Get this crazy baby off my head!


Jade Warrior

Jade Warrior - Now - 2008 - WindWeaver

2008 album from the Prog Rockers, their 14th album overall. Retaining the spirit of adventure from the band's Vertigo years and the sheer beauty and audacity of their Island albums, Now eloquently brings Jade Warrior into the 21st Century with an album of beautifully crafted songs and extreme dynamics. This album has been described as "the most emotional, the most mature and most deeply human album Jade Warrior has ever created". © 1996-2009, Amazon.com, Inc. or its affiliates

Released fifteen years after the band's "Distant Echoes" album, "Now" is a superb album, and arguably equal in quality to any of JW's earlier albums. JW's music is not easy to classify, but the band's musical spectrum encompasses "New Age", World, Jazz, Canterbury Rock, Progressive Rock, Folk Rock, and more. The music is beautiful, dreamy, with outstanding instrumentation. There are sounds on this album which touch upon the free form jazz style, but never venture into a musical limbo. The vocals of Glyn Havard, and backing vocals of Carol Bellingham are beautifully expressive. This album has been classified as "alternative" music. "Alternative" is often used as a label to classify albums which musically go nowhere. Not so with "Now". Jade Warrior are in the same class as bands like the Blue Nile. Beneath the surface are wonderful, inventive, soundscapes, which may not grab you the first time, but with repeated listenings, will reward you. "Now" is VHR by A.O.O.F.C. Buy Jade Warrior's great "Last Autumn's Dream" album. The band's "Way of the Sun" is @ JADWAR/WOTS and their "Waves" album can be found @ JADWAR/WAVES


1."Fool and His Bride" - 7:36
2."Journey" - 5:52 (JW + Colin Henson)
3."Lost Boys" - 7:05
4."Tall Trees" - 3:56
5."Floating Moon" - 2:18
6."3am Meltdown" - 4:21
7."True Love" - 5:47 (JW + Tim Stone)
8."Talisman" - 3:05
9."Screaming Dreams" - 4:54
10."Everything Must Pass" - 6:04

All tracks composed by Jade Warrior, except where stated


Glyn Havard - Vocals, Additional Guitar
Dave Sturt - Basses, Percussion, Keyboards
Jon Field - Flutes, Percussion, Keyboards


Tim Stone - Guitars
Sam Ryde, Chris Ingham - Piano
Jeff Davenport - Drums
Gowan Turnbull - Saxes, Contrabass Clarinet
Theo Travis - Saxes
Lottie Field - Woodwinds
Carol Bellingham - Backing Vocals
Brian Imig - Dulcimer


