Get this crazy baby off my head!


Paul Carrack

Paul Carrack - One Good Reason - 1987 - Chrysalis

In what appears to be strongly influenced by the massive pop commercial success of the debut, self-titled, Mike and the Mechanics album, Paul Carrack's third solo offering was a radical departure from the "pub rock" sound of his Suburban Voodoo record. Fueled by hit singles by the title song, "Don't Shed a Tear" and his cover of "When You Walk In the Room," Reason demonstrated that Carrack could achieve commercial success equal to or greater than that of his side project with Mike Rutherford and Paul Young. Other memorable tracks included "Fire with Fire" and the incredible "(Do I Figure) In Your Life." Ultimately, while One Good Reason is not a bad album, the overly commercial pop sound on the majority of the set does make it feel slightly less genuine (for lack of a better word) in comparison to some of his other solo projects which tended to have a stronger, more organic, soulful quality. I still enjoy this album today, but at times it seems that the songs are essentially Paul's own interpretation of doing a solo Mechanics album rather than the soul-pop foundation that most of his albums are based upon. WOG RATING: *** (This rating means "A good album. Several weak points detract from the album, but it's still worth owning") © 2000-2011 David Negrin. All Rights Reserved © http://www.worldofgenesis.com/Carrack-albumreviews.htm

One Good Reason verified that Paul Carrack was a much better musician surrounded by others than he was by himself. Carrack's presence with Roxy Music, Squeeze, Nick Lowe, and Mike + the Mechanics was easily felt, and his beginnings with the '70s band Ace gave him his first crack at singing lead, which spawned their biggest hit, "How Long," in 1975. One Good Reason from 1987 reveals Carrack's songwriting prowess more than it does his ability to perform. The album's highlight, the number nine hit "Don't Shed a Tear," is bolstered by its subtle, laid-back groove with a start-and-stop tempo which comes across as unique to a certain extent, but from this point on, Carrack's songs seem to fade into a light-pop mist. "One Good Reason" managed to crack the Top 30 as the album's follow-up, but lacks the charisma of its predecessor. The songs are well-written lyrically, but they're dispensed rather halfheartedly from a musical standpoint, with Tim Renwick's guitar playing accentuating things from time to time. It's apparent in tracks like "Fire With Fire" and "Give Me a Chance" that Paul Carrack has reached the point of pop pedestrianism -- on this album, anyway. Carrack's 1989 effort, entitled Groove Approved, refreshingly wakes things up a bit. © Mike DeGagne © 2011 Rovi Corporation. All Rights Reserved http://www.allmusic.com/album/one-good-reason-r3380/review

Allmusic's Mike DeGagne calls "Don't Shed a Tear" "the album's highlight, bolstered by its subtle, laid-back groove with a stop and start tempo which comes across as unique to a certain extent." But he castigated the rest of the record, saying that "while the songs are well-written lyrically, they're dispensed rather half-heartedly from a musical standpoint" and "It's apparent in tracks like 'Fire With Fire' and 'Give Me A Chance' that Paul Carrack has reached the point of pop pedestrianism." Nevertheless, three additional singles were released from the album, including a cover of the Jackie DeShannon classic, "When You Walk in the Room". The album's title track, another one of these singles also cracked the Top 30 on the U.S. chart. [from Wikipedia]

