The Unknown also includes the heavyweight rhythm section of Kevin Chown on bass and brother Tommy Kollman on drums. © Dan Avinchey-Guitar 9 records

The brilliant Toledo, Ohio born guitarist, Jeff Kollman is now a well known and in-demand session player in the extremely tough L.A session scene. He has toured and recorded with artists that include UFO (replacing the legendary Michael Schenker), Lyle Lovett, Linda McCartney, Bruce Hornsby, Steve Pocaro, Billy Sheehan, Steve Vai, Glenn Hughes, and the Yellowjackets. He has been a member of several bands including Chad Smith's Bombastic Meatbats, the Euro metal band, Edwin Dare, and the magnificent fusion band, Cosmosquad. He has released several great albums including “Guitar Screams Live!”, and “Shedding Skin”. Dave Murnen, vocalist and percussionist with the Toledo rock group the Pillbugs said that. “Jeff’s probably one of the most versatile guitarists I know. He can sit in with your best jazz, best rhythm and blues, best rock and roll, and best classical guys. We were all in garage bands and we always tried to get Jeff to sit in with us, but he wouldn't have anything to do with us because he was so far superior. He used to sit in his room and play classical music until 2 a.m. and then he'd do his homework and go to bed. He's just a phenomenal guitar player.” Mark Mikel, the leader of the Pillbugs, said recently, “I don't even know what he can do now, it's been so long since I've seen him play. “I figure he can do anything. It's not a question of what can he do. It's what can't he do? Probably nothing.” “Into The Unknown” is typical of Jeff’s eclectic playing and is a brilliantly played instrumental musical stew of jazz, hard rock, and fusion and HR by A.O.O.F.C. Jeff Kollman is still one of the great unheralded guitarists in the rock and fusion scene today. Listen to JKB’s “Bleeding The Soul” album and Cosmosquad’s incredible “Live at The Baked Potato” album and support real music. [All tracks @ 320 Kbps: File size = 110 Mb]

TRACKS

1 Homage To Orf 1:56
2 Battle Scars 3:56
3 Into The Unknown 1:28
4 Vealkut 2:23
5 Dreamin In Lydian 3:26
6 Sole Searching 3:02
7 Playa De Guitar 3:48
8 Memories Of Jenkins 3:34
9 A Thousand Faces 5:44
10 The Test Continues 4:02
11 Turnaround 3:19
12 Lester’s Shuffle 3:11
13 Neo ‘80s Mumbo Jumbo 1:38
14 Feel The Changes 4:01

All tracks composed by Jeffery Kollman

MUSICIANS

Jeff Kollman – All Guitars, Guitar Synth, Bass on Tracks 4,5,10
Kevin Chown – 4 & 6 String Bass
Chris Virzi – Keyboards on Track 7
Dale Grisa – Keyboards on Track 9
Tommy Kollman RIP – Drums
Dennis Sheridan – Percussion on Track 7

BIO (WIKI)

