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Showing posts with label Seventies Soul Blues. Show all posts
Showing posts with label Seventies Soul Blues. Show all posts

16.3.12

Jess Roden



Jess Roden - Live at the BBC - 1996 - Band Of Joy

The last official gig by the Jess Roden Band was a televised show for the BBC's "Sight And Sound, In Concert" program which was simulcast on BBC Radio 1 in 1977. Four extra BBC session tracks from 1975 were added to the setlist, and the whole album was released as "Live at the BBC" in 1996. It's a great album from the very underrated, but supremely gifted British vocalist. As vocalists go Jess is up there with the likes of Paul Carrack, Paul Rodgers, and others. His voice has been described as "one of the quintessential white soul voices of the '70's". For over 40 years, Jess has done just about everything in rock music, except become a household name. He has appeared on albums by The Meters, The Doors, Steve Winwood, The Who, Mott the Hoople, Keef Hartley, Sandy Denny, Paul Kossoff, Jim Capaldi, Stomu Yamashta, Peter Green, and many more. He has a voice of pure gold, and to many people in the record buying world, he remains an undiscovered treasure. Read http://www.bobharris.org/whispers/topic.asp?TOPIC_ID=1937 for info on Jess Roden albums/sessions. A used copy of this CD is for sale on Amazon @ £79.98.....Never gonna promote music that way! We're talking about great underrated soul blues from a brilliant and neglected British vocalist, not something for hanging on a wall in The Louvre. Search this blog for related releases. Most if not all of Jess' releases are still only available on vinyl or those awful "digitized from vinyl" CD's. There is talk about a large chunk of Jess' work being remixed and remastered for CD release. If this becomes available, see if you can buy it for a fair price [All tracks @ 192 Kbps: File size = 105 Mb]

TRACKS / COMPOSERS

1. The Ballad Of Big Sally - Cartwright, Roberts
2. On A Winner With You - Roden, Webb
3. In A Circle - Webb, Cartwright
4. Desperado - Henley, Frey
5. Stay In Bed - Roden
6. Crystal Eye - Roden
7. You Can Leave Your Hat On - Newman
8. Blowin' - Roden, Cartwright
9. Can't Get Next To You - Whitfield, Strong
10. Jump Mama - Roden
11. All Night Long - Cartwright
12. Lies - Cale
13. Honey Don't Worry - Cartwright
14. Under Suspicion - Roden
15. What Took Me So Long? - Roden

N.B: Tracks 1-11 were recorded in December, 1976 at BBC's Maida Vale 4 for BBC's Radio 1 In Concert program on 15.1.77, and Tracks 12-15 were recorded for the BBC John Peel Show on 24.4.75 at the BBC's Maida Vale 4 studio

BAND

Jess Roden (Vocals) - Tracks 1-15
Bruce Roberts (Guitar) - Tracks 1-15
Steve Webb (Guitar) - Tracks 1-15
John Cartwright (Bass) - Tracks 1-15
Billy Livsey (Keyboards) - Tracks 1-11
Pete Hunt (Drums) - Tracks 1-15
Ron Taylor (Alto Saxophone) - Tracks 1-15
Chris Gower (Trombone) - Tracks 1-15

SHORT BIO

Singer/guitarist Jess Roden was born in Kidderminster in England's West Midlands, and his first band was the Shakedown Sounds. In 1967, he joined the Alan Bown Set as their new lead singer. Although their records never charted nationally, he did pick up a fandom in London (and belatedly became something of a star on the Northern Soul scene) with the release of their single "Emergency 999". He remained with the Bown group through 1970, after which he formed the band Bronco, and later worked on Wildlife, the third Mott The Hoople album, and with Keef Hartley on the album Lancashire Hustler. In the mid-1970's, he teamed up with ex-Doors John Densmore and Robby Kreiger in the Butts Band, and sang on their first album. Roden finally emerged as a solo artist in his own right in the mid-1970's on Island Records, with his 1974 self-titled solo album, which was cut in New Orleans and included Allen Toussaint and Art Neville on keyboards. His albums throughout the 1970's got great reviews but he never saw any significant sales; in between his own work, he managed to sing and play on albums by Carol Grimes, Jim Capaldi, Stomu Yamashta, Sandy Denny, and Grace Jones. He was with the group Rivits on Island, for one album at the outset of the 1980's. © Bruce Eder © 2012 Rovi Corporation. All Rights Reserved http://www.allmusic.com/artist/jess-roden-p20236/biography

BIO (WIKI)