His name may be unfamiliar to many, but his great soulful voice is one of the most recognizable voices in the rock business. Although Paul had released two solo albums before "One Good Reason", the album (US #67) was his most successful up to 1987. Rob Friedman & Eddie Schwartz's "Don't Shed a Tear" reached No. 9 in the American singles charts, and 'Don't Shed A Tear', 'When You Walk in the Room' and 'One Good Reason' were also Top 40 hits in Canada. Paul had a hit in 1982 called 'I Need You', as well as hits with Ace, Squeeze and Mike + the Mechanics. OGR has received many mixed reviews, and it often seems that some music critics when reviewing Paul Carrack's albums compare his work with his magnificent soul pop mega-hit "How Long" released in 1975 when Paul was a member of Ace. "One Good Reason" stands on it's own as a very good album. Paul is still one of the world's greatest soul vocalists, and his beautiful, distinctive voice can make mediocre songs listenable. "One Good Reason" is a mixture of soul, pop, rock, and R&B and the album has a nice subtle "Latin" touch on some tracks. Paul wrote or co-wrote five of the albums ten songs. He also covers Jackie DeShannon's "When You Walk In The Room", Billy Livsey & Graham Lyle's (of Gallagher & Lyle) "Button Off My Shirt", the great '60's pop songwriter, Pete Dello's "(Do I Figure) In Your Life", and more. This is an album well worth listening to, if only to hear Paul Carrack's great vocals. The guy is a legend, and he is a master of British adult contemporary soul pop. If Paul Rodgers is "The Voice", then Paul Carrack deserves a similar prestigious title! Search this blog for other related releases


1. One Good Reason - Carrack, Chris Difford 3:19
2. When You Walk In The Room - Jackie DeShannon 3:31
3. Button Off My Shirt - Billy Livsey, Graham Lyle 3:46
4. Give Me A Chance - Carrack 4:51
5. Double It Up - Carrack, Nick Lowe 3:44
6. Don't Shed a Tear - Rob Friedman, Eddie Schwartz 4:55
7. Fire With Fire - Carrack, Christopher Neil 4:00
8. Here I Am - Duke, Lewis, Pessis 4:00
9. Collrane - Carrack, Christopher Neil 4:41
10. (Do I Figure) In Your Life - P. Blumson, P. Dello 2:20


Paul Carrack - Vocals
Tim Renwick - Guitar
Paul "Wix" Wickens - Keyboards
Peter Van Hooke - Drums
Frank Ricotti - Percussion
"Irish" - Saxophone on Track 7
Linda Taylor - Background Vocals & Duet on Track 2
Jackie Rawe - Background Vocals


Paul Carrack was pop music's ultimate journeyman. A vocalist and keyboardist who enjoyed considerable success over the course of his lengthy career while in the service of bands ranging from Ace to Squeeze to Mike + the Mechanics, his finest work often came at the expense of his own identity as a performer; indeed, of the many big hits on which the unassuming singer was prominently featured, only one, 1987's "Don't Shed a Tear," bore his own name. Carrack was born April 22, 1951, in Sheffield, England; he joined the pub rock group Ace in 1972, eventually writing and singing their debut single, "How Long." After reaching the Top 20 in the group's native Britain, the record hit the number-three position in the U.S.; however, after subsequent material failed to match the success of "How Long," Ace disbanded in 1977, and Carrack signed on with country artist Frankie Miller. He soon resurfaced in Roxy Music, appearing on the LPs Manifesto and Flesh and Blood before releasing his solo debut, Nightbird, in 1980. Carrack next joined Squeeze, replacing keyboardist Jools Holland; in addition to contributing to the group's 1981 creative pinnacle East Side Story, he also assumed lead vocal duties on the single "Tempted," their best-remembered hit. However, Carrack's stay in Squeeze was brief, and after working with Nick Lowe he again attempted to forge a solo career with the 1982 LP Suburban Voodoo, cracking the U.S. Top 40 with the single "I Need You." A tenure as a sideman with Eric Clapton followed, and in 1985 he joined Genesis' Mike Rutherford in his side project Mike + the Mechanics. Their hits include "Silent Running (On Dangerous Ground)" and "All I Need Is a Miracle." While remaining a rather anonymous figure at home, Carrack achieved a higher level of visibility in America as a result of Mike + the Mechanics' success; subsequently, his third solo album, One Good Reason, proved to be by far his most popular effort to date, with the single "Don't Shed a Tear" reaching the Top Ten. Another tenure with the Mechanics followed, and with the title track of 1988's The Living Years, the group scored their first number-one hit. After the 1989 Carrack solo LP Groove Approved, Mike + the Mechanics issued 1991's Word of Mouth, which failed to repeat the chart performance of its predecessors; by 1993, Carrack was again a member of Squeeze, appearing on the album Some Fantastic Place and also resuming lead chores for a re-recording of "Tempted." However, he was once again back in the Mechanics' fold for 1995's Beggar on a Beach of Gold; the solo Blue Views was issued the next year, followed in 1997 by Beautiful World. Satisfy My Soul was issued in 2000, his first album for Compass Records. © Jason Ankeny, allmusic.com