With a return that is even more welcome than that of the Jedi, Jade Warrior are back with a simply stunning album, Now (Windweaver Records, 2008). There is always an element of risk when you have a long, established, and highly respected tradition surrounding a band, and you decide to return to the studio to revive that name. No need to worry here. Now oozes all the quality you could possibly hope for. Let’s get a couple of opinions out and up front from the off. With Now they have released a deeply effective album that, if anything, adds to that already bulging reputation. For a band with a long history of producing some of the most attractive Japanese style covers imaginable, they have come up trumps again. The artwork inside the cover is achieved by Toyokuni IV, assisted by Barry Turner. How I would love that in my hallway. The line up is a combination of Jade Warrior past and present. There are the flutes, percussion, and keyboards of Jon Field. Glyn Havard returns to add his vocals and guitar. Dave Sturt completes the line up on bass, percussion, and keys. Added to the mix are an impressive list of guest musicians, guitarist Tim Stone, pianist Chris Ingham, drummer Jeff Davenport, and saxophonist Theo Travis (Gong, Soft Machine). The band formed following the meeting of the musical minds of Jon Field, and Tony Duhig in the early 1960s. After various changes in name and line ups, the band finally morphed into Jade Warrior. They found a home firstly on the Vertigo label, for three albums, and latterly on Island for their next four. It had been Steve Winwood who had recommended them to Island. Their style on these early albums was one of trademark complexity. There are touches of straight forward rock, splashes of what we would now call ‘world music’, some African tempos, and dramatic shifts in timings. Their sound was distinctive through Jon Field’s flute playing. The Japanese theme appeared on 1974’s Floating World. This was further explored on 1976’s Kites, an album rich in its exploration of ancient China and the Zen Master The Ch’eng. Their history is too long and involved to cover here in any greater detail, save to say that the band gathered dust for ten years. This is why their return is all the more welcome but, as stated, they have a huge reputation to either add to or deflate. With Now it is certainly the former that they achieve. The album is rich in dynamics, so much so that you will notice additional depth and dimension with every play. Opening with the mouth watering “Fool And His Bride”, beautifully enhanced by Jon’s flute, and the sax of Theo Travis, it is a statement of triumphant return. There is the delicate vibe that is “Journey”, the magnificently executed “Lost Boys”, the exquisite styling of “Tall Trees”, which flows effortlessly into “Floating Moon”. There is so much going on here that it draws you in and totally absorbs every sense you possess. The constantly shifting foundation of “3am Meltdown” splashes free-form jazz, barking blues onto its intriguing canvas. The multi layered “True Love” suddenly ignites. “Talisman” oozes emotion whilst “Screaming Dreams” shocks you back to the Now within its roller coaster trip. The intricate, near cinematic, “Everything Must Pass” concludes an album that sounds like it is not just ten years in the waiting but actually ten years in the making. You could write a musical thesis on this album. That said this review falls on its own simplicity in trying to capture the complexities of this stunning work, So in that vein I’ll summarise. Now has got to be heard. Even I can’t say it any more simply than that. Jade Warriors official website (http://www.jadewarrior.com/mainlge.html), has all the trademark artistry you would expect, a detailed history, samples, an excellent gallery section, and is well worth a visit. © Jeff Perkins, http://blogcritics.org/music/article/music-review-jade-warrior-now/page-2/ © Technorati, Inc / Technorati Media / Technorati.com / Blogcritics / AdEngage

Jade Warrior return with a top-flight album boasting cinematic dynamics, thoughtful instrumentation and the strategically astute placement of a roster of guest artists. This collection of songs has warmth, clarity and the power of surprise on its side. Though very different to their classic Island albums, NOW is nevertheless a worthy successor to their glory days. - Record Collector magazine

The album is as challenging as it is atmospheric, varying from the elegiac 'Lost Boys', with plenty of Field's flute to the fore, to 3am Meltdown, a milieu of barking-mad blues, easy listening and clattering free-form jazz. Duhig would be proud of the powerchords on True Love. - Classic Rock magazine

Jade Warrior is back, and has reinvented itself once again. The music is recognizably that of Jade Warrior – the flutes of Jon Field, the keyboards and fretless bass of Dave Sturt, and the lyrics and voice of Glyn Havard are all familiar elements - but there's an entirely new chemistry developing here. NOW is not simply a recap or reprise of earlier Jade Warrior albums, and has a flavor all of its own. The old-but-new band lineup brings together elements of several phases of the band's history, and adds a depth and expressiveness which is both striking and novel. This is the most emotional – and I think the most mature and most deeply human – album Jade Warrior has ever created. - Dave Platt - FOJW website

Well, color me impressed! My first impression is WOW, VERY good, Jade Warrior is back! This is an uber-cool, very well-produced & well-executed album & one that I think Tony Duhig would be very proud of... I can envision him in Heaven saying, "Good job, chaps". The engineering is also top-notch, every instrument on here (especially the DRUMS) sounds great. I could not recommend this more highly - a VERY worthy addition to Jade Warrior's already impressive library of music. - Douglas Vencill - Amazon review

Arguably their best album since 1978's Way Of The Sun with a fusion of 1972's Last Autumn's Dream. Many surprises with volume, especially the guitar parts played by Tim Stone (like a cross between Robert Fripp and Jade Warrior's late guitarist Tony Duhig). This whole NOW is a roller coaster throughout the entire career of Jade Warrior... Jade Warrior NOW is THE highlight of late 2008-2009 thus far. - Gooner review - Progarchives

That's what I call MUSIC!! Since the 70's I'm in love with the amazing sounds of Jade Warrior and I just wanna say thanks for this new, great and wonderful album!! Thanks to Jon Field, Glyn Havard, Dave Sturt and Co for this great piece of music! With "NOW" you made me happy, guys!!! - Markus Probst