Jess Roden (born 28 December 1947) is an English rock singer and guitarist. Roden's first band was The Raiders followed by The Shakedown Sound which also included the guitarist, Kevyn Gammond, and keyboard player August Eadon (aka Gus Yeadon). In 1966, he joined The Alan Bown Set as their new lead singer. Although their records rarely charted, Roden and the band did pick up a considerable fans in London, and belatedly became a minor star on the Northern soul scene, with the release of their single, "Emergency 999". He remained with the Alan Bown through to the late 1960s, but left after recording the album The Alan Bown! His vocals were re-recorded by his replacement Robert Palmer for the UK release of the album, although Roden's original vocals remained on the U.S. release. Roden later appeared as a backing vocalist to Palmer on his 1983 appearance on The Tube. In 1970 Roden returned to Worcestershire and formed the band Bronco but left after two albums to embark on a solo album. During this period, he also worked on Wildlife, the third Mott the Hoople album, and sang and played on albums by Carol Grimes, Jim Capaldi, Sandy Denny, and sang lead vocals on Keef Hartley's 1973 album Lancashire Hustler. His solo album plans were sidelined when, in the same year, he was asked to team up with ex-Doors John Densmore and Robby Krieger in The Butts Band, together with Phil Chenn (bass) and Roy Davies (keyboards). The album was recorded in London and Kingston, Jamaica and released in America on Blue Thumb and Island (rest of the world). Roden, Chenn and Davies remained with the group for one album and a brief US tour. Roden finally emerged as a solo artist in the mid 1970s on Island Records, with his 1974 self-titled solo album. It was recorded at Olympia and Basing St Studios in London as well as New Orleans, Louisiana, and included contributions from Allen Toussaint and Art Neville on keyboards. He then formed The Jess Roden Band (originally Iguana - based in Southampton), with whom three further albums were recorded (Keep Your Hat On, Play It Dirty, PLay It Class and Blowin') - the latter recorded live in Birmingham and Leicester during 1976. Always a major touring draw, the band never achieved significant record sales and disbanded in 1977. Following the ending of the JRB, Roden relocated to New York and cut two further solo albums for Island (The Player Not The Game and Stonechaser). He formed The Rivits with Peter Wood (who co-wrote Year Of The Cat with Al Stewart), for one album Multiplay. During initial sessions for a second Rivits album that was due to be recorded at Compass Point Studios, Roden sang back-up vocals for Grace Jones Pull Up To The Bumper. On returning to New York, Roden worked as a graphic artist while, at the same time, recording Seven Windows, an album that was produced by Steve Dwire and Michael MacDonald. Just before the album was released, Roden returned to live and work in the UK. He returned with a new band, The Humans, in 1991. With a line-up featuring Jim Capaldi, Gary Grainger, Bill Burke and Nick Graham, the outfit produced two albums, only for Roden disappear from the music scene once more in the mid 1990s. One rare recent appearance was at Granville's Brasserie, in Stone, Staffordshire. As of April, 2008, according to his brother Nick, "Basically he now runs his own graphic design business, but not in New York. He lives near to London and is enjoying the quiet life. Up until about 4-5 years ago, he sang about once a year with an outfit called the SAS band with other singers and musicians. I believe Roy Wood, Roger Taylor, Brian May, Paul Young, etc. were also involved. I cannot speak on his behalf, but when I went down to see him two weeks ago, I asked him if he would be doing anymore singing, but seeing as he has not sung in such a while, I can honestly say it is most unlikely."

Jess Roden Band



Jess Roden Band - Blowin' - 1977 - Island

The former gravel-voiced Butts Band shouter sounds riotously confident on this live album, which has no real agenda except documenting a hot night before a British college crowd. Roden's band is slick and proficient, with guitarists Bruce Roberts and Steve Webb being the standouts, though percussionist/saxophonist Ron Taylor gets lots of space, too. Roden and company manage to show themselves as diverse performers and crowd-pullers at the same time -- no mean feat when hits drove the engine of '70s mass-market rock. The preeminent sound is slinky, laid-back pop-funk, as exemplified on story songs like "The Ballad of Big Sally" or "Me and Crystal Eye." Cut from similarly breezy cloth, "In a Circle" is an example of how Lowell George might have sounded if he'd grown up across the pond. The band stretches out on "Can't Get Next to You," which dips into the blues bag, but Roden's husky howl shines brightest on the glistening title track (which also makes clever use of varying internal rhymes). There's also a blistering boogie in "Jump Mama," where Roden pushes his throat in the manner of peers like Frankie Miller and Maggie Bell. The album ends on an unconventional note with a brief, piano-led reprise of "Blowin'." Unlike many live albums of this period, there's no side-long solos to pad out an average evening -- just a proficient band and their frontman throwing down before a packed house. The story would change after Britain went punk, but there's no denying what Roden could offer. This isn't an easy album to find, but worth the hunt if you see it. © Ralph Heibutzki © 2012 Rovi Corporation. All Rights Reserved http://www.allmusic.com/album/blowin-r48210/review

Recorded live in the Autumn of 1976 at Birmingham Town Hall and Leicester University, England, Jess Roden and his great band show 'em how it's done. If only this vinyl issue was remastered for CD ! Here's hoping the rumours are true. Check this blog for more info on Jess Roden [All tracks @ 160 Kbps: File size = 46.9 Mb]

TRACKS / COMPOSERS

SIDE 1

1. The Ballad of Big Sally - Cartwright, Roberts
2. In a Circle - Webb, Cartwright
3. Can't Get Next to You - Whitfield, Strong

SIDE 2

1. Me and Crystal Eye - Roden, Webb
2. Blowin' - Cartwright, Roden
3. Jump Mama - Roden
4. Blowin' (Reprise) - Cartwright, Roden

BAND

Jess Roden - Vocals
Bruce Roberts, Steve Webb - Guitar, Vocals
John Cartwright - Bass
Billy Livsey - Keyboards, Drums, Vocals
Pete Hunt - Drums
Ron Taylor - Saxophone, Percussion
Chris Gower - Trombone, Percussion