After years spent bringing a little soul to artists as diverse as Mike & The Mechanics, Nick Lowe, and Squeeze, singer's singer Paul Carrack makes his most persuasive play so far with the release of his stunning new album Satisfy My Soul. Recorded with minimal outside assistance at his Hertfordshire home studio, the album represents a quantum leap beyond Paul's previous work, showcasing his songwriting abilities and allowing his natural soul qualities to shine through with a new clarity and power. In the past, he's often tended to let others mould and direct his considerable talents, but Satisfy My Soul serves to re-establish Paul Carrack as a major solo artist, with both the vision and the capabilities to take control of his own career, and the musical instinct to know which direction it should take. A lot of people are going to be pleasantly surprised by this latest chapter in the life of one of pop music's most distinctive voices. Paul was first bitten by the music bug as a small child back in his native Sheffield, where he would bash away at a home-made drumkit up in his parents' attic, playing along with an old wind-up gramophone. By the time he reached his teens, the Mersey Boom was in full swing, and the young Carrack proceeded to swindle his way into a series of local bands, learning to play the organ and following the gig circuit to Germany, where he underwent the obligatory Hamburg nightclub baptism, as pioneered by such as The Beatles. In the early '70s, his progressive rock outfit Warm Dust released a few albums, but it was only when his pub-rock band Ace had a huge global hit with his song How Long that Paul's career really started to take off. Immediately, the band was catapulted from the British college circuit into huge American arenas, as How Long soared into the US singles chart, eventually reaching #1. When Ace broke up toward the end of the '70s, Paul found himself wrong-footed by the punk-rock boom, but secured some session work, playing on albums by Frankie Miller and Roxy Music, and touring with Roxy, an experience which gave him a taste for the big time. Paul's 1980 solo debut, Nightbird, failed to establish him as an artist in his own right, so he continued playing sessions, biding his time, and honing his talents as a musician and songwriter. As the '80s proceeded, Paul reached a rapprochement with the new-wave scene, playing on albums by The Undertones, The Smiths, and The Pretenders, and joining Squeeze for their masterwork East Side Story, helping redefine the group's profile with his soulful vocal on the hit single Tempted. After leaving Squeeze, obstensibly to pursue a solo career, he hooked up with Nick Lowe, an association which, though resolutely out of step with public taste and radio formats, would nevertheless generate five albums for Lowe and another for Paul, 1982's Suburban Voodoo. Though largely ignored in the UK, the album was a critical success in the US, where it was cited as one of Rolling Stone Magazine's Top 20 Albums of the Year. I Need You, a Carrack composition lifted from the album, provided him with another US Top 40 hit, and was subsequently covered by Linda Ronstadt & Aaron Neville. The biggest break in Carrack's career came in 1985 when he was invited to contribute vocals to a solo album being recorded by Genesis guitarist Mike Rutherford. Despite the apparent differences in their musical styles, the very first track Paul sang on, Silent Running, became a hit on both sides of the Atlantic. Encouraged by such instant success, Mike & The Mechanics developed into more of a group, touring America extensively and securing a string of hit albums and singles over the next decade. Before they could produce a follow-up album, however, Paul found time to sing and play on Roger Waters' Radio KAOS album and record another solo album of his own, 1987's One Good Reason, scoring another couple of hits through the title track and Don't Shed a Tear, which again broke into the US Top Ten, staying on Billboard's Hot 100 for nearly half a year. Even better was to come when Mike & The Mechanics resumed recording. Sung by Paul, the title-track of their second LP The Living Years was a huge worldwide hit, peaking at number one in America, and hoisting the band to megastar status. Further touring was followed by another Carrack solo album, 1989's Groove Approved, whose standout track - the Motown-flavoured