A friendly missive to congratulate you on the marvel that is your magnificent new album. NOW is simply the most goddam fantastic rock album I have ever heard in my life. - Mark Caldicott

With NOW Jade Warrior have bounced back in fine style and although elements of early Jade Warrior are present throughout, the band has reinvented themselves here making this really an album for today. - DPRP website

WOW! This has to be one of the best albums I have heard this year. I've loved Jade Warrior since the Island days, and this is easily as good as any of those albums. Fantastic production allied with their 'trademark' dynamics gives NOW an aural clarity I thought we would never hear again. Jon's flute sounds better than ever, Glyn's voice has matured nicely, and it's all underpinned by some sublime bass from Dave Sturt. Buy this, you won't regret it!! - Simon Davies

Jade Warrior have released not just a good or very good album, but a great album, one that stands along their finest works from the early 1970s. Now is the work of a band discovering itself again, and rediscovering the greatness that was there in the past. It’s also a fantastic recording, with an almost analog feel that’s rare in the digital realm these days. - Classic Rock Music blog

Jade Warrior are back with a simply stunning album, NOW (Windweaver Records, 2008). There is always an element of risk when you have a long, established, and highly respected tradition surrounding a band, and you decide to return to the studio to revive that name. No need to worry here. NOW oozes all the quality you could possibly hope for. - BlogCritics magazine website


Jade Warrior was an eclectic group led by Jon Field and Tony Duhig, who met during the 1960s while working in a factory. The two did not immediately but spent several years improving their musical skills, Field on percussion, Duhig on guitar. They finally created a group named July, with Tom Newman, Chris Jackson and Alan James. Newman would later engineer (Mike Oldfield's landmark album Tubular Bells. July released one album of eccentric psychedelic pop in 1968, then folded. After the demise of July, Duhig traveled to Iran, where he met guitarist and future bandmate Glyn Havard. Field remained in England, learned to play flute and created the Jade Warrior identity while writing music for a friend's dance drama. Jade warriors were the samurai of ancient Japan, cultured killers well schooled in arts ranging from poetry to murder. Duhig and Havard returned from the Middle East and contacted Field. The trio adopted the Jade Warrior name. Duhig and Field created most of the music, with Havard playing bass and contributing lyrics and vocals. This initial formation, supplemented at times by guitarist David Duhig and drummer Alan Price, signed with Vertigo Records and released three albums in three years: Jade Warrior, Released and Last Autumn's Dream. The band's sound combined a straightforward rock style with the sudden tempo changes and experimental instrumentation typical of early '70s art rock bands. Jade Warrior developed a loyal but small following. Vertigo canceled its contract, although the band had recorded nearly two albums worth of followup material. Most of this work was squelched for 25 years. The albums Eclipse and Fifth Element were recorded in 1973 but not released until 1998. The group was on the verge of breaking up when Island Records offered a three album deal that eventually stretched to four records. But the change in labels reflected a similar shift in the band's sound. Island wanted to emphasize instrumentals. This left little room for Havard, who left the band. Jade Warrior became a duo, as Duhig and Field played numerous instruments to realize their increasingly exotic musical vision. The music became increasingly dreamlike, pushing a lighter jazz sound to the forefront. During the Island period of 1974 through 1978, Jade Warrior albums featured myriad percussive sounds but drum kits were rarely in evidence. The band liked to create a soothing, ethereal feel, then shatter it with gongs and unexpectedly raucous electric guitar, usually from guest David Duhig, Tony's brother. The albums featured occasional celebrity guests such as Steve Winwood, but Jade Warrior had a style of its own. The band's foray into what would later be labeled world and ambient music parallels the excursions of Brian Eno, who described Floating World as an important album. During the 1980s, Field and Tony Duhig released a pair of albums, Horizon (1984) and At Peace (1989) but couldn't rise beyond cult status. Duhig was under a great deal of stress during much of this period. He opened a recording studio, mortgaging his house for funds. The studio flopped and Duhig's lender foreclosed the house. Field became a session player, but after meeting bassist Dave Sturt, he took steps to revive Jade Warrior. He recruited guitarist Colin Henson. Tony Duhig was about to rejoin the fold when he died of a heart attack. Field and the others carried on, releasing two albums on Red Hot Records, Breathing the Storm and Distant Echoes, the latter featuring a guest appearance by former King Crimson violinist David Cross. The band began another album in 1996, but it has never been finished. Field, Henson and Sturt scattered to live in different parts of England and showed no inclination to finish the project. © Casey Elston, All Music Guide