The Jess Roden Band



The Jess Roden Band - Keep Your Hat On - 1976 - Island

Jess Roden’s second solo album, the first to be credited to The Jess Roden Band was recorded at Island Studios in Hammersmith and features some quality musicians on nine well written tracks which are a mix of band member penned originals and covers. Roden is joined by guitarists Steve Webb and Bruce Roberts, bass player John Cartwright, drummer Pete Hunt and the horn section of Chris Gower and Ronnie Taylor. The album kicks off with a cover of Randy Newman’s ‘You Can Leave Your Hat On’. This version is perhaps a little slower than the Tom Jones one released many years later but is far better. The Roden penned ‘Jump Mama’ follows and keeps the tempo high and upbeat. Album highlight ‘Blowin’ follows and showcases Roden’s blues soul vocal ability. Very reminiscent of Free it places Roden in the same bracket as Paul Rodgers, high praise indeed but more than deserved. ‘In A Circle’ features a great horn arrangement by David Wadsworth and some stellar playing by Ronnie Taylor (Alto) and Chris Gower (Trumpet). ‘I’m On A Winner With You’ closes side one on a more gentle note but without lowering the quality. Side Two leaps out of the speakers straight away with the classy ‘Mama Roux’ from the pen of Doctor John Creaux. Once again Wadsworths horn arrangement is top notch. The following ‘Desperado’, a cover of the Eagles classic, is far superior to the original and Roden nails it as his own, giving it a soul and blues feel that the composers could never have managed. I was lucky enough to see Roden perform this song live without any accompaniment whatsoever to a packed house at his comeback gig in the nineties. To say you could have heard a pin drop would be an understatement. Billy Sherrill’s ‘Too Far Gone’ and another John Cartwright track ‘Send It To You’ close the album. Roden is in my opinion, along with Frankie Miller, the most under rated of British singers from the seventies. A style which encompasses rock, blues and soul to name but three he really should be mentioned in the same breath as Paul Rodgers and the like. A couple of years before this release Roden had been touted as Ian Gillan’s replacement in Deep Purple such was his standing amongst other musicians. Quite why he has never achieved the level of success his ability deserves in quite frankly beyond me. © Martin Leedham. Posted on January 17, 2011 First published on RYM January 2011 © http://martinleedham.wordpress.com/2011/01/17/album-review-the-jess-roden-band-keep-your-hat-on-1976/

Great album by Jess Roden, the very underrated, but supremely gifted British vocalist. As vocalists go Jess is up there with the likes of Paul Carrack, Paul Rodgers, and others. His voice has been described as "one of the quintessential white soul voices of the '70's". For over 40 years, he done just about everything in rock music, except becoming a household name. He has appeared on albums by The Meters, The Doors, Steve Winwood, The Who, Mott the Hoople, Keef Hartley, Sandy Denny, Paul Kossoff, Jim Capaldi, Stomu Yamashta, Peter Green, and many more. He has a voice of pure gold, and to many people in the record buying world, he remains an undiscovered treasure. There are stories circulating that a lot of Jess' work will be remastered and remixed for a CD set issue. The sooner, the better. "Keep Your Hat On" is a vinyl issue, and it would be great to hear this album in all it's sonic glory. Check this blog for related releases. Read http://www.bobharris.org/whispers/topic.asp?TOPIC_ID=1937 for info on Jess Roden albums/sessions. Support real music [All tracks @ 320 Kbps: File size = 85.6 Mb]

TRACKS / COMPOSERS

1. You Can Leave Your Hat On - Newman
2. Jump Mama - Roden
3. Blowin' - Roden, Cartwright
4. In A Circle - Cartwright, Webb
5. I'm On A Winner With You - Roden, Webb
6. Mama Roux - Dr John, Jessie Hill
7. Desperado - Henley, Frey
8. Too Far Gone - Billy Sherrill
9. Send It To You - John Cartwright

BAND

Jess Roden - Vocals
Bruce Roberts, Steve Webb - Guitar, Vocals
John Cartwright - Bass
Billy Livsey - Keyboards
Pete Hunt - Drums
Ron Taylor - Alto Sax
Chris Gower - Trombone

SHORT BIO

Singer/guitarist Jess Roden was born in Kidderminster in England's West Midlands, and his first band was the Shakedown Sounds. In 1967, he joined the Alan Bown Set as their new lead singer. Although their records never charted nationally, he did pick up a fandom in London (and belatedly became something of a star on the Northern Soul scene) with the release of their single "Emergency 999". He remained with the Bown group through 1970, after which he formed the band Bronco, and later worked on Wildlife, the third Mott The Hoople album, and with Keef Hartley on the album Lancashire Hustler. In the mid-1970's, he teamed up with ex-Doors John Densmore and Robby Kreiger in the Butts Band, and sang on their first album. Roden finally emerged as a solo artist in his own right in the mid-1970's on Island Records, with his 1974 self-titled solo album, which was cut in New Orleans and included Allen Toussaint and Art Neville on keyboards. His albums throughout the 1970's got great reviews but he never saw any significant sales; in between his own work, he managed to sing and play on albums by Carol Grimes, Jim Capaldi, Stomu Yamashta, Sandy Denny, and Grace Jones. He was with the group Rivits on Island, for one album at the outset of the 1980's. © Bruce Eder © 2012 Rovi Corporation. All Rights Reserved http://www.allmusic.com/artist/jess-roden-p20236/biography

BIO (WIKI)

