Peter Gabriel

Peter Gabriel - Growing Up (Live) - 2003 - Geffen

Peter Gabriel: Growing Up Live presents the complete 2003 Milan concert from Peter Gabriel's tour based around the album Up, featuring 17 tracks across 134 minutes. Literally central to a memorable show is a revolving stage that sees Gabriel going for a cycle ride in an exuberant "Solsbury Hill," performing "Growing Up" inside a Zorb ball, and delivering a gravity-defying sky walk in "Downside Up" with daughter Melanie. Accompanied by regular sidemen David Rhodes (guitar) and Tony Levin (bass), Gabriel is joined by the legendary Blind Boys of Alabama for the spine-tingling "Sky Blue," throughout mixing recent tracks like the abrasive "Darkness" and "The Barry Williams Show" with established crowd pleasers such as "Red Rain," "In Your Eyes," and "Sledgehammer." Gabriel may be less wired than before, but he commands the arena with effortless charm and charismatic presence, his voice retaining all its paradoxically fragile power. Presented in an understated blue light and shot in an unobtrusive, gimmick-free style, the concert begins and ends in virtual darkness with Gabriel alone at a keyboard; from the opening "Here Comes the Flood" to the final "Father, Son," Growing Up is rock theater of rare intimacy, emotion, and intelligence. © 1996-2011, Amazon.com, Inc. or its affiliates

Recorded and filmed on 12th & 13th May 2003 at the Fila Forum, Milan, Italy as part of Peter Gabriel's 2002/2003 "Growing Up" tour, which followed his "Up" album release. The tour covered 32 cities across Canada, the USA, and Europe. Studio versions of seven of the live tracks can be found on Peter's "Up"album. This is a great live concert, featuring old and new songs, including Peter's work with Genesis. The post here is divided into 2 X rar. files. Pt.1 contains tracks 1 - 9 , and Pt.2 has the tracks 10 - 17. Sound is at 192 Kbps, and combined file sizes amount to 179 Mb. The tracks are best appreciated on the DVD movie bonus version which includes a Tony Levin concert photo album, and also an interview with Peter Gabriel about the story of Growing Up. Listen to Peter's great covers album, "Scratch My Back", and Genesis' classic "Foxtrot" album.

TRACKS

1. Here Comes The Flood
2. Darkness
3. Red Rain
4. Secret World
5. Sky Blue
6. Down Side Up
7. The Barry Williams Show
8. More Than This
9. Mercy Street
10. Digging In The Dirt
11. Growing Up
12. Animal Nation
13. Solsbury Hill
14. Sledgehammer
15. Signal To Noise
16. In Your Eyes
17. Father Son

All songs composed by Peter Gabriel

MUSICIANS

Peter Gabriel – lead vocals, keyboards
Richard Evans – guitars, mandolin, whistles, backing vocals
David Rhodes – guitars, backing vocals
Tony Levin – bass, electric upright bass, backing vocals
Rachel Z – keyboards, backing vocals
Ged Lynch – drums, percussions
The Blind Boys of Alabama – lead vocals for "Sky Blue"
Sevara Nazarkhan – lead vocals
Melanie Gabriel – lead and backing vocals
Nusrat Fateh Ali Khan - vocals on "Signal To Noise"
Dr. Hukwe Zawose and Charles Zawose - vocals on "Animal Nation"