BIO (Wikipedia)

Jade Warrior are a British music group that were formed in 1970, evolving out of the band July. The founding members were Tony Duhig (Guitar), Jon Field (Flute, Percussion, Keyboards) and Glyn Havard (Vocals, Bass). Their self-titled first album Jade Warrior was released in 1971 on the Vertigo label and establishes their trademark sound of soft/loud contrasts, and Fields multi-layered flutes and percussion vying with Duhig's cutting guitar. This was followed in the same year by Released and then in 1972 by Last Autumn's Dream, both with appearances from Dave Duhig (solo Guitar) and Allan Price (Drums). (Price is not to be confused with Alan Price of The Animals.) Material for another two albums, Eclipse and Fifth Element was also recorded during 1973, but Vertigo cancelled the contract and these projects were shelved, not to see the light of day, until their subsequent release in 1998. In 1974, Steve Winwood (of Traffic) urged Chris Blackwell of Island Records to listen to Jade Warrior, he did, but would only sign them as an instrumental duo, which meant there was no place for bassist/singer Glyn Havard. Tony Duhig and Jon Field (who also provided flute on Mike Oldfield’s Tubular Bells) were to create four albums on Island Records, with their sonic arsenal now expanded to include choirs, harp, and a string quartet. Guest musicians on these albums included Steve Winwood (Keyboards), Fred Frith of Henry Cow (Violin) and Tony Duhig's brother Dave (solo Guitar). The four albums were Floating World (1974), Waves (1975), Kites (1976), and the final album on Island, the 1978 release Way Of The Sun. Personal issues, illness, and Duhig moving house to set up a studio, meant that the next album to be released was the 1979 compilation Reflections taken from their Vertigo years and containing some (at the time) unreleased tracks, and it was not until 1984 that any new material emerged with the release of Horizen and then, in 1989, At Peace which was performed solely by the duo. This was followed by another long hiatus until Jade Warrior were to start their next project with new band members, Colin Henson on Guitar and Dave Sturt on Fretless bass. However, they were dealt a tragic blow by the sudden death of guitarist Tony Duhig in 1990 before he could contribute to the album. The band decided to continue on with the album, which became the 1992 release Breathing The Storm on the Voiceprint label. This trio then released a follow-up album Distant Echoes in 1993 with guest appearances from Theo Travis of Gong (Saxophone), David Cross of King Crimson (Violin) and Tom Newman. It seemed for a while that Jade Warrior may have disbanded as their only output was the previously mentioned Eclipse and Fifth Element, but these were recently joined by the re-issue of all four Island albums in 2006. And in 2008 Jade Warrior, with Glyn Havard back in the band, released their 14th studio album NOW on the WindWeaver label.

THE HISTORY OF JADE WARRIOR [ History compiled from writings © Dave Platt and Charles Wilkinson. © www.jadewarrior.com/journey.htm ]