Jess Roden (born 28 December 1947) is an English rock singer and guitarist. Roden's first band was The Raiders followed by The Shakedown Sound which also included the guitarist, Kevyn Gammond, and keyboard player August Eadon (aka Gus Yeadon). In 1966, he joined The Alan Bown Set as their new lead singer. Although their records rarely charted, Roden and the band did pick up a considerable fans in London, and belatedly became a minor star on the Northern soul scene, with the release of their single, "Emergency 999". He remained with the Alan Bown through to the late 1960s, but left after recording the album The Alan Bown! His vocals were re-recorded by his replacement Robert Palmer for the UK release of the album, although Roden's original vocals remained on the U.S. release. Roden later appeared as a backing vocalist to Palmer on his 1983 appearance on The Tube. In 1970 Roden returned to Worcestershire and formed the band Bronco but left after two albums to embark on a solo album. During this period, he also worked on Wildlife, the third Mott the Hoople album, and sang and played on albums by Carol Grimes, Jim Capaldi, Sandy Denny, and sang lead vocals on Keef Hartley's 1973 album Lancashire Hustler. His solo album plans were sidelined when, in the same year, he was asked to team up with ex-Doors John Densmore and Robby Krieger in The Butts Band, together with Phil Chenn (bass) and Roy Davies (keyboards). The album was recorded in London and Kingston, Jamaica and released in America on Blue Thumb and Island (rest of the world). Roden, Chenn and Davies remained with the group for one album and a brief US tour. Roden finally emerged as a solo artist in the mid 1970s on Island Records, with his 1974 self-titled solo album. It was recorded at Olympia and Basing St Studios in London as well as New Orleans, Louisiana, and included contributions from Allen Toussaint and Art Neville on keyboards. He then formed The Jess Roden Band (originally Iguana - based in Southampton), with whom three further albums were recorded (Keep Your Hat On, Play It Dirty, PLay It Class and Blowin') - the latter recorded live in Birmingham and Leicester during 1976. Always a major touring draw, the band never achieved significant record sales and disbanded in 1977. Following the ending of the JRB, Roden relocated to New York and cut two further solo albums for Island (The Player Not The Game and Stonechaser). He formed The Rivits with Peter Wood (who co-wrote Year Of The Cat with Al Stewart), for one album Multiplay. During initial sessions for a second Rivits album that was due to be recorded at Compass Point Studios, Roden sang back-up vocals for Grace Jones Pull Up To The Bumper. On returning to New York, Roden worked as a graphic artist while, at the same time, recording Seven Windows, an album that was produced by Steve Dwire and Michael MacDonald. Just before the album was released, Roden returned to live and work in the UK. He returned with a new band, The Humans, in 1991. With a line-up featuring Jim Capaldi, Gary Grainger, Bill Burke and Nick Graham, the outfit produced two albums, only for Roden disappear from the music scene once more in the mid 1990s. One rare recent appearance was at Granville's Brasserie, in Stone, Staffordshire. As of April, 2008, according to his brother Nick, "Basically he now runs his own graphic design business, but not in New York. He lives near to London and is enjoying the quiet life. Up until about 4-5 years ago, he sang about once a year with an outfit called the SAS band with other singers and musicians. I believe Roy Wood, Roger Taylor, Brian May, Paul Young, etc. were also involved. I cannot speak on his behalf, but when I went down to see him two weeks ago, I asked him if he would be doing anymore singing, but seeing as he has not sung in such a while, I can honestly say it is most unlikely."

15.3.12

Jess Roden



Jess Roden - The Player Not The Game - 1977 - Island

"The Player Not The Game" is a wonderful album of jazz, soul and blues from one of the most underrated vocalists and songwriters ever to come out of England. His voice has been described as "one of the quintessential white soul voices of the '70's". For over 40 years, he done just about everything in rock music, except becoming a household name. He has appeared on albums by The Meters, The Doors, Steve Winwood, The Who, Mott the Hoople, Keef Hartley, Sandy Denny, Paul Kossoff, Jim Capaldi, Stomu Yamashta, Peter Green, and many more. He has a voice of pure gold, and to many people in the record buying world, he remains an undiscovered treasure. "The Player Not The Game" is HR by A.O.O.F.C. It's a vinyl issue, but the man's great talents can be appreciated adequately. Check out his brilliant "Blowin'" album. A 5 x CD album, "The Hidden Masters - The Jeff Roden Anthology" containing over 80 remastered tracks from the original master tapes is supposedly due for release. Watch out for that! Check out Jess' "The Best Of" album on this blog. Read http://musiquarium.wordpress.com/2007/02/18/unsung-heroes-no1-jess-roden/ for a lot of detailed information about this unsung hero [All tracks @ 320 Kbps: File size = 77.4 Mb]

TRACKS / COMPOSERS / MUSICIANS

1 Misty Roses - Tim Hardin

Leon Pendarvis : Piano
Rob Mounsey : Fender Rhodes & A.R.P. 2600
Gary Mure : Drums
Anthony Jackson : Bass
David Carey : Vibes
Scott Hamilton : Tenor Saxophone
Cliff Morris : Electric Guitar
Charlie Brown : Acoustic Guitar

2 Sensation - Jess Roden & Steve Webb

Rob Mounsey : Fender Rhodes & A.R.P. 2600
David Carey : Vibes
Francisco Centeno : Bass
Gary Mure : Drums
John Tropea : Lead Guitar
Cliff Morris : Guitar

3 Lonely Avenue - Doc Pomus

Leon Pendarvis : Piano
Rob Mounsey : Clavinet
Anthony Jackson : Bass
Gary Mure : Drums
Erroll Bennett & Rubens Bassini : Percussion
Scott Hamilton : Tenor Saxophone (Solo)
Cliff Morris : Lead Guitar
Charlie Brown : Guitar
Howard Johnson : Baritone Sax
Lou Marini : Alto Sax
Harold Vick : Tenor Sax
Alan Ralph : Trombone
Delores Hall, Benny Diggs, Michael Gray, Arnold McCuller & Jess Rodden : Background vocals

4 The Quiet Sound Of You And I - Bruce Roberts & Edgar Bronfman

Leon Pendarvis : Fender Rhodes
Rob Mounsey : Piano
Buddy Williams : Drums
Francisco Centeno : Bass
Cliff Morris & Lance Quinn : Guitars
David Carey : Vibes
Erroll Bennett : Percussion
Scott Hamilton : Tenor Saxophone
Delores Hall, Michael Gray, Benny Diggs, Arnold McCuller & Jess Roden : Background vocals

5 The Hardest Blow - John Cartwright

John Tropea, Cliff Morris & Franklin Micare : Acoustic Guitars
Erroll Bennett : Percussion
Leon Pendarvis : Piano
Rob Mounsey : Fender Rhodes
Harold Vick : Tenor Saxophone
Francisco Centeno : Bass
Milt Hinson : Acoustic Bass
Gary Mure : Drums

6 Drinking Again - Johnny Mercer & Doris Tauber

Gary Mure : Drums
David Carey : Vibes
Shirley Scott : Piano
Cliff Morris & Charlie Brown : Guitars
Anthony Jackson : Bass

7 Woman Across The Water - Jess Roden

Leon Pendarvis : Piano
Gary Mure : Drums
Francisco Centeno : Bass
John Tropea & Jeff Mironov : Guitars
Erroll Bennett : Percussion
Rob Mounsey : Fender Rhodes, A.R.P. 2600 & A.R.P. SE.IV.
Delores Hall, Michael Gray, Benny Diggs, Arnold McCuller & Jess Roden : Background vocals