Jeffrey "Jeff" Kollman is an American guitar player from Toledo, Ohio, best known for his work with Glenn Hughes, Chad Smith's Bombastic Meatbats, UFO off-shoot Mogg/Way and progressive rock trio, Cosmosquad. He has worked extensively with contemporary jazz keyboardist Lao Tizer, played live with bassist/vocalist Marco Mendoza and is currently a member of Asia Featuring John Payne. Kollman has worked as a session guitarist, producer, songwriter, and actor. He has written music for movies and TV, including a commercial which ran during the 2007 Super Bowl. He is the owner and operator of Marmaduke Records, which has released the bulk of his albums. Kollman has been a Los Angeles resident since 1997 where he lives with his family. Inspired by bands including Kiss and Van Halen, and guitarist Randy Rhoads, Kollman began playing guitar at 12 years old. He made his recording debut at 14, after joining Ohio hardcore punk band The Stain. The Stain was featured on 1984's The Sounds of Hollywood #3 compilation and issued a full-length album, I Know the Scam, in 1986, both on L.A.-based label Mystic Records. In 1987, Kollman formed the metal band VXN with his brother and drummer Tommy Kollman, vocalist Bryce Barnes and bassist Nep Sindel, and self-released a 6-song mini-LP in 1987. The band morphed into Edwin Dare in 1990 with the addition of bassist Kevin Chown. Edwin Dare toured around the Midwest area and released three albums between 1992 and 1998. During this time, Kollman also released three solo albums. After the demise of Edwin Dare, Kollman and Chown continued to collaborate on various projects, including Crumb Bros., JKB (Jeff Kollman Band) and, most notably, Chad Smith's Bombastic Meatbats. Kollman moved to Phoenix, Arizona in 1995, where he worked as a session musician for Linda McCartney, Lyle Lovett, Wayman Tisdale and others. There he crossed paths with MSG drummer Shane Gaalaas and bassist Barry Sparks, with whom he formed the all-instrumental progressive rock trio, Cosmosquad. In 1997, the group released their eponymous debut, the first of three studio albums to date. In 1998, Kollman filled in for Sparks on bass for MSG on their G3 tour of Europe. That year, Mike Varney of Shrapnel Records contacted Kollman to help write and record the Permanent Mark album with Artension vocalist John West. This led to Jeff teaming up with the core of the classic UFO line-up, as Mogg/Way, for the 1999 Chocolate Box album. Kollman and UFO vocalist Phil Mogg reunited, as $ign Of 4, for another album collaboration, Dancing with St. Peter, released in fall 2002. In 2003, after a UK tour with $ign of 4, Kollman began working with bassist/vocalist Glenn Hughes (of Deep Purple fame) in a short-lived, pop-oriented trio named Shape 68. He also produced, co-wrote and played guitar for Hughes' 2003 hard rock album Songs in the Key of Rock and would become Hughes' new touring guitar player. Also in 2003, Kollman co-produced the HTP 2 project, featuring Hughes and former Rainbow vocalist Joe Lynn Turner. In 2005, Kollman filled in for UFO bassist Pete Way for the duration of the band's U.S. summer tour. He earned his SAG card with a part in the Hank Garland biographical movie Crazy, portraying guitarist Barry Galbraith. In 2007, Kollman, Red Hot Chili Peppers drummer Chad Smith and keyboardist Ed Roth, who had met playing with Glenn Hughes, formed an all-instrumental band inspired by their shared love of 70's funk rock and fusion. Still unnamed at the time, the group, rounded out by Kollman's former Edwin Dare bandmate Kevin Chown on bass, debuted at the 2008 NAMM show in Anaheim, California. The band became Chad Smith's Bombastic Meatbats upon the release of their debut album, Meat the Meatbats, in 2009. More Meat followed in 2010, and a live recording, Live Meat and Potatoes, in 2012. Returning to the UK, Kollman appeared at the 2011 Goodwood Festival of Speed, by special invitation of Lord March, playing the Star Spangled Banner on the roof of Goodwood House on the 4th of July; Brian May of Queen also performed. In spring 2012, Kollman released Silence in the Corridor, his first studio solo album in more than a dozen years. The album's title track is a tribute to Gary Moore, and the title was inspired by Moore's 1982 solo album, Corridors of Power. In the early morning hours of December 15, 2012, Kollman's brother Tommy was shot and killed by a sheriff's deputy in Fort Myers Beach, Florida. A memorial concert event was held on the brothers' old stomping grounds in South Toledo, Ohio, on May 24 and 25, 2013, with Cosmosquad headlining. Kollman released a digital single, "Brother to Brother", as a tribute in July 2013.

15.1.14

Garsed & Helmerich


Garsed & Helmerich - Exempt - 1994 - Legato

Australian guitarist Brett Garsed and Chicago guitarist, engineer and producer T.J. Helmerich are renowned for their unique playing styles. Brett uses legato plus hybrid-picking combining picked notes with notes plucked with the right hand fingers, somewhat similar to Allan Holdsworth. T.J. uses an 8-finger legato tapping style. The two guitarists’ compositions are all exceptional and the two players complement each other brilliantly to produce a marvellous brand of fusion. Arguably it would have been a better album without the vocals, but the album is HR by A.O.O.F.C. Listen to On The Virg’s “Serious Young Insects" album which features the incomparable Virgil Donati on drums with contributions by Brett Garsed & T.J. Helmerich [All tracks @ 320 Kbps: File size = 160 Mb]