The (very) early days... The core membership of Jade Warrior is/was Jon Field (flute etc.) and Tony Duhig (guitar). During their youths, Jon and Tony independently developed an interest in Jazz, African music, and Latin American music. They met in the early 1960s while driving forklift trucks in a factory, and soon learned that they shared musical interests and intentions. At the time, they were just beginning to play instruments themselves (Jon a set of congas, and Tony a cheap guitar which he tuned quite unconventionally to open C). Each of them bought a quarter-track tape recorder, capable of sound-on-sound "pingponging". They began composing their own music, and experimenting with building up multi-layered overdubbed amalgams of the sorts of music which moved them... all done with practically no money. Jon has described this process as "our training... trying to build a cathedral with the sort of things you'd find in your back yard." This complex layered and overdubbed sound would be a hallmark of Jade Warrior's music throughout their entire career to date. They spent the next years going to clubs, listening to jazz and blues, and in 1965 formed a rhythm & blues band called "Second Thoughts" headed up by lead singer Patrick Lyons. Second Thoughts released one four-song EP. During the same period, Tom Newman (later the engineer for Mike Oldfield's Tubular Bells), Alan James, Pete Cook and Chris Jackson had formed the first incarnation of the "Tomcats" (one of several bands known to have used this name). In 1965, both of these two bands split up. Patrick Lyons departed, joining up with Alex Spyropoulos in a duo named "Nirvana" which subsequently released an on-the-charts single "Rainbow Chaser" and a total of five LPs (with Jade Warrior members performing on one of them: 1971's Local Anaesthetic). The Tomcats re-formed with a new line-up: Tom Newman, Alan James, Chris Jackson, Jon Field and Tony Duhig. The band spent the best part of 1965 and 1966 in Spain, acting as a spearhead for British pop music in that country. They released four EPs which did very well on the Spanish charts. The four EPs by The Tomcats were collected onto a single LP by Acme Records, and a pressing of The Second Thoughts' four-song EP was included. After returning to England in 1966, the Tomcats were re-named "July", playing psychedelic-pop/rock written mostly by Tom Newman. July issued one album, which has been released in three different versions. The original version was July. A later release Second of July contains alternate versions and additional outtakes, and a third release Dandelion Seeds is a re-release of July plus the outtakes. July disbanded in 1968. Tony Duhig auditioned successfully for a role in a band called Unit Four Plus Two (a group which had released a hit song "Concrete and Clay" a few years earlier but had since lost all of its original members save the lead singer). Other recent additions to Unit Four Plus Two were bass guitarist and vocalist Glyn Havard, and drummer Allan Price. This line-up of Unit Four Plus Two did a brief club tour in the U.K., and then broke up. Musical ideas continued to develop and they hooked up with Glyn again to work them in to songs. The first piece they worked on became ‘The Traveller’ (released on the first Vertigo album). They called the band Jade Warrior after one of the dance dramas they had composed for a London drama school. The Vertigo Years - Jade Warrior put together some demonstration material, shopped it around and were signed to a record deal with Vertigo in the early seventies. According to Glyn Havard, this signing was due in part to the fact that they were being managed by Mother Mistro, the same company which was managing the "Afro-rock" band Assagai which was being actively pursued by Vertigo. Mother Mistro said "If you want a deal with Assagai, you'll have to sign Jade Warrior as well" and Vertigo agreed. This may have been helped along by the fact that their old band-mate Patrick Lyons - now Patrick Campbell-Lyons - had become an important producer and talent-spotter for Vertigo. This left Jade Warrior with a signed contract, but one with a record company which had little actual interest in the band and very little willingness to support or promote them. With this basic line-up (with Tony's brother David Duhig, Allan Price, and Dave Conners also taking part at times) they released three albums in as many years on the Vertigo label: Jade Warrior, Released, and Last Autumn's Dream. They toured the U.S. once, as the opening band for Dave Mason and Earthquake. The tour was promoted by Mercury Records, which was pleased with Jade Warrior's sales in the United States. Mercury also arranged for Billy Gaff's Gaff-Masters Management to take over responsibility for the band, replacing Mother Mistro which hadn't done much since arranging the signing with Vertigo. The band was apparently captured on film during this period. They, along with Rod Stewart, and several other bands were filmed at The Marquee Club in London as part of an event put on by Gaff-Masters Management. The whereabouts of this film are unknown. After the end of the American tour, the band went back into the studio, and entered a rather troubled time marked by personal and musical disagreements among the members of the band. They completed an additional set of tracks, selected an album's worth and did a test pressing of Eclipse. Before the album was actually manufactured, Vertigo Records shelved it and cancelled the band's contract. At about the same time, the band began a second tour (of Holland this time), but it did not go well and was cancelled partway through. As a result of the contract cancellation, and of the disagreements and pressures which had developed within the band, Jade Warrior dissolved. The band's first era was over. The Vertigo albums were followed by a retrospective/compilation album Reflections which