8 In Me Tonight - Jess Roden

Leon Pendarvis : Fender Rhodes
Rob Mounsey : Piano
Cliff Morris & John Tropea : Guitars
Harold Vick : Soprano Saxophone
Francisco Centeno : Bass
Gary Mure : Drums
Erroll Bennett : Percussion
David Carey : Vibes
Delores Hall, Michael Gray, Benny Diggs, Arnold McCuller & Jess Roden : Background vocals

OTHER CREDITS

Strings -
Violins : Max Pollikoff, Sandford Allen, Gene Orloff, Paul Gershman, Max Ellen, Mathew Raimondi, Joe Malin & Charles Libove
Violas : Al Brown, Manny Vardi, Julien Barber & Selwart Clarke
Celli : Charles McCracken & Kermit Moore
Horns -
Alto Saxophones & Clarinet : Lou Marini & Raymond Beckenstein
Tenor Saxophones : George Marge, Harold Vick & Walter Levinsky
Trumpets & Fluglehorns : Alan Rubin, John Faddis, Virgil Jones, Burt Collins, Micheal Lawrence & Victor Paz
Baritone Saxophone & Bass Clarinet : Howard Johnson

SHORT BIO

Singer/guitarist Jess Roden was born in Kidderminster in England's West Midlands, and his first band was the Shakedown Sounds. In 1967, he joined the Alan Bown Set as their new lead singer. Although their records never charted nationally, he did pick up a fandom in London (and belatedly became something of a star on the Northern Soul scene) with the release of their single "Emergency 999". He remained with the Bown group through 1970, after which he formed the band Bronco, and later worked on Wildlife, the third Mott The Hoople album, and with Keef Hartley on the album Lancashire Hustler. In the mid-1970's, he teamed up with ex-Doors John Densmore and Robby Kreiger in the Butts Band, and sang on their first album. Roden finally emerged as a solo artist in his own right in the mid-1970's on Island Records, with his 1974 self-titled solo album, which was cut in New Orleans and included Allen Toussaint and Art Neville on keyboards. His albums throughout the 1970's got great reviews but he never saw any significant sales; in between his own work, he managed to sing and play on albums by Carol Grimes, Jim Capaldi, Stomu Yamashta, Sandy Denny, and Grace Jones. He was with the group Rivits on Island, for one album at the outset of the 1980's. © Bruce Eder © 2012 Rovi Corporation. All Rights Reserved http://www.allmusic.com/artist/jess-roden-p20236/biography

BIO (WIKI)

Jess Roden (born 28 December 1947) is an English rock singer and guitarist. Roden's first band was The Raiders followed by The Shakedown Sound which also included the guitarist, Kevyn Gammond, and keyboard player August Eadon (aka Gus Yeadon). In 1966, he joined The Alan Bown Set as their new lead singer. Although their records rarely charted, Roden and the band did pick up a considerable fans in London, and belatedly became a minor star on the Northern soul scene, with the release of their single, "Emergency 999". He remained with the Alan Bown through to the late 1960s, but left after recording the album The Alan Bown! His vocals were re-recorded by his replacement Robert Palmer for the UK release of the album, although Roden's original vocals remained on the U.S. release. Roden later appeared as a backing vocalist to Palmer on his 1983 appearance on The Tube. In 1970 Roden returned to Worcestershire and formed the band Bronco but left after two albums to embark on a solo album. During this period, he also worked on Wildlife, the third Mott the Hoople album, and sang and played on albums by Carol Grimes, Jim Capaldi, Sandy Denny, and sang lead vocals on Keef Hartley's 1973 album Lancashire Hustler. His solo album plans were sidelined when, in the same year, he was asked to team up with ex-Doors John Densmore and Robby Krieger in The Butts Band, together with Phil Chenn (bass) and Roy Davies (keyboards). The album was recorded in London and Kingston, Jamaica and released in America on Blue Thumb and Island (rest of the world). Roden, Chenn and Davies remained with the group for one album and a brief US tour. Roden finally emerged as a solo artist in the mid 1970s on Island Records, with his 1974 self-titled solo album. It was recorded at Olympia and Basing St Studios in London as well as New Orleans, Louisiana, and included contributions from Allen Toussaint and Art Neville on keyboards. He then formed The Jess Roden Band (originally Iguana - based in Southampton), with whom three further albums were recorded (Keep Your Hat On, Play It Dirty, PLay It Class and Blowin') - the latter recorded live in Birmingham and Leicester during 1976. Always a major touring draw, the band never achieved significant record sales and disbanded in 1977. Following the ending of the JRB, Roden relocated to New York and cut two further solo albums for Island (The Player Not The Game and Stonechaser). He formed The Rivits with Peter Wood (who co-wrote Year Of The Cat with Al Stewart), for one album Multiplay. During initial sessions for a second Rivits album that was due to be recorded at Compass Point Studios, Roden sang back-up vocals for Grace Jones Pull Up To The Bumper. On returning to New York, Roden worked as a graphic artist while, at the same time, recording Seven Windows, an album that was produced by Steve Dwire and Michael MacDonald. Just before the album was released, Roden returned to live and work in the UK. He returned with a new band, The Humans, in 1991. With a line-up featuring Jim Capaldi, Gary Grainger, Bill Burke and Nick Graham, the outfit produced two albums, only for Roden disappear from the music scene once more in the mid 1990s. One rare recent appearance was at Granville's Brasserie, in Stone, Staffordshire. As of April, 2008, according to his brother Nick, "Basically he now runs his own graphic design business, but not in New York. He lives near to London and is enjoying the quiet life. Up until about 4-5 years ago, he sang about once a year with an outfit called the SAS band with other singers and musicians. I believe Roy Wood, Roger Taylor, Brian May, Paul Young, etc. were also involved. I cannot speak on his behalf, but when I went down to see him two weeks ago, I asked him if he would be doing anymore singing, but seeing as he has not sung in such a while, I can honestly say it is most unlikely."

