Joe Satriani is the self-titled sixth studio album by guitarist Joe Satriani, released in October 1995 through Relativity Records. The album reached No. 51 on the U.S. Billboard 200 and remained on that chart for seven weeks, as well as reaching the top 100 in four other countries. "(You're) My World" was released as a single, reaching No. 30 on Billboard's Mainstream Rock chart and later receiving a nomination for Best Rock Instrumental Performance at the 1997 Grammys; this being Satriani's seventh such nomination. The album is a slight departure from Satriani's previous instrumental rock stylings, instead showcasing a more laid back, blues-laden sound with less reliance on effects and overdubs. Recorded in the space of a few weeks, Satriani also relinquished his usual production duties to Glyn Johns - Wiki
A guitar virtuoso and genius of instrumental composition, Joe Satriani explores deeper waters with a haunting yet richly entailed work of stripped-down blues-rock and improvisational jazz. This record, self-titled as Joe Satriani, puts the guitar wizard into a streaming new light of musical impression, as his efforts point toward a sincere evolutionary progression in composition and arrangement. With a collective of the most witty, crafty, and enticing musicians in jazz and blues, Satriani blends soaring, scintillating scale passages with pulsating, engaging melodic lines. With the help of his main group during these sessions -- Andy Fairweather Low on rhythm guitar, Nathan East on bass, and Manu Katche on drums -- Satriani reaches further into his musical self to bring out soulful grooves and mesmerizing yet catchy riffs, creating a relaxed, yet gripping intensity to these jams. Spontaneous in meter, rhythm, and melody, Satriani never fails to let the listener in on his enchanting and seemingly overabundant sense of creativity. Perhaps the only weakness throughout the majority of the album's 12 tracks is his intention to strip down and use only the effects of his Marshall amps, therefore, sadly diminishing his trademark flair for the highly alluring sonic territory he covered on his critically acclaimed Surfing With the Alien, Flying in a Blue Dream, and Time Machine. Still, with all due respect, his plethora of extremely gifted backup musicians sincerely adds a diverse range of textures and colors, bringing out a much-needed live feel to an otherwise bland album of blues-oriented jazz-rock. Perhaps the highlight of the record in the punch and volume of the progressive-oriented blues jam, "Killer Bee Bop" is a tune drenched with well-placed percussion and racing guitar lines. Because he is not afraid to seek the darker and once-unapproachable territories of guitar rock to find vibrant and refreshingly new sounds, Satriani puts forth once again a successful album, painting a mixture of blues and jazz in a variety of meters and keys. The single "(You're) My World," released over the airwaves as radio-friendly material in early 1995, is a misleading example of Joe Satriani's real development during the production of this record. A slow listen to the material on this release will captivate the listener's spirit for this guitar hero and reveal Joe Satriani's true nature, in that he and his Ibanez instrument are one and the same. © Shawn M. Haney © 2014 AllMusic, a division of All Media Network, LLC. | All Rights Reserved http://www.allmusic.com/album/joe-satriani-mw0000645748
An album that was a commercial success, but arguably not one of Joe Satriani’s most popular albums (at least, with many of his fans). The album is not full of explosive, dynamic shredwork, but is a more relaxed, blues jazz based album rather than a mind numbing jazz fusion album. Nevertheless, Joe Satriani is a legendary figure in the guitar world, and this album from the mid – nineties has more than enough quality to make it a great album, and HR by A.O.O.F.C. The incredibly underrated Andy Fairweather Low plays rhythm guitar on ten tracks. If you want to hear more fusion based guitar wizardry from Joe, listen to his brilliant “Time Machine” album [All tracks @ 320 Kbps: File size = 137 Mb]
TRACKS
1 Cool #9 6:00
2 If 4:49
3 Down, Down, Down 6:13
4 Luminous Flesh Giants 5:56
5 S.M.F. 6:44
6 Look My Way 4:01
7 Home 3:28
8 Moroccan Sunset 4:23
9 Killer Bee Bop 3:49
10 Slow Down Blues 7:25
11 (You're) My World 3:56
12 Sittin' 'Round 3:37
All tracks composed by Joe Satriani
MUSICIANS
Joe Satriani - Guitar: Lap Steel Guitar on Track 12: Guitar [Dobro], Guitar [Slide] on Track 10: Bass on Tracks 4, 11: Harmonica [Harp] on Track 10
Andy Fairweather Low - Guitar on Tracks 1 to 5, 7 to 10, 12
Nathan East - Bass on Tracks 1 to 3, 5, 7 to 10, 12
Eric Valentine - Bass, Keyboards, Percussion on Track 4: Piano on Track 1
Matt Bissonette - Bass on Track 6
Manu Katche - Drums on Tracks 1 to 3, 5, 7 to 10, 12