includes tracks from Released and Last Autumn's Dream, and three tracks originally recorded for Eclipse. Reflections was released on Butt Records. Two other tracks from Eclipse were released on various versions of a Vertigo Records sampler LP called Suck It And See. These "first era" albums are characterized by a style which has its base in rock music (some tracks are basically straightforward rock) with a Jethro Tull flavour, and significant admixtures of what we'd probably call "world music" influence today. Many of the characteristic "signatures" of Jade Warrior music were present from the beginning... rapid dynamic shifts between quiet and suddenly-very-loud-and-percussive, Jon's flute playing off against Tony's guitar, the use of the "wordless chorus" and the cyclical bell-tree themes, and a complexity of composition which reminds me at times of some classical music. Your average garage-rock band, these guys are NOT. The three Vertigo albums were released on CD by the German label LINE in 1988. The CD transfers are disappointing - the sound is dull, distant, and muddy, with no liveness or sparkle – avoid – and go for the recent, much better, Repertoire releases. Reflections has not been released on CD. The Eclipse album has been released by Acme Records, as both a limited-pressing LP and a CD. The post-Eclipse material (eight tracks, 36 minutes) has been released on the Background label by Hi-Note Music under the title Fifth Element. Jade Warrior did some movie soundtrack work during these years: they wrote and performed the main theme song of "Bad Man's River" (a re-spin of "Too Many Heroes" from the Eclipse album, with different lyrics), and also did the music for "Game for Vultures". The Assagai Connection - Jade Warrior had some interesting interactions with fellow Vertigo band Assagai during this time. Assagai was anchored by respected African musicians Louis Moholo, Mongezi Feza, and Dudu Pukwana, and was signed by Vertigo in the label's attempt to capitalize on the popularity of Afro-rock bands such as Osibisa. Assagai released two albums; the first (self-titled) contained their cover version of Jade Warrior's "Telephone Girl", and a song "Irin Ajolawa" co-written by Tony Duhig. The second album (released originally as "Zimbabwe", and re-issued by a different label under the name "AfroRock") contains covers of Jade Warrior's "Barazinbar" (from Released) and "Sanga" (from Eclipse), and a song titled "Kinzambi" written by Tony Duhig.Duhig, Field, and Havard are credited with performances on the second Assagai album. They recorded one session together with several of the members of Assagai, under the band name of "Simba". Two songs from this session were released on a 45 single, and later issued on a multi-band collection LP entitled "Afro Rock Festival". The songs: "Movin' On" and "Louie Louie"! The Island Years - Steve Winwood (of Traffic fame) had heard Jade Warrior's music, and had been quite impressed with it. He urged Chris Blackwell of Island Records to give Jade Warrior a hearing and consider signing them up to do some instrumental albums once they were available. Blackwell did so, liked what he heard and proposed that Jon and Tony re-form the band and sign a contract for three albums (later expanded to four) "as an ornament to my label". He was interested in a primarily instrumental sound (possibly as an Island label equivalent to the music of Virgin Records' new artist Mike Oldfield), and the contract offered by Island was not extended to include Glyn Havard. On these Island albums Jon and Tony reorganized a bit, and took their music in a direction which was less overtly rock-oriented (but still uses many rock techniques) and towards a more theme-oriented approach to doing their albums. Once again, David Duhig played an occasional track, and there was a large and changing bill of associate musicians (including Steve Winwood and Fred Frith). The four Island albums were released between 1974 and 1978 and were, almost without exception, VERY hard to get here in the U.S., and even harder to get in the U.K. Island's U.S. affiliate had lousy distribution and really fouled up the pressings and quality control in several cases. 1974's Floating World is a musical exploration of the Japanese concept of Ukiyo - floating along, free of cares, accepting life as it comes and conscious of beauty all around. The album's second side is punctuated by a striking "Monkey Chant" which combines a Balinese kecak chant with a Hendrix-influenced guitar solo by David Duhig. Waves, in 1975, carries us through dawn-lit countryside full of birdsong, downriver to the ocean, and out among the great whales. With Kites, in 1976, we drift through the aeolean landscapes of Paul Klee, and get a glimpse at 9th Century China and the wandering Zen master Teh Ch'eng. 1978's Way of the Sun arrives, like a thunder-filled dawn, in Central America before and after the arrival of the Hispanic conquerors. In all four of these albums, the characteristic Jade Warrior sound and skills are applied to good ends. These albums have a similar sound, and yet they're individually unique. Jon Field has described this relationship as being like "...digging into a mountain, to find a pot of gold... you'd never quite get there, so you'd back off and come in again from a different angle." These albums have been re-released on CD on Island, Island Masters, and/or PolyGram. Floating World and Way of the Sun are excellent CD transfers, available on the Island Masters label from the U.K. These two CDs were remastered by Jon Field, recovering the wide dynamic range that he and Tony wanted to achieve but were unable to capture on vinyl. Kites and Waves are rumoured to have been re-released individually on CD, but I've never been able to get any solid information about these alleged re-releases, and believe that this is an urban legend. All four albums have been released