9.3.12

Jess Roden



Jess Roden - The Best Of - 2009 - Lemon

Jess Roden was a journeyman British rock singer who caught lots of breaks, it's just that none of them were particularly lucky. He sang background in the studios and fronted various bands before playing with Keef Hartley, yet never went anywhere; sang for Robbie Krieger and John Densmore's post-Doors project the Butts Band, which also stalled; then he had a solo career on Island which is compiled on this quite good 2009 Lemon collection. Equal parts Rod Stewart and Paul Rodgers, Roden had a powerful bluesy growl made for rockers like "The Ballad of Big Sally" - and his cover of Randy Newman's "You Can Leave Your Hat On" trumps Joe Cocker's latter-day version - but he also sounds just as comfortable on softer material like "Blowin'" and the terrific Boz Scaggs-styled soft rock of "In Me Tonight." That track is an indication of how Roden got softer, slicker, and also somewhat funkier - if funk is nothing but loping basslines and wah-wah guitars - as the '70s came to the close. He still negotiated these turns quite well, and these are good, period soft rock, but Roden sounds alive on the earliest cuts, when he still had the chance of breaking through toward the blues-rock big time. © Stephen Thomas Erlewine © 2012 Rovi Corporation. All Rights Reserved http://www.allmusic.com/album/the-best-of-r1562008

"Journeyman vocalist who never quite got his just dues". Jess Roden came to prominence as the up-front vocalist for The Alan Bown Set as they worked the mid-60s club circuit, but left them for a folk-rock direction with Bronco and his own band. With a confident rock voice that could adapt to many song styles, his work was always convincing. Consequently, following a rocking opener in Ballad Of Big Sally, it’s often the slower and more restrained songs such as Blowin’, Me & Crystal Eye, Woman Across The Water and the trombone-infused In A Circle that most satisfy on this collection. With the material here drawn from five albums spanning 1974-80, Roden matures like a good wine, supported by a great band whose members also collaborate with him on many of the songs. Cover versions include fine takes on Randy Newman’s You Can Leave Your Hat On, Doc Pomus’ Lonely Avenue, and Whitfield/Strong’s Temptations hit Can’t Get Next To You. An attractive package by any standards, celebrating one of the industry’s best voices. **** Reviewed by & © Kingsley Abbott © 2012 Diamond Publishing http://recordcollectormag.com/reviews/the-best-of-jess-roden

"Nice to see Jess Roden on Amazon and a lovely 'Best Of' to remind us all how good he was. There were so many great singers around in Jess's heyday, it was like the golden age of heavyweight boxers ! I don't know what he's doing now but back in the mid-seventies, when Rod had crossed the Atlantic, Zeppelin and Plant had made their best work, Paul Rogers and Free were over, ditto Chapman and Family, Terry Reid had disappeared Stateside - and you can add to the list here yourself - it seemed for a time that Island / Chrysalis stablemates Jess and Frankie Miller were about the best rock / soul singers we had. Like so much great music of the seventies Jess seemed to get blown away by the false dawn of punk which promised so much but delivered so little music that would last. I have great memories of him on numerous Rock Goes to College broadcasts but like many artists he was perhaps too good and not commercial enough, though heaven knows the great material he sang sounded very accessible to me. Perhaps it was all down to timing and luck in the end, his peak coming between the classic era of rock and the punk revolution. Time for a Jess Roaen revival - where are you man ?" ***** from "One of the very best", 18 Feb 2010 by & © Mr. Philip Baird (Isle of Man) © 1996-2012, Amazon.com, Inc. or its affiliates http://www.amazon.co.uk/Best-Jess-Roden/dp/B0025T717E/ref=ntt_mus_ep_dpi_1

Jess Roden has got to be one of the most underated jazz, soul & blues vocalists ever to come out of England. His voice has been described as "one of the quintessential white soul voices of the '70's". For over 40 years, he done just about everything in rock music, except becoming a household name. He has appeared on albums by The Meters, The Doors, Steve Winwood, The Who, Mott the Hoople, Keef Hartley, Sandy Denny, Paul Kossoff, Jim Capaldi, Stomu Yamashta, Peter Green, and many more. He has a voice of pure gold, and to many people in the record buying world, he remains an undiscovered treasure. "The Best Of" contains 18 tracks from 5 of his studio albums, which is simply not enough to demonstrate this great vocalist's talents. John "Rabbit" Bundrick, Allen Toussaint, Rob Mounsey, and Simon Kirke are just a few of the many legendary artists playing on this album. Check out his brilliant "Blowin'" album. A 5 x CD album, "The Hidden Masters - The Jeff Roden Anthology" containing over 80 remastered tracks from the original master tapes is supposedly due for release. Watch out for that! Has anybody any info on the album "Jess Roden Live At The BBC"? Before you put "It was like sooo kool"  Jedward on your CD player, listen to this compilation album! [Tracks @ 228-320 Kbps: File size = 134 Mb]

TRACKS / COMPOSERS

1 Ballad of Big Sally - Cartwright, Roberts 5:44
2 Blowin' - Cartwright, Roden 3:27
3 You Can Leave Your Hat On - Newman 4:04
4 Stonechaser - Roden, Webb 5:33
5 Reason to Change - Roden 3:05
6 Woman Across the Water - Roden 4:13
7 In a Circle - Cartwright, Webb 5:33
8 Trouble in the Mind - Roden 4:08
9 Me and Crystal Eye - Roden 4:13
10 In Me Tonight - Roden 4:36
11 Can't Get Next to You - Strong, Whitfield 7:00
12 What the Hell - Roden 4:57
13 I'm on a Winner with You - Roden, Webb 3:20
14 Deeper in Love - James 2:58
15 Lonely Avenue - Pomus 3:37
16 If You Change Your Mind - Cartwright 3:17
17 Jump Mama - Roden 4:02
18 All Night Long - Roden 3:33