TRACKS

1 Horizon Dream (4:58)
2 Yerba Buena Bells (6:00)
3 Miranda (5:26)
4 Letters from Home (6:08)
5 Then a Crow Came Out (3:49)
6 Mr. Banacreas (5:46)
7 Exempt (6:05)
8 Lonely Guy (4:26)
9 Loch Rannoch (5:12)
10 Rikki Strange (4:53)
11 Tomorrow (4:44)
12 Carried Away (5:58)

All tracks composed by Brett Garsed & T.J. Helmerich

MUSICIANS

Brett Garsed – Lead, Acoustic, & Slide Guitar: Lead Vocals on “Tomorrow”
T.J. Helmerich – Lead & Acoustic Guitar: Lead Vocals on “Rikki Strange” & “Carried Away”
Gary Willis – Fretless Bass
Paul Mirkovich – Keyboards
Bobby Rock – Drums
Richie Gajate Garcia – Percussion

ABOUT BRETT GARSED (WIKI)

Brett Edward Garsed (born April 20, 1963) is an Australian musician, best known for his work as a guitarist with John Farnham and T. J. Helmerich, as well as being a former member of the American band Nelson. Garsed was featured on Derek Sherinian's solo records Planet X (1999) and Planet X's Quantum (2007), and more recently Sherinian's Molecular Heinosity (2010). Garsed was born in rural Victoria, Australia and began playing guitar at age 12 after hearing Deep Purple's Ritchie Blackmore play "Speed King". After about a month of initial lessons, he continued to teach himself and formed a band composed of his two cousins and a mutual friend and began playing live. In July 1985, Brett was featured in Guitar Player magazine’s “Spotlight” column, which was devoted to exposing new talent to the rest of the world. This encouraged Brett to give up his job as a licensed plumber and pursue a career as a professional musician, prompting him to send demo tapes to as many record companies and management companies as he could find. “I wasn’t looking for a record deal. I just wanted to get into a good band.” One of the tapes was heard by Ross Fraser of the Wheatley Organization, which led to an audition for a short tour by Australian superstar John Farnham. Farnham, at this time still a member of the Little River Band, was planning a solo album and invited him to be a part of the project. The resulting album, Whispering Jack, went on to become the biggest selling album in Australian history, followed by sellout tours of Australia and Europe. Garsed continued to tour and record with Farnham until early 1989, when he was invited to the US to audition for Nelson, a band led by Gunnar and Matthew, sons of the late Ricky Nelson. The audition was a success and the resulting album, After the Rain, went on to sell in excess of three million copies and yielded a national No. 1 ('Love and Affection') as well as two Top Ten follow-up singles. In early 1990 Brett also recorded Centrifugal Funk for Mike Varney's label Legato Records, an intense guitar album featuring Frank Gambale and Shawn Lane. For most of 1991 Garsed toured the US with Nelson, and spent ‘92 recording Quid Pro Quo with Chicago-born guitarist T J Helmerich after the duo decided to sign to Varney’s label. With Nelson on a seemingly permanent hiatus, Brett and TJ pursued their career promoting Quid Pro Quo, which featured Bobby Rock on drums, Gary Willis on bass and Paul Mirkovich on keys. Greeted with critical acclaim worldwide, the pair recorded the follow-up album Exempt in 1993. In 1996 Bobby Rock released Out Of Body, a progressive rock album featuring Brett on guitar. In 1994 Garsed also filmed an instructional video for REH/Warner titled Rock Fusion which covers, in detail, his unique approach to guitar improvisation. Garsed’s most recent recording projects include the Uncle Moe’s Space Ranch album featuring TJ Helmerich, Gary Willis, Dennis Chambers and Scott Kinsey, the Tapestry album which was released under the band name Mojo and features Ric Fierabracci on bass and Kofi Baker, son of Ginger Baker on drums, and more recently his debut solo album Big Sky with Fierabracci returning for bass and production duties and Toss Panos behind the drums. Brett returned to Australia after 14 years in Los Angeles and completed the seven-month-long “Last Time” tour with John Farnham. His first solo album, Big Sky, was released in 2002. After nearly a decade, he followed this up with Dark Matter in 2011. In 2004, Rock Guitar Improvisation, his second instructional DVD was released covering many aspects of his technique. This DVD also included some live footage. In 2011, Brett is currently taking part in the John Farnham "Whispering Jack - 25th Anniversary" tour around Australia, revisiting the parts he created on Australia's highest selling locally made album. Garsed also released his solo album Dark Matter in 2011. Garsed is mainly an improviser guitarist, renowned for his legato and hybrid picking technique, a combination that provides him with an extremely fluid sound to his playing. He has also mastered a distinctive slide guitar sound, specially noticeable in his latest releases. Rather than relying on scale patterns and figures, he's stated to play with a relative pitch approach, that allows him to play the melodies in his mind. A fundamental component of his music is the use of wide intervals and chromatic passing tones. His early influences were Ritchie Blackmore, Jeff Beck, Jimmy Page, David Gilmour and Jimi Hendrix. This later expanded to more diverse styles such as Leo Kottke, Allan Holdsworth, Rory Gallagher, Scott Henderson, and Edward Van Halen.