by Island/PolyGram in a single two-CD set Elements. This set includes a retrospective essay and history of Jade Warrior, written by Vivian Goldman. Elements was issued by PolyGram without any prior notice to the band - in fact, PolyGram mistakenly believed that Jade Warrior had completely disbanded after Way of the Sun and had never recorded again. The albums were remastered for CD by PolyGram without Jon's creative input, and for this reason the result does not reflect Jon's desire to recapture the original dynamics that he and Tony had envisioned. They have recently been re-released on Eclectic records. At some point during this period, Island Records' Chris Blackwell commissioned a live performance of the band. The performance would have included the band itself, and selected orchestral assistance. Some additional material was written and rehearsed, a venue was selected and rented... and the performance was cancelled shortly before its scheduled date, due to serious confusion and lack of follow-through at Island Records. To the best of my knowledge, Jade Warrior never again performed in a live venue. The "missing years" There was a long hiatus after 1978's Way of the Sun... long enough that I thought that Jade Warrior must have gone completely out of the business (not the first time I made that mistake, and not the last). During this time, Jon got divorced, and moved out of London to the country. Tony became ill, decided that he too was fed up with living in London, and moved to Glastonbury, first buying a house and then setting up a commercial studio a stone's throw away from Glastonbury Abbey. Two albums were released during this period. Horizen was released in 1984 on Pulse Records, and didn't see release on CD until February of 2001. It's a darker and moodier album than the previous few, due in part to the "Dune" theme of one side. Horizen was almost entirely a Tony Duhig project - he wrote all of the music, and Jon performed on only a few of the tracks. In 1989, At Peace was released on the British label Earthsounds. At Peace is perhaps the least typical of the Jade Warrior albums in many respects... it's far quieter, meditative, and could be classed as "ambient" music or even as "new age" (whatever that means). The composition and performance was simply credited to Jade Warrior; this album was apparently a Field/Duhig project with no additional musicians. According to one report, this album was recorded at Tony's studio, in only four days. Jon Field is not particularly happy with either of these albums... He feels that he and Tony were not "following the rules" that made their musical collaboration so successful, and he does not consider either of these albums to be truly representative of Jade Warrior. The Red Hot era - Jon sold his country house and moved back to London, doing session work on a bunch of pop recordings, playing at jazz clubs around town, and eventually setting up a small studio. While doing some session work at his studio, Jon met Dave Sturt, a young bassist from northern England. He was so struck by Dave's sound and music that he asked Dave to join his jazz combo, and then raised the subject of Jade Warrior. Jon hoped that he, Dave, and Tony could get Jade Warrior "back on track". Jon and Dave were joined in London by Colin Henson, a guitarist that Jon had met through his girlfriend Carol Bellingham. They began "putting together some bits", sent some tapes up to Tony to listen to, and actually got together with Tony as a foursome for an evening of "light jamming". Colin says that this first jam, although "nothing that would ever have made it to CD", showed real potential for the new group line-up. Before Tony was able to contribute to the new album Breathing the Storm, he had a massive and fatal heart attack. This was a hard blow for Jon - he remains very sad to this day about Tony's loss and about the fact that Tony was never able to play as part of the new Jade Warrior line-up. Breathing the Storm was released in 1992 on the Red Hot Records label. Its theme is one of chaos, in the mathematical and physical sense - the fact that one small change somewhere in the world can have large, unexpected effects elsewhere. The album captured a relaxed and sometimes sombre mood. The addition of Colin's precise guitar playing and Dave's distinctive fretless bass provided new dimensions to the band's sound and has been critically acclaimed. Late 1993 brings us to Distant Echoes, also on Red Hot Records. This album's theme reaches back to our ancestors: our human and pre-human forbearers who walked the earth long ago. The group line-up was augmented by a host of guest musicians including Theo Travis (of Gong and Soft Machine Legacy) and David Cross (of King Crimson). This album revisited some of the world music influences and extreme dynamics of the Island era and joined Breathing the Storm in receiving great reviews. Work began on another album but various pressures resulted in the work being shelved. The band lay dormant for a decade but momentum built up over the last few years and musical ideas were passed around. After a few preliminary recording sessions a meeting was arranged with original vocalist Glyn Havard and he was invited to rejoin the fold. As the album progressed it became clear that Colin was not comfortable with the direction the band were moving in and so he decided to leave. A New era - Their latest album NOW was released in 2008 on the WindWeaver Music label. It features guest appearances from Tim Stone on guitar, Jeff Davenport on drums, saxophonists Theo Travis and Gowan Turnbull, pianist Chris Ingham, and Jon's daughter Charlotte, which musically reflects all eras of Jade Warrior with it’s blend of classic seventies psychedelia, modern rock and orchestral arrangements. On October 23rd 2008 Jade Warrior performed live at the Astoria2 after a 35 year absence from the live circuit.