MUSICIANS

Jess Roden - Guitar, Acoustic Guitar, Bass, Horn, String Arrangements, Drums, Percussion, Vocals, Background Vocals
Bruce Robertson, Leo Nocentelli, Charlie Brown, Franklin Micare, Lance Quinn, John Tropea, David Landau, Jeff Layton, Jeff Mironov, Cliff Morris - Guitar
Bruce Roberts, Steve Webb - Guitar, Vocals
Neil Jason, Anthony Jackson, Milt Hinton, Francisco Centeno, George Porter, Jr., Rick Chudacoff, Pat Donaldson, Mickey Feat - Bass
John Cartwright - Bass, Guitar, Harmonica, Vocals
John "Rabbit" Bundrick - Keyboards, Organ, Piano
Billy Livsey - Keyboards, Organ, Piano, Clavinet
Mick Weaver - Fender Rhodes, Keyboards
Allen Toussaint - Piano, Conga
Rick Smith - Keyboards
Roy Davies - Keyboards, Organ, Clavinet
Leon Pendarvis - Keyboards, Percussion, Vocals
Shirley Scott, Rob Mounsey, George Clinton, Pat Rebillot - Keyboards
Art Neville - Organ
Ziggy Modeliste, Simon Kirke, Richard Bailey, Pete Hunt, Neil Bunetta, Buddy Williams, Peter Bunetta, Gary Mure, Richard Crooks, Chris Parker - Drums
Rubens Bassini, Crusher Bennett, Arno Lucas - Percussion
Rebop Kwaku Baah - Conga, Percussion
Alan Sharp - Conga
David Carey - Vibraphone, Background Vocals
Alan Raph, Tom "Bones" Malone, Chris Gower - Trombone
Derek Wadsworth, Billy Lyall - Horn Arrangements
Scott Hamilton - Saxophone
Pat Ryan - Alto Saxophone
Ronnie Taylor - Alto & Tenor Sax
George Lee - Tenor Sax
Harold Vick - Saxophone, Wind
Chris Gower - Trombone
Alan Raph, Wayne Andre - Trombone, Brass
Lee Goodall - Clarinet, Bass Clarinet
New Orleans Horns, Jon Faddis, Burt Collins, Michael Lawrence, Virgil Jones, George Marge, Pee Wee Ellis, Victor Paz, Alan Rubin - Horn
Virgil Jones, David Taylor, Lew Soloff, Barry Rogers - Brass, Horn
Raymond Beckenstein, Howard Johnson, Lou Marini - Wind
Howard Johnson - Brass, Wind
Alex Foster, Romeo Penque, Billy Slapin, Harold Vick, David Tofani - Reeds (Multiple), Wind
Raymond Beckenstein, John Campo - Reeds (Multiple)
Steve Gregory - Flute
Regis Iandiorio, Lamar Alsop, Lou Eley, Lewis Eley, Stanley Pollock, John Pintavalle, Harold Kohon, Kathryn Kienke - Violin
Jesse Levy, Kermit Moore, Charles McCracken - Cello
Al Brown, Sue Pray, Lenore Weinstock - Viola
The Manny Vardi - Viola, Strings
Harry Robinson, William S. Fischer - Strings
Arnold McCutler, Joshie Armstead, Chandra Armstead, Janice Pendarvis, Barbara Massey, Luther Vandross, Jaki Whitren, Zachary Sanders - Vocals
Benny Diggs, Michael Lee Gray, Delores Hall - Vocals, Background Vocals

SHORT BIO

Singer/guitarist Jess Roden was born in Kidderminster in England's West Midlands, and his first band was the Shakedown Sounds. In 1967, he joined the Alan Bown Set as their new lead singer. Although their records never charted nationally, he did pick up a fandom in London (and belatedly became something of a star on the Northern Soul scene) with the release of their single "Emergency 999". He remained with the Bown group through 1970, after which he formed the band Bronco, and later worked on Wildlife, the third Mott The Hoople album, and with Keef Hartley on the album Lancashire Hustler. In the mid-1970's, he teamed up with ex-Doors John Densmore and Robby Kreiger in the Butts Band, and sang on their first album. Roden finally emerged as a solo artist in his own right in the mid-1970's on Island Records, with his 1974 self-titled solo album, which was cut in New Orleans and included Allen Toussaint and Art Neville on keyboards. His albums throughout the 1970's got great reviews but he never saw any significant sales; in between his own work, he managed to sing and play on albums by Carol Grimes, Jim Capaldi, Stomu Yamashta, Sandy Denny, and Grace Jones. He was with the group Rivits on Island, for one album at the outset of the 1980's. © Bruce Eder © 2012 Rovi Corporation. All Rights Reserved http://www.allmusic.com/artist/jess-roden-p20236/biography

BIO (WIKI)