Ethan Johns - Drums on Track 4
Jeff Campitelli - Drums on Track 11
Greg Bissonette - Percussion on Track 6
BIO
Along with teaching some of the top rock guitar players of the '80s and '90s, Joe Satriani is one of the most technically accomplished and widely respected guitarists to emerge in recent times. Born on July 15, 1956, in Westbury, New York, and raised in the nearby town of Carle Place, Satriani -- inspired by guitar legend Jimi Hendrix -- picked up the guitar at the age of 14 (although he was initially more interested in the drums). Quickly learning the instrument, Satriani began teaching guitar to others and found a kindred spirit in one of his students, Steve Vai. By the late '70s, however, Satriani had relocated to Berkeley, California. With his sights set on his own musical career, "Satch" kept teaching others, including such future rock notables as Kirk Hammett (Metallica), Larry LaLonde (Primus), David Bryson (Counting Crows), and jazz fusion player Charlie Hunter. In the early '80s, Satriani got a gig playing guitar with power popster Greg Kihn, doing some session work and touring with the group (an archival release recorded around this time, King Biscuit Flower Hour, was later issued in 1996), and issuing his own solo self-titled EP in 1984, financing and releasing the project entirely on his own. But when Vai hit the big time as the guitarist of David Lee Roth's solo band in 1986, he offered praise for his good friend and former teacher in several major guitar publications, leading to widespread interest in Satriani's playing. The timing couldn't have been more perfect for Satch, as he'd just issued his first full-length solo album, Not of This Earth, which automatically made ripples in the rock guitar community. But the best was still to come, in the form of his sophomore release, 1987's Surfing with the Alien. Almost overnight, Satriani was widely regarded as one of rock's top guitarists, as the album earned gold certification and the guitarist would finish at the top of guitar magazine's polls for years afterward. He was even handpicked by Mick Jagger to accompany the famous singer on a tour of Australia and Japan around this time. A stopgap EP, Dreaming #11, combined both studio and live tracks and was issued a year later, and in 1989, Satriani issued his third solo full-length, Flying in a Blue Dream. Another sizeable hit, the album also marked Satch's debut as a vocalist on several tracks. His career received another big push the same year when his song "One Big Rush" was included on the soundtrack to Cameron Crowe's hit movie Say Anything. The '90s began with Satriani creating his own line of guitars for the Ibanez company (the JS Joe Satriani model), but it wasn't until 1992 that he would issue his next solo release, The Extremist. The double-disc set Time Machine followed a year later (a combination of new tracks, live material, and the long out of print Joe Satriani EP from 1984), and in 1994, Satch filled in on tour for the departed Ritchie Blackmore for heavy metal pioneers Deep Purple. Although he was asked to become a full-time member, Satriani turned down the offer to return to his solo career. Satriani issued two more solo albums during the '90s - 1995's self-titled release and 1998's Crystal Planet - and also started the G3 guitar showcase tour with Vai in 1996, which became an annual event; Satriani issued a live document of the tour's initial run, G3: Live in Concert, a year later. 2000 saw Satriani issue his most musically daring release yet, the electronic-based Engines of Creation, and a year later, Live in San Francisco. Engines was nominated for a Grammy the next year, and after a successful tour he stepped back into the studio. The result, Strange Beautiful Music, was released in 2002. Electric Joe Satriani: An Anthology arrived in 2003, followed by Is There Love in Space? in 2004, Super Colossal in 2005, and Satriani Live! in 2006. In addition to his own albums, Satriani has guested on several other artists' albums over the years, including Blue Öyster Cult's Imaginos, Alice Cooper's Hey Stoopid, Stuart Hamm's Radio Free Albemuth, Pat Martino's All Sides Now, and Spinal Tap's Break Like the Wind. Satriani's thirst for collaboration extended to him joining forces with ex-Van Halen members Sammy Hagar and Michael Anthony for the 2009 supergroup Chickenfoot. The next year, Satriani returned to his guitar pyrotechnics with Black Swans and Wormhole Wizards. For that album, he recorded the 3-D special Satchurated: Live in Montreal, which was released on Blu-Ray and double-CD in 2012. Satriani returned to solo duty in 2013 with the new studio album Unstoppable Momentum. © Greg Prato © 2014 AllMusic, a division of All Media Network, LLC. | All Rights Reserved
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