A.O.O.F.C said...


p/w aoofc

Eric said...

This album goes many places emoting different moods in true Jade Warrior fashio.
I'm really enjoying this one!

Hey any chance of "Breathing The Storm"?
Much of the Jade catalog is around on blogs ,but ate reeally low bitrates :(

1 said...

Hi Mr. Overdose,

thanks for your great work, but I am so sorry to say that Jade Warrior is not available on megaupload.....
I would love to get it, you would do such a big favour to me.

I wish you a happy and healthy New Year,... and many thanks in advance,
greetz from hamburg in germany

A.O.O.F.C said...

Hi, 1. That link works ok. Make sure your firewall or pop-up stopper is not blocking it. Happy New Year to you also. If you have any more problems, please contact me. Thanks

A.O.O.F.C said...

Hi, Eric. JW are a truly unique band. They play the most unexpected sounds, and their music is very evocative and original. Have you heard any of the Blue Nile's albums....very similar in ways, vocally and atmospherically. I'll post BTS in the next 2-4 days. Thanks, Eric. TTU soon

1 said...

...for sure it works - I was too stupid or too fast !!!

thanks so much, jade warrior is a relict from my youth and makes me feel 40 years younger

A.O.O.F.C said...

Hi,1. Thanks for letting me now. I'm glad you like JW. HNY, & please keep in touch

Eric said...

Nope, haven't heard "Blue Nile".
But I'm now intrigued.
It's an neverending X-mas around here :D
Must also grab the Chicken Shack, and Isotope you recently added.

As usual a big thanks for the cool mix of things etc

A.O.O.F.C said...

Hi, Eric. The musical matrix is very complex. One band always has some connection with another. The Blue Nile are not in the fusion genre. They play sophisticated pop rock, a bit like Deacon Blue and Prefab Sprout. However the band's vocal styles and musical "twists" are reminiscent of Jade Warrior. Their "A Walk Across the Rooftops" album is so great. Cheers, Eric, and thanks a million for all your great comments. TTU very soon

Tauruskrato said...

Hi, it's my first visit on this Blog and thanks a lot for your work to share great music!

This Jade Warrior album is fantastic! Remember the golden age of the band! Excellent!

Again, thanks a million!!!

Tauruskrato said...

P.S.: Your Blog is FANTASTIC too!!!

A.O.O.F.C said...

Hi,Tauruskrato! Great to hear from you. Thanks for kind comment. I'm so glad you like this fabulous band

A.O.O.F.C said...

Thanks a million,Tauruskrato! Keep in touch!