ABOUT T.J. HELMERICH (WIKI)

T. J. Helmerich is an American musician and audio engineer. Helmerich is known for developing a unique 8-finger style of playing his guitar. He has produced/engineered over 90 releases, working with some of the biggest names in the music industry. He has played/toured with Dweezil Zappa (Zappa Plays Zappa), Planet X (band), Autograph (American band), Paul Gilbert, Eddie Jobson, and others. He has been featured in popular guitar magazines nationally/internationally in ads, articles, reviews and lessons. Together with Australian guitarist Brett Garsed, the duo helped define the direction of instrumental guitar music throughout the '90s and establish the genre now known as "Rock Fusion". Helmerich resides in North Hollywood, California. He teaches guitar and audio engineering courses at Musicians Institute in Hollywood, California, where he created their "Recording Institute of Audio Engineering" (RIT) program. He held the directors seat at RIT for 10 years and has taught at the college for over 20. He can be caught performing regularly with an "all-star" line up at the world famous The Baked Potato club.

Brett Garsed & T.J. Helmerich


Brett Garsed & T.J. Helmerich - Quid Pro Quo - 1992 - Legato

Australian musician Brett Garsed is probably best known for his work as a guitarist with John Farnham and T. J. Helmerich, as well as being a former member of the American band Nelson. Brett featured on Derek Sherinian's Planet X, Molecular Heinosity, and Planet X's Quantum albums. Chicago born T.J. Helmerich is known for developing a unique 8-finger style of playing his guitar. He has produced/engineered over 90 releases, working with some of the biggest names in the music industry. He has played/toured with Dweezil Zappa (Zappa Plays Zappa), Planet X (band), Autograph (American band), Paul Gilbert, Eddie Jobson, and others. Both T.J. and Brett pay a highly developed and unique legato "Rock Fusion" style and all their work is worth hearing. Listen to Garsed & Helmerich’s “Under the Lash of Gravity” album and read an interview with Brett and T.J. @ http://www.guitar9.com/interview49.html [All tracks @ 320 Kbps: File size = 142 Mb]

TRACKS

1 Subway 6:18
2 Megan 5:42
3 Cherokee 6:25
4 Dirty Work 5:35
5 Destined To Die Jesting 1:32
6 A Musical Oasis Awaits Us 6:11
7 Mirage 3:53
8 So Hard To Say 5:52
9 Punch Line 6:02
10 You're The Bossa 5:47
11 Quid Pro Quo 9:53

All tracks composed by Brett Garsed & T.J. Helmerich

MUSICIANS

Brett Garsed – Lead, Rhythm, & Slide Guitar: Lead Vocals on “Dirty Work”
T.J. Helmerich – Lead, Rhythm, & Fretless Guitar: Lead Vocals on “So Hard To Say”
Gary Willis – Bass
Paul Mirkovich – Keyboards
Bobby Rock – Drums
Dan Wile – Percussion
Joe Cathcart, Dan Burns, Bill Burns – Backing Vocals