BIO

As the leader of Genesis in the early '70s, Peter Gabriel helped move progressive rock to new levels of theatricality. He was no less ambitious as a solo artist, but he was more subtle in his methods. With his first eponymous solo album in 1977, he began exploring darker, more cerebral territory, incorporating avant-garde, electronic, and worldbeat influences into his music. The record, as well as its two similarly titled successors, established Gabriel as a critically acclaimed cult artist, and with 1982's Security, he began to move into the mainstream; "Shock the Monkey" became his first Top 40 hit, paving the way for his multi-platinum breakthrough So in 1986. Accompanied by a series of groundbreaking videos and the number one single "Sledgehammer," So became a multi-platinum hit, and Gabriel became an international star. Instead of capitalizing on his sudden success, he began to explore other interests, including recording soundtracks and running his company Real World. By the time he returned to pop with 1992's Us, his mass audience had faded away and he spent the remainder of the '90s working on multimedia projects for Real World. Following his departure from Genesis in 1976, Peter Gabriel began work on the first of three consecutive eponymously titled albums; each record was named Peter Gabriel, he said, as if they were editions of the same magazine. In 1977, his first solo album appeared and became a moderate success due to the single "Solsbury Hill." Another self-titled record followed in 1978, yet received comparatively weaker reviews. Gabriel's third eponymous album proved to be his artistic breakthrough, however. Produced by Steve Lillywhite and released in 1980, the album established Gabriel as one of rock's most ambitious, innovative musicians, as well as one of its most political -- "Biko," a song about a murdered antiapartheid activist, became one of the biggest protest anthems of the '80s. "Games Without Frontiers," with its eerie chorus, nearly reached the Top 40. In 1982, Gabriel released Security, which was an even bigger success, earning positive reviews and going gold on the strength of the startling video for "Shock the Monkey." Just as his solo career was taking off, Gabriel participated in a one-shot Genesis reunion in order to finance his WOMAD -- World of Music, Arts and Dance -- Festival. WOMAD was designed to bring various world musics and customs to a Western audience, and it soon turned into an annual event, and a live double album was released that year to commemorate the event. As Gabriel worked on his fifth album, he contributed the soundtrack to Alan Parker's 1984 film Birdy. His score was highly praised and it won the Grand Jury Prize at Cannes that year. After founding Real World, Inc. -- a corporation devoted to developing bridges between technology and multiethnic arts -- in 1985, he completed his fifth album, So. Released in 1986, So became Gabriel's commercial breakthrough, largely because his Stax homage "Sledgehammer" was blessed with an innovative video that combined stop-action animation with live action. So climbed to number two as "Sledgehammer" hit number one, with "Big Time" -- featuring a video very similar to "Sledgehammer" -- reaching the Top Ten and "In Your Eyes" hitting the Top 30. As So was riding high on the American and British charts, Gabriel co-headlined the first benefit tour for Amnesty International in 1986 with Sting and U2. Another Amnesty International Tour followed in 1988, and the following year, Gabriel released Passion: Music for The Last Temptation of Christ, a collection of instrumentals used in Martin Scorsese's film. Passion was the furthest Gabriel delved into worldbeat, and the album was widely acclaimed, winning the Grammy Award in 1989 for Best New Age Performance. In 1990, he released the hits compilation Shaking the Tree. Gabriel labored long on the pop-music follow-up to So, finally releasing Us in the spring of 1992. During the recording of Us, Gabriel went through a number of personal upheavals, including a painful divorce, and those tensions manifested themselves on Us, a much darker record than So. For various reasons, not the least of which was the fact that it was released six years after its predecessor, Us wasn't as commercially successful as So, despite positive reviews. Only one single, the "Sledgehammer" knockoff "Steam," reached the Top 40, and the album stalled at platinum sales. In 1993, Gabriel embarked on the most ambitious WOMAD tour to date, touring the United States with a roster including Crowded House, James, and Sinéad O'Connor, with whom he had an on-off romantic relationship. The following year, he released the double-disc Secret World Live, which went gold. Later in 1994, he released the CD-ROM Xplora, one of many projects he developed with Real World. For the rest of the decade, Gabriel concentrated on developing more multimedia projects for the company and working on a new studio album. Up was released in 2002, a full decade after Gabriel's last studio effort. Dense, cerebral, and often difficult, the record peaked at number nine but failed to sell well in America. It fared slightly better in Canada, where it went gold. He then turned his attention to a host of different projects, although the release of Big Blue Ball -- a compilation of collaborative performances recorded at Real World Studios during the '90s -- helped placate fans while Gabriel focused his energies elsewhere. He eventually returned to the studio for another album, Scratch My Back, which featured orchestral covers of songs originally performed by Radiohead, Arcade Fire, Paul Simon, David Bowie, and others. © Stephen Thomas Erlewine © 2011 Rovi Corporation. All Rights Reserved http://www.allmusic.com/artist/peter-gabriel-p4328/biography