Jess Roden (born 28 December 1947) is an English rock singer and guitarist. Roden's first band was The Raiders followed by The Shakedown Sound which also included the guitarist, Kevyn Gammond, and keyboard player August Eadon (aka Gus Yeadon). In 1966, he joined The Alan Bown Set as their new lead singer. Although their records rarely charted, Roden and the band did pick up a considerable fans in London, and belatedly became a minor star on the Northern soul scene, with the release of their single, "Emergency 999". He remained with the Alan Bown through to the late 1960s, but left after recording the album The Alan Bown! His vocals were re-recorded by his replacement Robert Palmer for the UK release of the album, although Roden's original vocals remained on the U.S. release. Roden later appeared as a backing vocalist to Palmer on his 1983 appearance on The Tube. In 1970 Roden returned to Worcestershire and formed the band Bronco but left after two albums to embark on a solo album. During this period, he also worked on Wildlife, the third Mott the Hoople album, and sang and played on albums by Carol Grimes, Jim Capaldi, Sandy Denny, and sang lead vocals on Keef Hartley's 1973 album Lancashire Hustler. His solo album plans were sidelined when, in the same year, he was asked to team up with ex-Doors John Densmore and Robby Krieger in The Butts Band, together with Phil Chenn (bass) and Roy Davies (keyboards). The album was recorded in London and Kingston, Jamaica and released in America on Blue Thumb and Island (rest of the world). Roden, Chenn and Davies remained with the group for one album and a brief US tour. Roden finally emerged as a solo artist in the mid 1970s on Island Records, with his 1974 self-titled solo album. It was recorded at Olympia and Basing St Studios in London as well as New Orleans, Louisiana, and included contributions from Allen Toussaint and Art Neville on keyboards. He then formed The Jess Roden Band (originally Iguana - based in Southampton), with whom three further albums were recorded (Keep Your Hat On, Play It Dirty, PLay It Class and Blowin') - the latter recorded live in Birmingham and Leicester during 1976. Always a major touring draw, the band never achieved significant record sales and disbanded in 1977. Following the ending of the JRB, Roden relocated to New York and cut two further solo albums for Island (The Player Not The Game and Stonechaser). He formed The Rivits with Peter Wood (who co-wrote Year Of The Cat with Al Stewart), for one album Multiplay. During initial sessions for a second Rivits album that was due to be recorded at Compass Point Studios, Roden sang back-up vocals for Grace Jones Pull Up To The Bumper. On returning to New York, Roden worked as a graphic artist while, at the same time, recording Seven Windows, an album that was produced by Steve Dwire and Michael MacDonald. Just before the album was released, Roden returned to live and work in the UK. He returned with a new band, The Humans, in 1991. With a line-up featuring Jim Capaldi, Gary Grainger, Bill Burke and Nick Graham, the outfit produced two albums, only for Roden disappear from the music scene once more in the mid 1990s. One rare recent appearance was at Granville's Brasserie, in Stone, Staffordshire. As of April, 2008, according to his brother Nick, "Basically he now runs his own graphic design business, but not in New York. He lives near to London and is enjoying the quiet life. Up until about 4-5 years ago, he sang about once a year with an outfit called the SAS band with other singers and musicians. I believe Roy Wood, Roger Taylor, Brian May, Paul Young, etc. were also involved. I cannot speak on his behalf, but when I went down to see him two weeks ago, I asked him if he would be doing anymore singing, but seeing as he has not sung in such a while, I can honestly say it is most unlikely."

4.6.11

Stone The Crows



Stone The Crows - Live Crows (Montreux '72) - 2002 - Akarma

A great album of live soul/blues rock by Stone the Crows. The late Les Harvey's guitar work is terrific as is Maggie Bell's raunchy singing. The opener "Friends" is a great rocker with some great guitar and Hammond work. STC's version of Bob Dylan's 'Hollis Brown' is a great example of just how great a vocalist Maggie Bell is and also how good STC was as a live band. The guitar work on this track by Leslie Harvey is terrific. "Hollis Brown" fades out on this album. There is probably a more complete version of the track available, as this album has been released under numerous titles. Search this blog for more Maggie Bell/STC releases and listen to the band's superb "Teenage Licks" album

TRACKS / COMPOSERS

1 Friends - Les Harvey, Jimmy Dewar
2 Penicillin Blues - Sonny Terry, Brownie McGhee
3 Love 74 - John McGinnis
4 Danger Zone - Percy Mayfield
5 Hollis Brown - Bob Dylan

BAND

Maggie Bell - Vocals
Leslie Harvey RIP - Guitar
Steve Thompson - Bass
Ronnie Leahy - Keyboards, Hammond
Colin Allen - Drums, Percussion

BIO

Stone the Crows was a tough-luck, working class, progressive soul band that came out of the pubs of Scotland in the early '70s. They had everything going for them at the start: not one, but two gritty singers, a talented guitarist, a rhythm section that had played with John Mayall, and the name recognition of having Led Zeppelin manager Peter Grant as their producer. Despite favorable reviews by the critics, however, they never managed to sell their hybridized soul music to a large audience. In addition, they lost two of their key members early on, one of whom was tragically electrocuted, and the group broke up after four albums. Their biggest contribution to rock was the immense vocal talent of one Maggie Bell. Winner of several Top Girl Singer awards in Britain, Bell had a raunchy, gutbucket voice that, although it fell short of the naked emotion and range of Janis Joplin's, came probably closer to her style than any other female singer. She first attracted notice when she jumped up on stage at a show in Glasgow to wail with Alex Harvey of the Sensational Alex Harvey Band. Impressed by her talent (and audacity), Harvey hooked her up with his guitar-playing younger brother Les, then fronting a local band called the Kinning Park Ramblers. After playing army bases in Europe for several years as Power, Bell, Harvey, bassist Jim Dewar, keyboardist Jon McGinnis, and drummer Colin Allen (who had played with future bass player Steve Thompson in John Mayall's band), came to the attention of Peter Grant and they changed their name to Stone the Crows, which supposedly is a Scottish variation of "the hell with it." Both of their first two albums received good reviews upon release, but sold very meagerly. Then bassist/vocalist Jim Dewar quit the band to join Robin Trower's fledgling group, to be replaced by the non-singing Steve Thompson. Shortly after releasing Teenage Licks, guitarist Les Harvey was electrocuted onstage during a gig at Swansea University. This appeared to end the band, but they carried on, recruiting young Jimmy McCulloch from Thunderclap Newman and released "'Ontinuous Performance." Although the rock press lauded the singing of Bell, her group couldn't seem to emerge from the shadows and they broke up after this last album, with McCulloch flying away to join Paul McCartney in Wings. © Peter Kurtz © 2011 Rovi Corporation. All Rights Reserved http://www.allmusic.com/artist/stone-the-crows-p20770/biography