Carrack / Lowe composition Battlefield - was later covered by Diana Ross. The following year, Paul was co-opted to perform at Roger Waters' grandiose presentation of The Wall in Berlin, where he sang Hey You in front of over 250,000 people. A third Mike & The Mechanics album, 1991's Word of Mouth, saw Carrack's creative input increasing, with four songwriting credits; and also donated a performance of Ain't That Peculiar recorded with Paul Shaffer's house band on Late Night with David Letterman to Nobody's Child, a charity album for Romanian orphans. Between tours again, in 1993 Paul busied himself with Spin 1ne 2wo, a classic rock covers collaboration with Rupert Hine, Tony Levin, and Steve Ferrone, and rejoined Squeeze for their Some Fantastic Place album. The next year was spent touring the world with Squeeze, working on an ultimately abortive band project with Don Felder, Timothy Schmidt, and Joe Walsh of The Eagles (which nevertheless garnered Paul an award for the most played song in America that year, when the reformed Eagles covered Love Will Keep us Alive, a song he co-wrote with Peter Vale and Jim Capaldi), and recording another Mike & The Mechanics album, Beggar on A Beach of Gold. This contained another couple of Carrack co-compositions, including his collaboration with Mike Rutherford, the hit single Over my Shoulder, which revived the band's flagging fortunes in the UK and Europe, paving the way for a subsequent Greatest Hits compilation. Paul's fifth solo album, Blue Views, appeared in 1995, and despite problems occasioned by the collapse of the record label, it was still highly successful in Europe, earning him a gold disc in Spain. When it was finally released a couple of years later in America on another label, the single For Once in Our Lives became a Top Five hit on Billboard's Adult Contemporary chart, cementing Carrack's growing reputation as a singer-songwriter of class and distinction. He was also developing a parallel reputation as an able and accomplished sideman to the stars, playing keyboards on albums by Eric Clapton, BB King, Simply Red, Mark Knopfler and Elton John, and being invited by Elton to play on Something About the Way You Look Tonight, which, as the B-side of "Candle in the Wind '97," is officially the biggest-selling single ever. Unfortunately, a management change at EMI resulted in his next album, Beautiful World failing to get the promotional push it deserved, and a bitterly dissillusioned Paul elected to take matters more into his own hands. After years spent biding his time, contributing to other musicians' projects and allowing outside producers to impose their designs on his material, it was a long overdue move, and one which reflected Paul's growing belief in himself as a singer-songwriter. Accordingly, he recorded his new album, "Satisfy My Soul" at his home studio, relying on his own musical instincts and playing everything himself, with the exception of the sax parts (which are by Steve Beighton), some backing vocals (by Lindsay Dracass) and some of the drum parts (by Ian Thomas or Paul's old chum Andy Newmark, the former Sly & The Family Stone sticksman.) Steeped in the classic and funk sounds of the '60s and '70s, but with an ear firmly trained on the future, Satisfy My Soul is clearly a labour of love, and features some of Carrack's most accomplished songwriting, with three tracks being co-written by Squeeze lyricist Chris Difford. Carrack's journey to make a record that truly does satisfy his soul has come full circle. "I've been doing this a long time, and I've often made it quite difficult for myself, one way or another, but I'm at the point now where I just want to enjoy my musicality, and I have the technical resources and the stability to be able to follow my instincts more confidently. Alot of the time, I've gone against my own instincts, but I'm not fighting them any more, I'm doing what comes naturally now. I'll be happy just to reach the people who already like what I do, but who knows, by making a more personal record, I might reach more people anyway." Satisfy My Soul brings Carrack to Compass Records, also the American home to other British popsters Robbie McIntosh, Hamish Stuart, Eddi Reader, Boo Hewerdine and Clive Gregson. © 2003-2008 Compass Records. All Rights Reserved

1 comment:

2ndderangement said...


Please use regular password aoofc

- 2ndderangement (obo A.O.O.F.C)