ABOUT BRETT GARSED

Brett Garsed was born in rural Victoria, Australia and began playing guitar at age 12 after hearing Deep Purple's Ritchie Blackmore play "Speed King". After about a month of initial lessons he continued to teach himself and formed a band comprised of his two cousins and a mutual friend and began playing live. His main influences were Blackmore, Jeff Beck, Jimmy Page, David Gilmour and Jimi Hendrix. This later expanded to more diverse styles such as Leo Kottke, Rory Gallagher (his main inspiration for slide guitar) and Edward Van Halen. After playing for about 5 years, Brett decided to take classical guitar lessons for about a year which encouraged him to expand his right-hand finger picking technique, which was already beginning to develop. Brett's playing style always revolved around left-hand legato from day one: "I don't know why I started playing that way, it just seemed so natural." This eventually led him to the music of Allan Holdsworth, a life-changing experience for most musicians. Hearing Holdsworth introduced him to new sounds and possibilities which in turn exposed him to more fusion oriented artists such as Larry Carlton and Scott Henderson. In July of 1985, Brett was featured in Guitar Player magazine's "Spotlight" column, which was devoted to exposing new talent to the rest of the world. This encouraged Brett to give up his job as a licensed plumber and pursue a career as a professional musician, prompting him to send demo tapes to as many record companies and management companies as he could find. "I wasn't looking for a record deal. I just wanted to get into a good band." One of the tapes was heard by Ross Fraser of the Wheatley Organization, which led to an audition for a short tour by Australian superstar John Farnham. Farnham, at this time still a member of the Little River Band, was planning a solo album and invited Brett to be a part of the project. The resulting album, Whispering Jack, went on to become the biggest selling album in Australian history, followed by sellout tours of Australia and Europe. Brett continued to tour and record with John until early 1989 when he was invited to the US to audition for Nelson, a band led by Gunnar and Mathew, sons of the late Ricky Nelson. The audition was a success and the resulting album, After the Rain, went on to sell in excess of 3 million copies and yielded a national #1 ("Love and Affection") as well as 2 top ten follow up singles. In early 1990 Brett also recorded Centrifugal Funk for the Mark Varney label Legato Records, an intense guitar album featuring Frank Gambale and Shawn Lane. For most of '91 Brett toured the US with Nelson, and spent '92 recording Quid Pro Quo with Chicago-born guitarist TJ Helmerich after the duo decided to sign to Varney's label. With Nelson on a seemingly permanent hiatus, Brett and TJ pursued their career promoting Quid Pro Quo, which featured Bobby Rock on drums, Gary Willis on bass and Paul Mirkovich on keys. Greeted with critical acclaim worldwide, the pair recorded the follow up album Exempt in 1993. In '94 Brett also filmed an instructional video for REH/Warner titled Rock Fusion which covers, in detail, his unique approach to guitar improvisation. Brett's most recent recording projects include the Uncle Moe's Space Ranch album featuring TJ Helmerich, Gary Willis, Dennis Chambers and Scott Kinsey, the Tapestry album which was released under the band name "Mojo" and features Ric Fierabracci on bass and Kofi Baker, son of the legendary Ginger Baker on drums, and most recently his debut solo album Big Sky with Ric returning for bass and production duties and Toss Panos behind the drums. Brett is now living in Australia again after 14 years in Los Angeles having just completed the record breaking "Last Time" tour with John Farnham which went for an unprecedented 7 months. © http://www.brettgarsed.com/bio/bio.php

ABOUT T.J. HELMERICH (WIKI)

T. J. Helmerich is an American musician and audio engineer. Helmerich is known for developing a unique 8-finger style of playing his guitar. He has produced/engineered over 90 releases, working with some of the biggest names in the music industry. He has played/toured with Dweezil Zappa (Zappa Plays Zappa), Planet X (band), Autograph (American band), Paul Gilbert, Eddie Jobson, and others. He has been featured in popular guitar magazines nationally/internationally in ads, articles, reviews and lessons. Together with Australian guitarist Brett Garsed, the duo helped define the direction of instrumental guitar music throughout the '90s and establish the genre now known as "Rock Fusion". Helmerich resides in North Hollywood, California. He teaches guitar and audio engineering courses at Musicians Institute in Hollywood, California, where he created their "Recording Institute of Audio Engineering" (RIT) program. He held the directors seat at RIT for 10 years and has taught at the college for over 20. He can be caught performing regularly with an "all-star" line up at the world famous The Baked Potato club.